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Average Price: $138
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$50
$176+
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Description
Introducing the ZVEX Effects Vextron Distortron Guitar Effects Pedal - a powerhouse of tone and grit. This pedal is your time machine to the golden age of rock, offering the classic roar of a cranked Marshall JTM-45. Offering multiple sub settings and a high/low gain toggle, it arms you with the flexibility to craft that perfect crunch, no matter the volume. Its impressive touch sensitivity ensures your playing dynamics remain intact, making it a reliable partner for your performances.
Key Features:
- Part of the coveted Vextron series
- Designed to emulate the classic tone of a fully-dimmed Marshall JTM-45
- Multiple sub settings for a wide range of tones
- High/low gain toggle for versatile sound shaping
- Exceptional touch sensitivity to capture every nuance of your playing
Product specs
| Brand | Zvex |
| Model | Distortron |
| Finish | Red |
| Year | 2010s |
| Made In | United States |
| Categories | Distortion Pedals, Overdrive and Boost Pedals |
| Pedal Format | Standard |
FAQs
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What type of power supply does the ZVEX Effects Vextron Distortron require?
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The ZVEX Effects Vextron Distortron uses a standard Boss-style DC power jack with center negative configuration, making it compatible with most pedalboard power supplies.
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Can the ZVEX Effects Vextron Distortron be used with other distortion pedals?
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Yes, the ZVEX Effects Vextron Distortron is designed to work well in combination with other distortion pedals, allowing for versatile stacking options to shape your tone.
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Does the ZVEX Effects Vextron Distortron have an LED indicator?
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Yes, the ZVEX Effects Vextron Distortron features an LED light that indicates when the unit is operational and also alerts you when the battery is low.
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What is the warranty period for the ZVEX Effects Vextron Distortron?
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The ZVEX Effects Vextron Distortron comes with a 1-year manufacturer warranty from the date of purchase, covering any defects in materials or workmanship.
Videos
ProGuitarShopDemos
ZVex Vextron Distortron
Reviews
PROS
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Achieves vintage Marshall-ish tone effectively
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Versatile gain range, from clean to dirty
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Cleans up well with guitar volume control
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Dynamic response enhances playing nuances
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Effective in both LO (overdrive) and HI (distortion) modes
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Subs control allows precise low-end shaping
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Works well with various clean amps
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Maintains clarity across tone control settings
CONS
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Horizontal format may not be pedalboard-friendly
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Some find the bass boost buttons fiddly
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Loses treble clarity with full subs through certain preamps
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Tone can get harsh when adjusting for less bass
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Transparent character may not enhance base sound significantly
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about ZVEX Effects Vextron Distortron.
Features and functionality
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The "subs switch" allows for adjusting low-end response, offering three distinct settings that mimic amp characteristics or standard overdrive pedal tones.
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The lo/hi gain switch effectively transforms the pedal's character from overdrive to distortion, offering versatility in tone shaping.
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The high-gain setting is described as compressed and noisy, emphasizing its use for specific tonal needs rather than a universal setting.
Source
Use cases and applications
Comparisons
User experience
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Owners find the pedal cleans up well with guitar volume adjustments, comparable to the dynamic response of a Fuzz Face.
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Many users find the horizontal layout of the Distortron inconvenient for conventional pedalboards, affecting aesthetic symmetry.
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Owners frequently describe the Distortron as an underrated pedal, often lamenting selling it and regretting the decision.
Source
4.0 out of 5
Based on 5 Reviews and 15 Ratings
41029
Here goes.
