Jim Heath

At the 1:08 mark Jim can be seen tweaking the feedbacker during psychobilly freakout.

"Then there’s a Boss Blues Driver that’s always on, and then it goes into a blackface Fender Twin. When I record, I can just pan those a little bit side to side and it’s a great big sound.

I get a distorted signal through the Twin because of the Boss Blues Driver, which I can turn up a bit to get just a little extra dirt. In certain rooms that are really small but dry, I can’t turn the Super up to 10, but I can turn up the Blues Driver and still get the dirt".

"From the other side of the Chandler a line goes to stomp boxes. There’s a Boss analog delay that I rarely use except to make crazy sounds, for when I break a string or when I’m just feeling like an idiot and want to screw around".

"From the guitar I go to an Ernie Ball volume pedal. That’s fun because I can get steel guitar-like swells and a little simulation of an amp vibrato with it"

"I also have the switch for my echo there. Next it goes to a Boss tuner, then to one input of a Chandler digital delay"

Jim Heath praises the Dunlop DVP1 Volume Pedal for its durability, smooth operation, and impressive sound and appearance, as highlighted on the Jimdunlop website.

In the episode of Digital Tour Bus's "Gear Masters," Jim Heath, the guitarist and vocalist of Reverend Horton Heat, demonstrates his use of the Radial Tonebone Elevator Multi-Level Booster, highlighting it as the starting point of his signal path.