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Average Price: $102
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Based on price data from 6 merchants for "Boss MT-2 Metal Zone". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
The Boss MT-2 Metal Zone is a distortion pedal specifically crafted for metal guitarists and hard rock enthusiasts. Engineered with dual gain circuits, this pedal is capable of delivering a tidal wave of high-gain distortion, from seething sustain to earth-shattering saturation that caters to the most demanding guitarists.
The MT-2 Metal Zone is like having a stack of overdriven amps right at your feet. Its unique dual-gain circuitry produces distortion tones that are not only huge but also incredibly versatile. Whether you want to dive deep into a roaring sea of overdrive or just add a subtle touch of grit to your sound, the MT-2 has got you covered.
What sets the MT-2 Metal Zone apart is its superior tonal control. Equipped with a 3-band EQ and semi-parametric mid-control, this pedal allows you to sculpt your tone with precision. Dial in the perfect balance of bass, mid, and treble to create your own brand of sonic annihilation.
Above all, the MT-2 Metal Zone is built for the road. Its rugged metal housing and quality components are designed to withstand the rigors of constant gigging and touring. Plus, the handy battery access door makes changing batteries a breeze – no need to remove the pedal from your pedalboard or guitar strap.
Key Features:
- Dual gain circuits for massive, full-frequency distortion
- 3-band EQ with semi-parametric mid-control for precise tonal shaping
- Robust design for reliable performance on the road
- Convenient battery access door for easy battery changes
- Specially designed for hard rock and metal styles
- Provides super-long sustain and heavy mids and lows like a stack of overdriven amps
- Extremely low-noise operation for clean, uncolored sound.
Owner's manual
Boss MT-2 Metal Zone User ManualProduct specs
| Pedal Type | Distortion |
| Inputs | 1 x Instrument |
| Outputs | 1 x 1/4" |
| Power Source | 9V DC power supply (sold separately) |
| Batteries | 1 x 9V |
| Height | 2.4" |
| Width | 2.9" |
| Depth | 5.1" |
| Weight | 1 lbs. |
FAQs
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What kind of distortion tones can I expect from the Boss MT-2 Metal Zone?
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The Boss MT-2 Metal Zone provides a wide range of heavy distortion tones, from scooped mids for modern metal to more mid-focused sounds ideal for hard rock. Its dual-stage gain circuit allows for rich, saturated sounds with plenty of sustain.
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Is the Boss MT-2 Metal Zone suitable for live performances?
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Yes, the Boss MT-2 Metal Zone is well-suited for live performances, offering a powerful and cutting distortion that can easily stand out in a band mix. Its robust build and reliable performance make it a staple for gigging musicians.
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Can the Boss MT-2 Metal Zone be used with a bass guitar?
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While primarily designed for electric guitars, the Boss MT-2 Metal Zone can be used with a bass guitar, though it may produce a more mid-heavy tone. It's recommended to experiment with the EQ settings to achieve the desired sound.
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What power options are available for the Boss MT-2 Metal Zone?
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The Boss MT-2 Metal Zone can be powered using a 9V DC power supply or a 9V battery, offering flexibility for both pedalboard integration and standalone use.
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How does the EQ section of the Boss MT-2 Metal Zone enhance its versatility?
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The Boss MT-2 Metal Zone features a 3-band EQ with semi-parametric midrange control, allowing for precise tone shaping and making it versatile across various music styles. This enables users to dial in anything from classic rock to extreme metal tones.
Videos
Ola Englund
BOSS METALZONE - WORST DISTORTION PEDAL EVER?
Reviews
PROS
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Can replicate tones from famous metal bands
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Exceptional for heavy metal and high-gain distortion
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Highly customizable EQ for versatile tone shaping
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Durable construction, resistant to damage
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Works well with active humbuckers for sharp, defined sound
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Provides a wide range of distortion, from crisp to aggressive
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Useful for both bedroom practice and live gigs
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Can achieve a vintage metal sound
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Surprisingly clean tone even with high distortion
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Easy to tweak once familiar with the EQ settings
CONS
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Limited appeal outside hardcore metal genres
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Consumes batteries quickly; AC adapter recommended
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Can produce unwanted noise without careful EQ adjustment
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Learning curve due to sensitive and dynamic EQ
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Some find the tone too harsh or "buzzing" without modifications
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Not ideal for genres requiring softer distortion like blues
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May require additional noise suppression for active pickups
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EQ can be overly sensitive, making sound adjustment finicky
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Not plug-and-play; requires time to dial in desired tone
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Misuse can lead to poor sound quality, labeled as "can of bees" by some
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Boss MT-2 Metal Zone.
