Michael Beinhorn

Used on Herbie Hancock's Future Shock, as specified in Herbie Hancock’s Electronic Instrument Glossary from September 14, 2016.

Prophet Pro-One – Produced in the early 1980s, this monophonic analog synthesizer was a more compact and cheaper version of the Prohpet 5. Michael Beinhorn used this instrument on the album Future Shock in 1983.

Used on Herbie Hancock's Future Shock, as specified in Herbie Hancock’s Electronic Instrument Glossary from September 14, 2016.

Oberheim DMX – A programmable, digital drum machine released in 1981 that featured 24 individual drum sounds and eight-sound polyphony. Michael Beinhorn used this instrument on the 1983 album Future Shock.

Used on Herbie Hancock's "Rockit", as specified in Herbie Hancock’s Electronic Instrument Glossary from September 14, 2016 (taken from the"2013 Sony Box Set Liner Notes").

Synare Drum – The name Synare stands for synthetic snare. This drum pad allowed the user to drum rhythms onto it and then adjust the sound and tempo of those rhythms using knobs. Michael Beinhorn plays this instrument on the tune “Rockit” for the 1983 album Future Shock.

Michael Beinhorn is credited on Material's One Down with using a Roland vocoder.

Michael Beinhorn used the Oberheim OB-Xa synthesizer on Material's One Down, as evidenced by an image on Equipboard.

In addition to his Oberheim DMX, Michael Beinhorn also used a Roland TR-808 during the recording of Material's One Down.

At 8:41 in the YouTube video "Black Hole Sun: Inside the Song with Michael Beinhorn - Warren Huart: Produce Like A Pro," Michael Beinhorn mentions using a pair of Neumann U67 microphones on the cymbals during the recording of "Black Hole Sun."

In a video titled "Black Hole Sun: Inside the Song with Michael Beinhorn - Warren Huart: Produce Like A Pro," Michael Beinhorn discusses at 17:53 how the dbx 120X-DS Digital Series Subharmonic Synthesizer was utilized during the recording of "Black Hole Sun."

In a video titled "Black Hole Sun: Inside the Song with Michael Beinhorn - Warren Huart: Produce Like A Pro," Michael Beinhorn mentions the use of a Leslie 16 speaker at the 28:15 mark during the recording of Soundgarden's "Black Hole Sun."

In the YouTube video "Black Hole Sun: Inside the Song with Michael Beinhorn - Warren Huart: Produce Like A Pro," Michael Beinhorn confirms at 28:15 that the Fender Vibratone speaker was utilized during the recording of "Black Hole Sun," alongside the Leslie 16 speaker.

In a video by Produce Like A Pro titled "Black Hole Sun: Inside the Song with Michael Beinhorn," at the 29:13 mark, Michael Beinhorn discusses his use of a Marshall JMP 50 amp head during the recording of "Black Hole Sun."

In a video by Produce Like A Pro titled "Black Hole Sun: Inside the Song with Michael Beinhorn," at the 30:20 mark, Michael Beinhorn confirms the use of a Shure SM57 cardioid dynamic instrument microphone for the amplifiers in the guitar rig during the recording of "Black Hole Sun."

In a video titled "Black Hole Sun: Inside the Song with Michael Beinhorn" by Produce Like A Pro, Michael Beinhorn confirms at 30:21 that he utilized an RCA BK-5B microphone for the amplifiers in the guitar rig during the recording of Soundgarden's "Black Hole Sun."

In a video interview titled "Black Hole Sun: Inside the Song with Michael Beinhorn - Warren Huart: Produce Like A Pro," Michael Beinhorn mentions at 48:17 that he utilized the Neumann U87 microphone to record approximately 77% of the vocals for "Black Hole Sun."

In a video by Produce Like A Pro, Michael Beinhorn, a renowned music producer, discusses the use of the ARP 2600 synthesizer in the production of Marilyn Manson's "The Dope Show" at the 8:30 mark.

In a video by Produce Like A Pro titled "Marilyn Manson's 'The Dope Show': Inside the Song with Michael Beinhorn," Michael Beinhorn discusses utilizing a Telefunken ELA M 251 microphone at the 18:55 mark. He explains its use for capturing vocal parts during the recording of Marilyn Manson's "The Dope Show" at Conway Recording Studios in Los Angeles, CA.

In the video titled "Black Hole Sun: Inside the Song with Michael Beinhorn – Warren Huart: Produce Like A Pro," Michael Beinhorn discusses the use of a Keplinger Stainless Steel Snare Drum 14" x 8" at the 0:58 mark, referring to its role in the recording of "Black Hole Sun" at Bad Animals/Studio X in Seattle, WA.

In the video titled "Black Hole Sun: Inside the Song with Michael Beinhorn - Warren Huart: Produce Like A Pro," Michael Beinhorn mentions at 3:27 that he used Zildjian K Series cymbals during the recording of the track "Black Hole Sun."

In the video "Black Hole Sun: Inside the Song with Michael Beinhorn - Warren Huart: Produce Like A Pro," at 11:14, Michael Beinhorn discusses using the Studer A 827 reel-to-reel tape recorder for recording the track "Black Hole Sun."

In the video titled "Black Hole Sun: Inside the Song with Michael Beinhorn - Warren Huart: Produce Like A Pro" on YouTube, at the timestamp of 21:34, Michael Beinhorn is seen discussing the use of a Gretsch 1957 Silver Jet guitar in the production of the track "Black Hole Sun."

In the video titled "Black Hole Sun: Inside the Song with Michael Beinhorn - Warren Huart: Produce Like A Pro" on YouTube, Michael Beinhorn discusses using a Mesa/Boogie Dual Rectifier 100W 3-channel Solo Head (Multi-Watt) amplifier head during the production of the track "Black Hole Sun" by Soundgarden, as seen at the 29:19 mark.