Neeraj Khajanchi

Neeraj Khajanchi uses the Telefunken M80 dynamic microphone, known for its condenser-like performance while being a dynamic mic. The M80 features a supercardioid pattern, a frequency response of 50Hz to 18kHz, and a maximum SPL of 135dB. Its design includes a rubber-laminated body to reduce handling noise, an ultra-thin Mylar diaphragm, and a custom output transformer from AMI/TAB-Funkenwerk, which contribute to its warm, present sound. This microphone is versatile, suitable for vocals, drums, and bass, with a controlled proximity effect in the low range. Khajanchi's use of this microphone is referenced in a post by Twitter user kingneeraj, highlighting the demanding yet rewarding nature of his recording sessions.

Neeraj Khajanchi uses the Sony C-800G condenser microphone, renowned for its exceptional clarity and rich sound across a wide frequency range. In a Twitter post, Neeraj mentioned using this microphone during a recent recording session, reminiscing about its use a decade ago.

Neeraj Khajanchi uses the Golden Age Project GA-8000 Large-diaphragm Tube Condenser Microphone, as mentioned in a tweet by @kingneeraj. The tweet reflects on a nostalgic recording session, noting that the same microphone was used a decade ago, underscoring its enduring quality and relevance. Known for its active semiconductor cooling system and ability to capture high-frequency details with clarity, the GA-8000 is favored in modern hip-hop, pop, and R&B productions.

Neeraj Khajanchi uses the Brauner VM1 Multipattern Valve Tube Microphone, as mentioned in a tweet by @kingneeraj. The tweet reflects on a recording session, highlighting the microphone's role in capturing high-resolution sound with its versatile pattern control and crystal-clear audio quality.

Neeraj Khajanchi uses the Chandler Limited REDD Microphone, a vacuum tube condenser mic renowned for its vintage sound. This microphone, a collaboration between EMI/Abbey Road Studios and Chandler Limited, blends traditional large-diaphragm characteristics with the iconic REDD console's vintage tone. Neeraj's tweet reflects on using this microphone, evoking a sense of nostalgia from a decade ago when he first used it during a recording session with Namie Amuro.

Neeraj Khajanchi uses the Neumann U67 condenser microphone, a reissue known for capturing the coveted "67 sound" reminiscent of the 1960s. This premium microphone, utilized by Khajanchi in a recent recording session, features switchable directivity and a frequency range of 20Hz-20kHz, making it ideal for professional studio work. The source of this information is a tweet by Neeraj, where he mentions using the same microphone he employed a decade ago, highlighting its enduring quality and relevance in his recordings.

Neeraj Khajanchi uses the FLEA 47 microphone, a meticulously crafted replica of the classic U47. This microphone features the F7 capsule, a replica of the original M7 capsule, and utilizes TELEFUNKEN EF12 or E80F tubes, known for their longevity and sound quality. The FLEA 47 is versatile, suitable for various recording applications, and is constructed with a nickel-plated duraluminium body. The microphone set includes a wooden box, cable, shock mount, and power supply. Neeraj recently mentioned on Twitter that he used this microphone during a recording session, highlighting its continued relevance in his studio work.

Neeraj Khajanchi used the Upton Microphones 251 Large Diaphragm Multipattern Tube Condenser Microphone during a recent recording session, as mentioned in a tweet by @kingneeraj. This microphone is renowned for its faithful reproduction of the classic Telefunken Ela M 251 sound, which was originally manufactured by AKG in the 1960s. The Upton 251, featuring a meticulously developed CK12 capsule and T14 transformer, is celebrated for its exceptional quality, making it a sought-after choice for capturing vintage microphone tones.

Neeraj Khajanchi uses the Manley Reference Gold condenser microphone, as highlighted in a Twitter post by user kingneeraj. This microphone is renowned for its speed, airiness, and superior ultra-high frequency response. It features Manley Labs transformers for high sound quality and a nickel-laminated mu-metal case to prevent hum and interference. The microphone's directivity is adjustable between omni, cardioid, and figure-8 patterns, making it versatile for recording.

Neeraj Khajanchi uses the Tree Audio The Branch II, a versatile channel strip derived from the Roots console, for his studio recording needs. This gear features an internal regulated tube power supply and offers a range of controls, including a high-pass filter, variable gain select, and EQ options, making it ideal for achieving high-quality sound in a simple setup. Neeraj's use of this equipment is referenced in a tweet from his account, @kingneeraj.

Neeraj Khajanchi utilizes the Earthworks QTC50, an omnidirectional condenser microphone known for its flat frequency response and ability to capture sound with high fidelity. This microphone excels in recording low-volume sound sources, such as acoustic instruments, and is ideal for both studio and outdoor settings. Neeraj's engagement with this microphone is evident from his Twitter post, where he discusses his ongoing music production activities.

Neeraj Khajanchi uses the Royer SF-24V Stereo Tube Ribbon Microphone for recording brass sections, as evidenced by his tweet from the account @kingneeraj.

Neeraj Khajanchi utilizes the Samar Audio Design VL373A ribbon microphone, as evidenced by a Twitter post from his account, @kingneeraj, showcasing its use during a brass section recording session.