User experience
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Some users report that pairing the MT-2 with a Super Overdrive can unlock additional tonal possibilities.
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Some owners opt for combining a tight distortion and fuzz in parallel to achieve a distinct, articulate tone for heavy metal beyond glam.
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Many beginners misconfigure the pedal by cranking gain and scooping mids, leading to suboptimal sound, often described as "like a swarm of bees."
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Features and functionality
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The Rocktron Zombie Rectified Distortion is mentioned as achieving a tube amp sound, indicating its suitability for players seeking that specific tone.
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The Empress Heavy is highlighted for its built-in noise gate and switchable buffer, features appreciated by users for their versatility.
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Its EQ section is highly versatile, allowing for detailed adjustments, but can quickly transition from great to harsh if not dialed carefully.
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The dual-stage EQ features a Mid-Level control for boosting/cutting and a Mid-Freq knob for selecting specific frequencies, offering precise control over the midrange.
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Use cases and applications
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The Metal Zone is often compared to the MXR 5150, noted for its chuggy and aggressive sound, making it an all-rounder for metal styles.
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When used correctly, it can achieve specific tones for bands like Black Sabbath, Judas Priest, and Iron Maiden, especially when combined with other pedals in the signal chain.
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Using the MT-2 in the FX loop as a preamp offers a substantial, chuggy tone, particularly effective for heavy metal applications.
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It can serve as a potent boost pedal when the distortion is set to zero, especially effective with high-gain amps like the 5150 or Mesa Rectifier.
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The Metal Zone excels when used as a preamp through the effects loop of a tube amp, offering substantial tonal control.
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Mods and upgrades
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Some users mention that Metal Zones can be modded to Waza specs with minimal component changes, enhancing their performance.
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A specific mod involves clipping C35, which is said to make the pedal more versatile across different gain ranges.
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Removing capacitors C24, C34, and C35 can significantly improve sound quality by eliminating a nasal quality and making the treble more usable.
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Simple mods can tame the inherent harsh high end, enhancing the pedal’s boost/distortion capabilities.
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Comparisons
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The BOSS HM-2 is favored by some for its classic tone over the Metal Zone, particularly the original 80s versions.
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The Electro Harmonix Metal Muff is praised for its easy-to-dial-in metal sound and is used by some as a high-gain channel on amps like the JC40.
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The MT-2W Waza Craft version is noted for having more character and sounding less "boxy" than the original, making it a preferred choice for some users.
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Some users find the Metal Zone more satisfying than the ProCo Rat, particularly for achieving old-school death metal tones.
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Critic Reviews
4.0 out of 5
Based on 56 Reviews and 298 Ratings
3586
You Need to EQ and Amp the S out of this to get something good.
Everyone has this pedal that i know of under 25, it sounds like a sawblafe on some and a boombox on others. It's really your starter pedal as a teenager. But most people sell it off after rendering it useless and we all know it and then they regret it. Its a pedal that has a classic sound but standardalone you are not gonna get it unless you have a mesa boogie and a Marshall amp cabinet or simmilar gear. It sounds like a Ds-2 on crack alone. I got to EQ this with my EQ700 and fine dialing my amp, booster and minieq doubler this got real good real fast. Buy the waza craft if you want to use this, don't look at the price tag.
Preferred Settings + Usage:
Level 10, Eq1 11am, EQ 1.5 1 pm. EQ 2. 10 am. EQ 2.5 1 pm. Distortion 10.
305
alright
its a metal zone, yeah. the distortion sounds very nasally, the EQ is kinda sorta, and the tone is alright I guess, just put an eq pedal In front of it, and you've got a pretty good sound
706
Don't listen to the naysayers.
The Metal Zone has become a bit of a meme within the guitar community. Many often deride it for being a "can of bees" or being "ALL GAIN NO MIDZ", but it really is in how you use it. I think a lot of the misconceptions come from it being one of the most common "baby's first pedal", and with the very powerful parametric EQ it has quite a steep learning curve. Granted, if you want some bitey blues overdrive or crunchy alt rock distortion, there's probably better options for you. However, if you're looking for heavy tones, this little fella can give you quite a few. It's actually turned up on more records than you'd think: from being the primary distortion sound on Acid Bath's two albums, being used as a front-amp boost on Crowbar and Cannibal Corpse albums, and even as a lead tone by Prince. You can even hear it used by a handful of Rock artists like Allison Robertson from The Donnas and Larry LaLonde from Primus on the "Tales From the Punchbowl" album.
