Pricing and availability
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Average Price: $211
High-end/Boutique
$75
$201+
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High-end
Price History
Based on price data from 7 merchants for "AKG D112 MkII". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Meet the AKG D112 MkII, a dynamic bass drum microphone that is celebrated across the globe as the best in its league. With its refined sonic strengths and a new integrated flexible mount, it takes the legacy of its predecessor a notch higher. Whether you're performing on stage or recording in the studio, the D112 MkII delivers a powerhouse performance each time, effortlessly handling SPLs over 160dB without any distortion.
The D112 MkII's large diaphragm has a remarkably low resonance frequency, allowing it to provide a robust and impactful response below 100Hz. Its punchy EQ and narrow-band presence boost at 4kHz ensure that it delivers a forceful impact, making it cut through even the densest mixes and loudest stage volumes. Need to bring up the fader? No worries. The D112 MkII requires no additional EQ to sound just right, thanks to its integrated hum-compensation coil that keeps noise to an absolute minimum.
In addition to being an exceptional bass drum mic, the D112 MkII is also an excellent choice for miking electric bass cabinets and trombones, offering you versatility in a compact package.
Key Features:
- Professional dynamic bass drum microphone
- Integrated flexible mount
- Can handle over 160dB SPL without distortion
- Large diaphragm with very low resonance frequency
- Delivers solid and powerful response below 100Hz
- Narrow-band presence boost at 4kHz punches through dense mixes
- Requires no additional EQ to sound just right
- Features an integrated hum-compensation coil for minimum noise
- Excellent for miking electric bass cabinets and trombones.
Product specs
| Microphone Type | Dynamic |
| Polar Pattern | Cardioid |
| Frequency Response | 20Hz-17kHz |
| Output Impedance | 210 ohms |
| Connector | XLR |
FAQs
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What is the primary use of the AKG D112 MkII microphone?
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The AKG D112 MkII is primarily used for miking bass drums, but it is also excellent for capturing the sound of electric bass cabinets and trombones due to its ability to handle high sound pressure levels.
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Does the AKG D112 MkII require phantom power?
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No, the AKG D112 MkII does not require phantom power as it is a dynamic microphone.
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What is the polar pattern of the AKG D112 MkII?
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The AKG D112 MkII features a cardioid polar pattern, which helps isolate the sound source and reduce background noise from the sides and rear.
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Can the AKG D112 MkII handle high sound pressure levels?
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Yes, the AKG D112 MkII is designed to handle extremely high sound pressure levels, making it ideal for loud sound sources like kick drums and bass instruments.
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What is the frequency response range of the AKG D112 MkII?
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The AKG D112 MkII has a frequency response range of 20Hz to 17kHz, which is tailored to capture the full depth and punch of bass frequencies.
Videos
Guitar Center
AKG D112 Microphone Review
AKG D112 Microphone Review
Guitar Center
Why Use Kick Drum Mics for Bass Amps? (ft. AKG D112 mkII)
FrostByte
AKG D112 MKII Kick Drum Mic Sound Samples
Pixel Pro Audio
Ove's GearCheck | T.Bone DB300 vs AKG D112 MK II
Ove Bosch
AKG D112 MKII Studio Mic - Drum Gear Review
Dirty Bandana
Reviews
PROS
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Exceptionally durable, lasting for years
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Superior sound quality for bass drums and bass guitars
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Easy to find the "sweet spot" in positioning
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Clear and punchy sound without needing post-processing
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Sturdy build, resistant to overloading
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Versatile for both studio and live sound environments
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Built-in EQ/filter simplifies sound shaping
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Works well on various instruments beyond drums (e.g., bass cabs, toms)
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Consistently preferred over competitors like Shure SM 52 and Beta 52a
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Provides a balanced, natural sound with minimal setup
CONS
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Clip design can obstruct placement inside kick drum port holes
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XLR cable placement can be cumbersome, especially on mic stands
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about AKG D112 MkII.
Use cases and applications
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The D112 MkII excels when placed inside the kick drum, a few inches from the beater, avoiding poor results from merely placing it at the resonant head's hole.
Source -
The D112 is recommended for recording low-tuned rock and metal floor toms, offering a distinct tone.
Source -
The D112 can overload if placed closer than 6 inches from the kick drum when used by heavy hitters, leading to a "wet cardboard" sound.
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For achieving a dry 70s sound, the D112 is recommended over the Beta 52A when paired with a dead, dry sounding drum with no resonant head.
