Jamie MacDonald

In an Instagram post by Jamie MacDonald, the Peavey Bandit 112 Solo Series is visibly featured as the top amplifier in his setup, confirming its use. This is evidenced by the photo shared on his account, jmac.fm.

In an Instagram post by Jamie MacDonald, the Peavey Bandit 112 (modern version) is visibly featured as the bottom amplifier in his setup, confirming its use. This is evidenced by the photo shared on his account, jmac.fm.

In an Instagram post by Jamie MacDonald, the LTD Viper 256 is standing beside his setup, confirming its use. This is evidenced by the photo shared on his account, paranormalarson902.

In an Instagram post by Jamie MacDonald, the Boss HM-2w Waza Craft is visible on the pedalboard, confirming its use. This is evidenced by the photo shared on his account, paranormalarson902.

In an Instagram post by Jamie MacDonald, the GUPTech Pile o' Rats is visible on the pedalboard, confirming its use. This is evidenced by the photo shared on his account, paranormalarson902.

In an Instagram post by Jamie MacDonald, the EHX Op Amp Big Muff reissue is visible on the pedalboard, confirming its use. This is evidenced by the photo shared on his account, paranormalarson902.

In an Instagram post by Jamie MacDonald, the Digitech Death Metal distortion pedal is visible on the pedalboard, confirming its use. This is evidenced by the photo shared on his account, paranormalarson902.

In an Instagram post by Jamie MacDonald, the Tokai Metal Driver TMD-1 overdrive pedal is visible on the pedalboard, confirming its use. This is evidenced by the photo shared on his account, paranormalarson902.

In an Instagram post by Jamie MacDonald, the Demonic Machines Dragonaut fuzz pedal is visible on the pedalboard, confirming its use. This is evidenced by the photo shared on his account, paranormalarson902.

In an Instagram post by Jamie MacDonald, the GUP Tech pPTSD Parametric EQ is visible on the pedalboard, confirming its use. This is evidenced by the photo shared on his account, paranormalarson902.

Jamie MacDonald has confirmed the use of the Boss PS-6 Harmonist pedal in an Instagram post on his account, @paranormalarson902. In the caption, he mentions, "Been a while since I got a new toy, and @longandmcquade @lm_sydney had a solid deal on this guy. Outside of dirt, I'm always a fan of the wacky stuff so I'm sure I'll have tons of fun with this." This statement, along with the accompanying photo, provides clear evidence of his use of the pedal.

Jamie MacDonald is confirmed to use the B.C. Rich Warlock Bronze Series Electric Guitar, as evidenced by an Instagram video on his account, paranormalarson902. In the video captioned "BC RICH BRONZE WARLOCK DEMO," MacDonald states: "Just a quick and dirty phone recording of the Warlock, and it sounds THICC," further detailing the guitar's signal chain and performance characteristics.

Jamie MacDonald uses the Boss OS-2 OverDrive/Distortion pedal, as confirmed by an Instagram video on his account, paranormalarson902. In the video, he demonstrates the pedal's performance, stating, "I knew the OS-2 was going to be fun to stack with other pedals, but good lord is this Rat pairing heavy! It's growly and snarly, but still thick and doesn't lose articulation."

Jamie MacDonald uses the Boss MT-2 Metal Zone, which has been modified with the Griffin Effects "Death Metal Mod" by Modest Mike. This is confirmed by an Instagram video on his account, paranormalarson902, where he describes it as acting as a "thickening agent" and providing extra mid control in his setup inspired by 90s death metal.

In an Instagram post, Jamie MacDonald demonstrates the use of the Boss XT-2 Xtortion pedal while discussing the process of recording a cover of Terrorizer's "Fear of Napalm." MacDonald states: "When recording a cover of a grindcore song, you use all the dirt," highlighting the pedal's role in the signal chain.

In an Instagram post, Jamie MacDonald demonstrates the use of the JHS Mini Foot V2 fuzz pedal pedal while discussing the process of recording a cover of Terrorizer's "Fear of Napalm." MacDonald states: "When recording a cover of a grindcore song, you use all the dirt," highlighting the pedal's role in the signal chain.