You'll see these things kicking around at various yard sales, pawn shops, etc, so if you see one for cheap I definitely recommend grabbing one and having a bit of fun. If you're a beginner player looking for plug-and-play heavy tones, I'd recommend looking for something a bit more user-friendly: the Boss DS-1/DS-2, TC Electronic Dark Matter, EHX Metal Muff, or my personal favourite Ibanez Super Metal (see my review of the old SML model). If you feel comfortable yielding a parametric EQ, jump in and ignore the echo chamber. There's lots of fun to be had!
Preferred Settings + Usage:
I have a couple of uses for it, so I'll put some general tips here:
-Works great as an alternate pre-amp. If you plug directly into your power amp in/effects loop return, you can use it as a pre-amp and with the powerful EQ it really shines in this role.
-Many like Cannibal Corpse and Crowbar have used this as a pseudo-boost, almost as one would use a Tubescreamer in a metal setting. Back the drive all the way off, adjust EQ to taste (SMALL adjustments at a time!) and bring the level up to taste. An OD pedal would have the level cranked, but I find it works best with the level backed off just a smidge.
-Don't be afraid to use it as a primary distortion into the front of a clean amp! You can hear this on Acid Bath's "When the Kite String Pops" and "Pagan Terrorism Tactics" albums. If you want to scratch that nostalgic itch for the 90s scooped extreme metal tones that you'd hear on those albums , or a variety of Death Metal albums, give it a go! Just be careful with the scooping. The EQ is very powerful and a little goes a long way.
Mighty EQ - lots of sounds to be achieved
I just can't chime in with the Babydistortion lullabies and meme stuff with this one. The truth is, it doesn't sound that good in front of a clean amp, despite you can get some good sounds from it in this setting as well. It's best used as a pre amp in the FX Loop of an amp. Then you can get quiet many different sounds from it. The distortion is always on so there is no clearing up with the volume pot, I'd like it when it could be set to no distortion at all and only be an EQ-pedal, but I am sure there's mod to achieve that (I think it's from Brian Wampler). The range starts at dadrock distortion and goes up to the often quoted angry bees in a can. I use it with a Mooer Radar and got some nice sounds out of it, for example I simulated the sound of an EQD Acapulco with it. You can hear a little difference but it's not much. I will try out some different settings but with the mighty para-EQ it is pretty much the Bad Monkey of High-Gain distortion.
439
Depends on what you want…
… but I honestly love this pedal. It’s got lots of EQ shaping possibilities and great tone. I roll the distortion back to 12 and this thing still sounds savage, but surprisingly clean. And in my experience, it sits in a mix beautifully. There are other pedals that probably sound “better” when run solo, but we all know that the mix is all-important! Worth a shot, especially if you can get one used and cheap like I did!
Preferred Settings + Usage:
EQ to taste, distortion at 12!
309
Always great.
The Metal Zone pedal is one of my favorites I've ever used. Nice, crunchy tone, with a big beefy sound. I am a huge fan of this pedal.
Sadly, I no longer have my Metal Zone, but am hoping to get a replacement soon. Cheers.
903
The Top "Love it or hate it" Pedal
Disclaimer: I gave this pedal 4 stars instead of 3 because I have modified mine substantially. So buying one stock will not be the same pedal that I know this to be.
It gets a lot of grief over being a crummy pedal, but then again there are players that say it's all in how you use it. While I feel as though I exhausted my knob-tickling options in stock form, it may have just been the gear combo I was running it on, or maybe I didn't do my due diligence and work hard enough to unlock that magic, golden sweet spot people claim is hidden in there. I my opinion it shouldn't be that hard, nor should the sound shaping be so limited in anything you would consider a great pedal.
After increasing the gain, a little headroom, and giving the EQ sweep a major extension, this pedal is able to be ran into the front of a more modestly priced solid state amp and sound decent enough to shred on. It doesn't make it sound like a $4000 tube amp, but it's redeemable with a little bit of work.
