Chris Carter

Chris Carter has an Eventide Space Reverb in this image of his live setup.

(Centre - top down): Self-built digital delay, Accesit Noise Gate & Compressor, Roland System 100M (M-191J): incl. Gristleizer, BBD Module, VCO, VCF, ADSR etc., Roland System 100M (M-191J) rack containing self-built modules: incl. VCO, VCF, ADSR etc.. Boss KM-4 mixer, Self-built effects unit (Gristelizer), Boss CE-2 Chorus, Boss BF-2 Flanger, Roland 100M M-181 Keyboard.

This was the first track I 'officially' recorded as part of my CCCL project (aka: Chris Carter's Chemistry Lessons). It was made in 2007 with a Gameboy ASP running a couple of Nanoloop sequences: into a Boss PQ-4 parametric EQ, mono out: into a Boss PN-2 Panner (square-wave pan setting), stereo out: into a Boss RV-5 reverb (Gate setting), stereo out > into a Boss DD-6 digital delay (modified), stereo out: into a Mac G5 recording (via MOTU 828 mkII audio interface) into Apple Soundtrack Pro. All realtime tweakery (mostly the PQ-4 + DD-6) and no post-pro no editing.

This was the first track I 'officially' recorded as part of my CCCL project (aka: Chris Carter's Chemistry Lessons). It was made in 2007 with a Gameboy ASP running a couple of Nanoloop sequences: into a Boss PQ-4 parametric EQ, mono out: into a Boss PN-2 Panner (square-wave pan setting), stereo out: into a Boss RV-5 reverb (Gate setting), stereo out > into a Boss DD-6 digital delay (modified), stereo out: into a Mac G5 recording (via MOTU 828 mkII audio interface) into Apple Soundtrack Pro. All realtime tweakery (mostly the PQ-4 + DD-6) and no post-pro no editing.

In a 1980 image featured on Boing Boing, industrial music pioneer Chris Carter is seen with his gear, including a Boss PH-1 Phaser pedal.

This was the first track I 'officially' recorded as part of my CCCL project (aka: Chris Carter's Chemistry Lessons). It was made in 2007 with a Gameboy ASP running a couple of Nanoloop sequences: into a Boss PQ-4 parametric EQ, mono out: into a Boss PN-2 Panner (square-wave pan setting), stereo out: into a Boss RV-5 reverb (Gate setting), stereo out > into a Boss DD-6 digital delay (modified), stereo out: into a Mac G5 recording (via MOTU 828 mkII audio interface) into Apple Soundtrack Pro. All realtime tweakery (mostly the PQ-4 + DD-6) and no post-pro no editing.

(Centre - top down): Self-built digital delay, Accesit Noise Gate & Compressor, Roland System 100M (M-191J): incl. Gristleizer, BBD Module, VCO, VCF, ADSR etc., Roland System 100M (M-191J) rack containing self-built modules: incl. VCO, VCF, ADSR etc.. Boss KM-4 mixer, Self-built effects unit (Gristelizer), Boss CE-2 Chorus, Boss BF-2 Flanger, Roland 100M M-181 Keyboard.

This was the first track I 'officially' recorded as part of my CCCL project (aka: Chris Carter's Chemistry Lessons). It was made in 2007 with a Gameboy ASP running a couple of Nanoloop sequences: into a Boss PQ-4 parametric EQ, mono out: into a Boss PN-2 Panner (square-wave pan setting), stereo out: into a Boss RV-5 reverb (Gate setting), stereo out > into a Boss DD-6 digital delay (modified), stereo out: into a Mac G5 recording (via MOTU 828 mkII audio interface) into Apple Soundtrack Pro. All realtime tweakery (mostly the PQ-4 + DD-6) and no post-pro no editing.

Chris Carter uses the Eventide TimeFactor Twin Delay, as noted in The Quietus article discussing the Carter Tutti Void LP.