I don't really like pedal overdrive so I will probably be ridiculously harsh with this one. When I tried the Distortron at a big box guitar store I was stoked about it and bought it immediately. I particularly liked its uncompressed character at pretty high (for me) gain settings. I also loved the 'subs' control. I can guarantee you they change the size of the cap that sets input impedence. The smaller the Capacitor, the less bass. Great call. This allows you to 'tune' the low end countour to suit your amp and still set the tone control where you like it. I need that control when I play through my HC30 clone. I like the EF86 channel and I find that while it loves pedals its also really revealing as to the way they skew your guitar's frequency response,
Now here's what I don't like about this pedal. When I have full subs to kick out the thump thru the aforementioned EF86 preamp I lose all treble cut unless I start goosing the tone control up. As I goose up that tone control the top end loses sparkle and takes on a hard, transistory crunch that doesn't live up to the promise of a neutral tone setting in lower 'subs' settings. Close, but no cigar. This is not a bad pedal and it sounds great through a marshall or even a top boost channel so I keep it, but it lets me down in the application I bought it for, to add some marshalliness to a matchless EF86 channel that's set up at the verge of distortion. The distortron has the frequency bandwidth to please me, but loses its best qualities when you dicker with the voicing that way. Alas.
298
Large overdrive
I bought a second hand one for around 50$ (50€ more precisely) and never regreted it ! As i said, it's the largest overdrive i've ever heard : it can be used as a simple boost to a savage overdrive. Nevertheless, it's NOT a true distortion as its name may suggest. It's a powerful overdrive with a very useful bass selector depending of the kind of guitar you play, and two gain stages (hi and lo). A very very very versatile pedal working well through modulations like EHX Small Clone or a sweet AC's tremolo. The only reproach i could do is its too "transparent" character ... if you like your base sound, it will be perfect, but it won't really improve your sound. Actually it's more a question of personal choice than product's quality. To conclude i'd say you would always find something to do with it !
41029
huh, I thought it colored my sound too much and mutted all my humbucker axes together even though they are all really different sounding... not that I didn't like the distortron, I did, great design.
298
Ah ... the eternal argumentation about what we hear and what really is ^ Actually i haven't been using it for a while, but i found it got a very transparent crunch on a Fender junior. The high drives may were a bit mor colored, true.
351
Difficult but Worth it.
Zachary Vex says it's the best distortion pedal of all time. I'm not sure about that. What I am sure of is that even though it's a difficult pedal to set up, once you understand how the controls work, the subtlety of its sound, you won't want to turn it off. On the internet, I found a mod, instead of a switch they put two, the second one to switch to high gain. I imagine that Z.vex wanted to formally distance the son from the father. But, that's where I'm going with my Distortron.
This review has been translated automatically into English. See original103
Versatile!
very good if you want versatility, it can function either as a distortion or an overdrive. all the way from a nice crunchy sound to heavy rock. not so sure about metal though.
41029
its really a fuzz, just cascading SHOs, on voiced a little different and of course the toen control inbetween and variable input caps switch marked 'subs', but the way it works is really like a fuzz face
Artist usage
Add artist
In this picture, posted to Zoom Sound Factory's Instagram, one can see Luke's pedalboard during a rehearsal in London. The board clearly has a ZVEX Vextron Distortion pedal in the chain.
In a previous Twitter post, Isaac Wood can be seen using the ZVEX Effects Vextron Distortron Guitar Effects Pedal.
Ricardo Mollo uses the ZVEX Effects Vextron Distortron Guitar Effects Pedal, as seen in a photo by nicoplos on Photobucket.
This is the one I use for the thick, viscous distortion sounds, like the volume-swell washes from Greet Death or the power chords of Have You Passed Through This Night? - it’s a really pleasingly heavy pedal
At a performance at Mississippi Studios in Portland, Oregon, on June 11th, 2018, Johan Suurballe Wieth used a ZVEX Effects Vextron Distortron Guitar Effects Pedal, as shown in the photo from Imgur.
Andy Liszt uses the ZVEX Effects Vextron Distortron Guitar Effects Pedal, as evidenced by a photograph where it is visible just under the Boss red Looper, and it is utilized as an after modulation distortion. In the image, the pedal appears to be aesthetically degraded.
"I have a T.C. Electronic Hall of Fame reverb; a Destination Rotation by Option 5, which is a Leslie-style pedal; a CMAT Mods phaser; and a Zvex Distortron, which I use to just to boost the signal a bit. The ZVex is a great pedal because it doesn’t cut the low end. It works well for high or low gain."
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use ZVEX Effects Vextron Distortron, it is most commonly used with the following gear.
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