Neeraj Khajanchi utilizes the Sony C-100 condenser microphone, as highlighted in a Twitter post by user kingneeraj. The tweet, captioned "Brass Section Recording!! Crazy Micing!!", lists the Sony C-100 among other microphones used for the session. The Sony C-100 is renowned for its high-resolution sound capture, featuring a 2-way capsule that provides a wide high range and rich mid-low frequencies. This microphone supports unidirectional, omnidirectional, and bidirectional patterns, making it versatile for various recording environments. Its design incorporates advanced materials and precision engineering, ensuring clear, distortion-free sound and robust performance.

Neeraj Khajanchi uses the Blue Bottle condenser microphone, as seen in a tweet by @kingneeraj. The Blue Bottle is renowned for its versatility, featuring variable directivity depending on the installed capsule. It offers a frequency range of 20Hz to 20kHz and includes a B6 microphone capsule, dedicated power supply, and flight case.

Neeraj Khajanchi uses the Neumann M149 Tube Microphone, as shown in a Twitter post by user kingneeraj. The post features the microphone at STUDIO AQQA, highlighting its use in professional vocal recording settings.

In the YouTube video titled "ニラジ・カジャンチ「プロのバンド・レコーディング全公開」前編" by SoundRecordingJP, Neeraj Khajanchi is shown using the Sennheiser MD 421-II microphone. This dynamic, unidirectional cardioid microphone, known for its 30Hz-17kHz frequency response and 143dB maximum SPL, is favored for recording drums, vocals, and wind instruments. The video highlights its use in a professional band recording session, emphasizing its versatility and quality.

In the YouTube video titled "ニラジ・カジャンチ『プロのバンド・レコーディング全公開』前編," Neeraj Khajanchi is shown using the Neumann U47 FET condenser microphone during a professional band recording session.

In the YouTube video titled "プロのバンド・レコーディング全公開" by SoundRecordingJP, Neeraj Khajanchi is seen using a Shure SM57 dynamic microphone. This microphone, known for its unidirectional pattern and frequency response of 40Hz-15kHz, is a staple in studio recording sessions for capturing musical instruments.

In the YouTube video titled "ニラジ・カジャンチ『プロのバンド・レコーディング全公開』前編" by SoundRecordingJP, Neeraj Khajanchi is shown using the Josephson e22S condenser microphone for professional band recording. The microphone features a cardioid directional pattern, a frequency response of 20-20,000 Hz ±2 dB, and a sensitivity of 3.0 mV/Pa, making it suitable for capturing high-quality audio in studio settings.

In the YouTube video titled "プロのバンド・レコーディング全公開" by SoundRecordingJP, Neeraj Khajanchi is shown using the AKG C451EB condenser microphone. This microphone, known for its unidirectional pickup pattern and frequency response of 20Hz to 20kHz, is ideal for recording drum cymbals and hi-hats. It features a dynamic range of 117dB, switchable PADS of 10dB/20dB, and a high-pass filter at 75Hz or 150Hz. The AKG C451EB also includes a SA40 stand adapter, W90 windscreen, and a case, making it a versatile choice for studio recording.

In the YouTube video titled "ニラジ・カジャンチ「プロのバンド・レコーディング全公開」前編" by SoundRecordingJP, Neeraj Khajanchi is shown using the Royer R-121 ribbon microphone. This microphone features a bidirectional pattern, a 2.5-micron aluminum ribbon element, and operates with a rare earth neodymium magnet. It offers a frequency response of 30-15kHz ±3dB, sensitivity of -50dB (1V/pa ±1dB), and an output impedance of 300Ω. The R-121 is equipped with an XLR3-pin male connector and can handle a maximum sound pressure of >135dB SPL. It comes with a dedicated wooden case for storage and protection.

In the YouTube video titled "ニラジ・カジャンチ「プロのバンド・レコーディング全公開」前編" by SoundRecordingJP, Neeraj Khajanchi is shown using the Royer R-122 ribbon microphone for studio recording.

In a video titled "プロのバンド・レコーディング全公開" by SoundRecordingJP, Neeraj Khajanchi is shown using the Coles 4038 ribbon microphone. This microphone, known for its frequency response of 30 Hz to 15,000 Hz and low distortion under high sound pressure levels, is a staple in professional studio recordings. Its durable construction features a heavy gauge brass body and corrosion-resistant mesh, and it comes with a carrying case and mic stand adaptor, making it a versatile choice for recording sessions.

In the YouTube video titled "ニラジ・カジャンチ『プロのバンド・レコーディング全公開』前編" by SoundRecordingJP, Neeraj Khajanchi is shown using the Audio-Technica AT5045 Large-diaphragm Condenser Microphone. This microphone, known for its unidirectional pattern and wide frequency range (20 to 20,000 Hz), is ideal for capturing precise studio recordings. The AT5045 features a maximum sound pressure level of 149 dB SPL and a dynamic range of 141 dB, making it a reliable choice for professional setups.

In the YouTube video titled "プロのバンド・レコーディング全公開" by SoundRecordingJP, Neeraj Khajanchi is shown using the Sennheiser MKH 40-P48 condenser microphone. This microphone features a cardioid pattern, offering an open circuit sensitivity of 25 mV/Pa and a frequency response from 40 Hz to 20 kHz, making it ideal for professional studio recordings.

In the YouTube video "プロのバンド・レコーディング全公開」後編" by SoundRecordingJP, Neeraj Khajanchi is shown using the AKG C480 B condenser microphone. This microphone features a CK61 ULS capsule and a C480 preamplifier, offering unidirectional sound capture with a frequency range of 20Hz to 20kHz and an impedance of 120Ω. It requires 48V phantom power and includes a windscreen and holder for optimal studio recording performance.