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Despite some skepticism, it's noted that the D112 can achieve a punchy, dry 70s kick sound when the drum is properly muffled and tuned.
Source
Comparisons
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Unlike the Beta52A, which users find muddy, the D112 MkII offers a balanced low end and mid-tones, making it versatile for Americana, indie, folk, and alt-country genres.
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The D112 is noted to be more natural and flat in response compared to the Beta 52, which is preferred for jazz and less aggressive genres.
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In live settings, the D112 is chosen for scenarios where it is the sole mic option, indicating its reliability in such setups.
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The D112 is described as "scoopy sounding," which can be too modern for achieving a 70s kick drum vibe compared to the RE-20 or vintage AKG D12.
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Users suggest the D112 has a better mid-range presence than the Beta 52A, which might help achieve a slightly more vintage sound profile.
Source
Features and functionality
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The MkII model features improved attachment to mic stands and enhanced cable management, addressing a common complaint about the original D112's design.
Source
User experience
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Real-world use shows the D112 MkII works effectively on unconventional sources like tuba and cello, capturing transients without muddiness.
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Owners report minimal EQ adjustments are needed, as the D112 MkII naturally captures a balanced kick drum sound, making it efficient for live settings.
Source
Critic Reviews
4.5 out of 5
Based on 5 Reviews and 43 Ratings
114
King of Kick.... also pretty good on bass
I work live sound and use this for every band that I get and I always get told its the best sounding kick they have heard. I'd take this over the shure beta 52a any day, it just has so much more roundedness in the bass and punch in the mids, but not clicky. It is perfect live or in the studio. I like to use it in conjunction with a 57 on the batter if i am looking for more attack, but only for a few songs here and there. It also sounds pretty darn good with bass cabs, if you have a nice cab. I'd probably take an audiotechnica ATM250 over this for bass cab but this is probably my second pick and thats in a good way.
41029
I didn't know anyone used anything else on lvie gigs except for the odd audix kick mic for metal shows.... and in the studio I regularly used to put this on bass amps righton a speaker with a figure 8 mic 3 to 6 feet out and get great results, often ebing able to use minimal or no DI
800
Nice bass mic
This is good for both studio and live use. For the best result use a trigger as a gate
41029
overrated as a kick mic, great on a loud bass amp as a close mic with a figure 8 condenser about a yard out and then phase/time aligned later.
800
NIce. I'll try that. Thanks for the tip
Artist usage
Add artist
During recording of Daft Punk's Random Access Memories, one of the mics used to record the kick drum was the AKG D 112, used for its "...nice, solid, low bottom and a punchy mid-range."
In the description of Collier's cover of Close to You by The Carpenters, he says that one of these microphones was used to record the song.
While discussing his drum micing technique in this article, Andy Gill says, "The kick had a D112 inside and either a Neumann 47 or 67 outside, usually placed about one-and-a-half or two feet away."
Halpern lists this mic as the one used for the outside kick drum in the video's description.
Microphones: (2) Josephson 606A-KA21 hypocardioid small condenser (2) AEA N22 active ribbon (2) Neumann KM130 omni small condenser (1) Blue Mouse cardoid large condenser (2) Blue Dragonfly cardoid large condenser (2) ADK TL-Au custom modified multipattern large condenser (1) ADK TL-Gk67 custom modified multipattern large condenser (2) ADK Sigma CHI small diaphragm condenser (4) ADK Sigma CHI large diaphragm (lollipop 47, 251 capsules) (2) Oktava MK012 w/ Red Replacement capsules (1) Audio Technica AT4050 multipattern large condensor (2) E/V NDym 408 dynamic (2) Shure SM57 dynamic (1) Sennheiser MD421mII dynamic (1) AKG D112 kick drum mic
For example, there was a time I had to make a decision on a kick mic and my options were the standard AKG D112, Audix D6 and Shure Beta52. But there was also a Shure SM7B not being used.
Lo muestra en su Studio Tour 2019 en el minuto: 8:20
According to Sound on Sound interview with Shawn Everett, this microphone was used on kick drum.
Carlos Cruz uses the AKG D112 MkII for the kick drum, as confirmed by Sick Drummer Magazine in their "Carlos Cruz - Warbringer - Firepower Kills - Summer 2020 Drum Play-through Series - Video I of III."
In his YouTube page "SquidPhysics", Ben has the list of some material that he uses, which includes the AKG D 112 MkII Professional Kick Drum Microphone?.
Album Usage
The AKG D112 MkII has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use AKG D112 MkII, it is most commonly used with the following gear.
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