Laur Joamet

"I have a T.C. Electronic Hall of Fame reverb; a Destination Rotation by Option 5, which is a Leslie-style pedal; a CMAT Mods phaser; and a Zvex Distortron, which I use to just to boost the signal a bit. The ZVex is a great pedal because it doesn’t cut the low end. It works well for high or low gain."

"I have been using Fender amps. When I first got here, I was using a late ’60s silverface Champ. We used that for at least half the record. If you want a really big sound in the studio, use a really small amplifier."

"I have a T.C. Electronic Hall of Fame reverb; a Destination Rotation by Option 5, which is a Leslie-style pedal; a CMAT Mods phaser; and a Zvex Distortron, which I use to just to boost the signal a bit. The ZVex is a great pedal because it doesn’t cut the low end. It works well for high or low gain."

"Got myself two new toys. Many thanks to Nick Greer from Greer amps! "The Lightspeed" on down left, which I use as a clean boost. It's a really organic and good sounding overdrive which slightly boosts the mids. Really useful if you need to cut through the mix. "Arbuckle tremolo" on down right is by far the best round and warm tremolo pedals I've ever come across. Nick is a good man with a pair of great ears!"

"I have a T.C. Electronic Hall of Fame reverb; a Destination Rotation by Option 5, which is a Leslie-style pedal; a CMAT Mods phaser; and a Zvex Distortron, which I use to just to boost the signal a bit. The ZVex is a great pedal because it doesn’t cut the low end. It works well for high or low gain."

"When we were playing somewhere in Mississippi, a sound engineer saw me using the Champ and told me about the Musicmaster Bass amp, which is also fairly small. It has 6V6 tubes and a 12" speaker. It’s 12 watts, with just volume and tone. They were meant to be practice amps for bass players. "

"I have had the Fender Telecaster I play with Sturgill for almost ten years. It’s a beat up ’74. When I got it, it was in really bad shape; the frets were out of it. My father found it for me and put the frets back in. "

The Premier Guitar interview with Laur notes that he plays a Gretsch Billy-Bo Jupiter Thunderbird.

"Got myself two new toys. Many thanks to Nick Greer from Greer amps! "The Lightspeed" on down left, which I use as a clean boost. It's a really organic and good sounding overdrive which slightly boosts the mids. Really useful if you need to cut through the mix. "Arbuckle tremolo" on down right is by far the best round and warm tremolo pedals I've ever come across. Nick is a good man with a pair of great ears!"

His Fano Alt de Facto PX6 is among his workhorse guitars.

In this video from Fender, Laur Joamet comments on the '57 Custom Deluxe amplifier at 0:16 saying:

Pure rock and roll. It's mean, it's gnarly, and it had got attitude and it's what I want to play when I'm playing one of these. It's a good recording amp and it's really good in a live setting as well. I would even go so far as to say this is more usable and consistent than the old ones, you know.

"I have a T.C. Electronic Hall of Fame reverb; a Destination Rotation by Option 5, which is a Leslie-style pedal; a CMAT Mods phaser; and a Zvex Distortron, which I use to just to boost the signal a bit. The ZVex is a great pedal because it doesn’t cut the low end. It works well for high or low gain."

In this article from Guitar World Lau shares his pedalboard. He uses a Carl Martin TremO’vibe.

Also, his name has an s at the end.