Mac McCaughan

In Tape Op interview with Larry Crane, he mentions using Roland VS-1680 while recording Portastatic's "Summer of the Shark" album:

John Plymale is great with that. I mixed Be Still Please, the last Portastatic record, with John as well as Summer of the Shark. John's a master of the EQ in terms of what you're saying. Instead of just panning something to a different place or turning it up or turning it down — just EQ'ing something so that it sits in the right place and you hear it. When I brought in Summer of the Shark and we had to dub all that stuff out of my Roland VS-1680 two tracks at a time, it just took for fucking ever. Those tracks had been recorded onto reel-to-reel 8-track, then dumped into the 16- track. There was a guitar solo that was on a track with some other guitar but the guitar solo was slightly out of tune and there was no way to separate it out — but he EQ'd it so that it didn't sound as out of tune.

In Tape Op interview with Larry Crane, he mentions buying an Empirical Labs Distressor during recording Portastatic's "Summer of the Shark" album at home:

If I'm working on a Portastatic record and I'm at an impasse or I just finished a song and I don't really know where to go next, I just sit down at the piano or start using something that I'm not necessarily as comfortable with and it leads to something. I recorded Summer of the Shark at home and I needed some gear. I borrowed some stuff and I bought an [Empirical Labs] Distressor. That changed my life. That alone gives you ideas.