What I'm really trying to say here is that some pedals are easily upgraded, while others simply cannot be saved and are trapped in mediocre mode eternally. If you are just getting into pedal modifications, find some popular mods on the internet for this pedal, and try the Keely mods on the Boss DS-1 to get some experience.
141
A great addition to a pedalboard
I have been using the MT-2 for many years now and all I think that every guitarist should own this pedal. The quality of this pedal is pretty decent compared to other Boss pedals, but by far the biggest advantage that this pedal has over every other distortion pedal, is the number of tones you can create with it. From AC/DC vibes to Djent, this pedal has it all
623
My First Pedal
I cut my teeth using this pedal. It's got tons of parameters to play with. It's because of this pedal that I wanted to learn about tone...mostly because the tone on this pedal is horrible, and I never want to hear another used ever again. Because it inspired me to play, I will give it more than one star. But I won't give it more than two because of how badly it sounds without mods.
Artist usage
Add artist
In this article on a Daft Punk fan site, it says that the duo used a Boss MT-2 Guitar Pedal with a Juno 106 synth to create the sounds heard on their song "Rollin' And Scratchin'"
I remember this picture being posted on John or DT's official website, back in 2006/2007. They were going back into the studio to record their album Systematic Chaos. Also, the label on his Mesa/Boogie amp says "Dream Theater - John Petrucci" and the date.
At 39:57 minutes: https://www.youtube.com/watch?v=HAFrAMvYlS8 This setup can be seen just behind him, but of course, it's changed a bit from time to time, which happens in the studio. If you watch the full documentary, you'd see the changes happening as the recording process evolves.
Listed on Reverb.com on November 4, 2019. It bears a white tape label reading "G PDL 05" on the footswitch, while the right top corner side has a blue tape label reading "DM 040".
This Boss MT-2 Metal Zone is Owned by Dave Mustaine, frontman for the legendary metal band Megadeth.
[...]
SN: FL61715. MIJ. Markings on the front. Gaff tape on the front.
That pedal is clearly labeled made in Taiwan and the Metal Zone wasn't released until 1991 after production was fully switched to Taiwan by mid 90. The serial number decodes to November 1998. The only MIJ Metal Zone is the modern Waza.
When it comes to effects, Prince seemed to like Boss Pedals. While it very well could be that Prince owns the entire Boss line of effects, he was commonly seen with a metal zone in the mid 90s. It was put in his pedalboard between his Diamonds and Pearls Tour and Act I& II Tour (support for Love Symbol Album) around 1992 until the late 90s it was spotted on his pedalboard on July 9th 1996 while he was performing for The Today Show on NBC. There was also a close up photo taken of his pedalboard in the mid 90s which the Boss Metal Zone MT-2 pedal is clearly seen.
“My favourite BOSS dirt pedal – and I know this is going to sound really fucking strange – is the [MT-2] Metal Zone,” reveals Bonamassa. “Being a child of the ’80s, I really dug the Metal Zone. I was a Metal Zone guy. I thought you could get some cool midrange things out of it with a clean amp. Just because it’s called the Metal Zone, that doesn’t mean you need to run the gain all the way up.”
For most of Enema of the state, Take off your pants and jacket, and the self titled album you can hear the metal Zone pedal being used.
In this interview from the October 2004 issue of Bass Player magazine, Simon says that he uses the MT-2 in his live rig.
Album Usage
The Boss MT-2 Metal Zone has been featured on the following albums:
Russian Grizzly In America
Slaughter to Prevail (2025)
I Remember You
Bernth (2023)
The Donnas
The Donnas (2020)
American Teenage Rock 'n' Roll Machine
The Donnas (2020)
Day Of The Dead
Hollywood Undead (2015)
The Art of Partying
Municipal Waste (2007)
Storm Of The Light's Bane
Dissection (2006)
Suspended Animation
John Petrucci (2005)
Demos: 1993-1996
Acid Bath (2005)
Black Market Music
Placebo (2000)
Starless
Shiner (2000)
Nattens Madrigal
Ulver (1997)
Paegan Terrorism Tactics
Acid Bath (1996)
Tales From The Punchbowl
Primus (1996)
Slaughter Of The Soul
At the Gates (1995)
[Love Symbol]
The New Power Generation & Prince & Prince (1992)
Diamonds and Pearls
The New Power Generation & Prince & Prince (1991)
At War with Satan (Bonus Track Edition)
Venom (1984)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Boss MT-2 Metal Zone, it is most commonly used with the following gear.
Community setups
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