Maury Lobina

Moog .. what else to say? ;) I use it when I want a very warm and phat analog sound. Quick to program and guaranteed result.

A wonderful item to collect and equally to "tweak". Unmistakable Moog sound. Electric Blue… my favorite color :)

Whether in the studio or in live, it’s the best digital piano that I've had the pleasure to work with. A pleasure both to touch and hearing.

Pure fetishism and also a pleasure to get my hands on those wonderful keys sometimes. By collectors.

A 1973 Moog Keytar !! It’s too heavy to be honest… but the sound it’s really analog and phat.

My keytar / masterkeyboard of live. Wonderful, light and an orgasm by playing in live.

Clean, warm and loyal.

Over the years I have changed many monitor speakers, but Adam are the ones I prefer so far. I suggest them for those who make club music, even in smaller versions, a very good transient definition and cleanliness.

I use them for DJing in my second studio. More suitable for listening than monitoring.

I started using his Grand Father: the Notator on Atari. Then I was testimonial and Beta tester of Logic (E-magic at that time). Lengelin (one of the two founders) came to us to see that improvements could be made. Logic is home for me.

I haven’t used it much yet because I'm finishing an album produced with 9. But first impressions are very good. It needed a re-style general.

I use it as much as Logic. I prefer it for the “sample based tracks”, those really club oriented. I consider it a more creative tool than Logic but less able to manage the mix and the external recordings.

It’s a standard: it sounds, it is fast and also you know you speak the same language with those who cooperate with you. I use it in almost every tracks I produce.

It’s really complete :) and probably the best one to have it. So many high quality instruments, libraries and plugs for a good price.

It’s really useful and credible without too much effort. I use it when I need a sound that already has everything and who may have come from sources that it can be hard to synthesize.

I like all 7 plugins from bundle Sonnox, most of all I use the limiter and Dynamic. Always present in my mix.

When the Cher producers used the Autotune on his hit, I think that many producers like me have seen a new futuristic way to tweak the vocal tracks, which still has not gone away. And if today also the best voices still use it …there’s a reason;)

Recording the vocal harmonies in my studio is a rare thing, thanks to tools like harmony evo. And before it, I always used vocalists and other instruments (also hardware) to be able to experiment with vocal harmonies.

The Vengeance guys always know what a dance production needs. Metrum is the best virtual for one of the biggest problems of all: the perfect kick for your mix.

It’s common today using the multi-band side-chaining, the Vengeance one is really intuitive and functional.

A great Multiband Compressor, you have many options in each band, it’s always present in my sessions.

Very useful in post-production, mid-side management is easy and effective.

I have the RME for many years, I could probably switch to the new model. Never had a problem, a guarantee of safety and quality.

Great converters and great sound .. and also much beautiful object, some problems with the driver but nothing serious, if used in the study.

The perfect studio monitor controller for me. Besides the usual controls, it’s really easy to manage well and quickly the balance between the mix and the musician/singer when you record a live session.

It’s the pre-amp I use for vocal session recording. I like it because it is not invasive, it also has many good quality parameters: comp, eq, de-esser, limiting.