Neeraj Khajanchi

Neeraj Khajanchi is associated with the BAE 312A Module - Mic Pre / DI, as shown in a photo shared on his Twitter account. This 500 series preamp is renowned for its ultra-fast, punchy sound, making it ideal for drums and percussion. The 312A features high-quality Jensen transformers and Avedis 1122 op amps, and it can also function as a DI for high impedance instruments like guitars and synthesizers. Its compact design includes a HiZ input and a front panel switch for phantom power.

In the YouTube video "わーだーさんのスタジオ訪問記〜NK SOUND TOKYO編〜【ニラジ・カジャンチ Neeraj khajanchi】" by 作曲家・和田貴史の庭, Neeraj Khajanchi is seen using the Retro Instruments Sta-Level Tube Compressor in his studio, NK SOUND TOKYO. This compressor is known for its vintage sound and versatility in studio recording setups.

In a YouTube video by 作曲家・和田貴史の庭 titled "わーだーさんのスタジオ訪問記〜NK SOUND TOKYO編〜【ニラジ・カジャンチ Neeraj Khajanchi】," Neeraj Khajanchi is shown using the TC Electronic Clarity M Stereo in his studio. This essential tool features a 7-inch high-resolution LCD display and supports various input sources, including USB, 75 Ohms BNC connectors, and stereo optical connections. It offers comprehensive metering options like the LM6 Loudness Meter, True Peak Meter, and Balance-O-Meter, making it ideal for mixing, mastering, and post-production work. The Clarity M complies with major broadcast standards, ensuring precise and professional-grade audio metering.

In the YouTube video titled "わーだーさんのスタジオ訪問記〜NK SOUND TOKYO編〜【ニラジ・カジャンチ Neeraj Khajanchi】," Neeraj Khajanchi is seen using the Furman P-1800 PF R 15A Prestige Power Conditioner with Power Factor Technology in his studio. This power conditioner is essential for maintaining optimal sound quality by addressing issues like high impedance and power supply noise, ensuring clear and stable tones. The P-1800 PF R includes features such as Power Factor Technology, Series Multi-Stage Protection (SMP), Linear Filtering Technology (LiFT), and Clear Tone Technology, which collectively enhance the dynamics and harmonics of studio equipment.

In a YouTube video by 作曲家・和田貴史の庭, titled "わーだーさんのスタジオ訪問記〜NK SOUND TOKYO編〜【ニラジ・カジャンチ Neeraj Khajanchi】," Neeraj Khajanchi is shown using the Retro Doublewide Tube Compressor in his studio. This compressor, known for its vintage Class AB amplifier and balanced XLR inputs/outputs, offers features such as an easy-to-recall knob with 100 positions and a subsonic HPF for tone shaping. It's manufactured in the USA and is a key component of Khajanchi's signal processing setup, enhancing his studio recordings with its comprehensive EQ options and high durability performance.

In a YouTube video titled "わーだーさんのスタジオ訪問記〜NK SOUND TOKYO編〜【ニラジ・カジャンチ Neeraj khajanchi】" by 作曲家・和田貴史の庭, Neeraj Khajanchi is seen using the STANDARD AUDIO LEVEL-OR 500 SERIES LIMITER in his studio, NK Sound Tokyo. This effects processor is known for its versatile modes—Level, Crunch, and Bypass—each offering unique audio manipulation capabilities, such as extreme JFET limiting and harmonic enhancement. The Mk2 version boasts improved features, including reduced noise, a dual-color LED indicator, and a fully enclosed steel chassis for reliability. These enhancements make it a robust choice for professional audio processing.

In the YouTube video titled "わーだーさんのスタジオ訪問記〜NK SOUND TOKYO編〜【ニラジ・カジャンチ Neeraj khajanchi】" by 作曲家・和田貴史の庭, Neeraj Khajanchi is shown utilizing the AMEK 9098DMA in his studio. This dual mic amp offers up to 72dB of gain and includes features such as polarity reversal, a high-pass filter, phantom power, and a Mid‑Side (MS) decoder with stereo-width control. Each channel is equipped with level metering, and the outputs are fully balanced and isolated, highlighting its versatile application in professional audio settings.

In a YouTube video by 作曲家・和田貴史の庭, Neeraj Khajanchi is shown using the G2Systems M.P.A.1VPR preamp at NK SOUND TOKYO. This video provides a detailed look at Khajanchi's studio setup, highlighting the high-performance specifications of the preamp, such as a maximum gain of 66dB and a frequency response extending from sub 1 Hz to beyond 300 kHz.

In a studio visit video titled "わーだーさんのスタジオ訪問記〜NK SOUND TOKYO編〜【ニラジ・カジャンチ Neeraj khajanchi】" by 作曲家・和田貴史の庭 on YouTube, Neeraj Khajanchi is shown using the Hammond Portable B-3mk2 organ. The video highlights its features, including the 61-key dual manual and 25-key pedalboard, as well as its advanced digital Leslie and drawbar capabilities. This setup is integral to Khajanchi's sound at NK SOUND TOKYO studio.

Neeraj Khajanchi is seen using the Fazioli F228 grand piano in a YouTube video by 作曲家・和田貴史の庭. The F228, known for its deep and powerful low end, is ideal for medium-sized concert halls and chamber music due to its rich, soft tone.

In a YouTube video by 作曲家・和田貴史の庭, Neeraj Khajanchi is seen using the Steinway B Grand Piano in the NK SOUND TOKYO studio. Known for its impeccable balance from bass to treble and often referred to as a "perfect piano," this instrument is ideal for salons, lesson studios, and small recital halls. The piano features 88 keys, a black mirror gloss finish, and measures 211cm in depth with a weight of 345kg.

In a YouTube video titled "わーだーさんのスタジオ訪問記〜NK SOUND TOKYO編〜【ニラジ・カジャンチ Neeraj Khajanchi】," Neeraj Khajanchi is shown using the Grace Design M802 in his studio. This versatile studio monitor management system is praised for its exceptional sound quality and reliability, especially when managing long-distance microphone signals, such as those used in control rooms and remote recording scenarios. The M802 offers advanced connectivity options, including MIDI control for integration with AVID ProTools|HD, and supports remote operation up to 900 meters via RS485/RS422. It accommodates a range of clock sources and outputs, ensuring ultra-low jitter and distortion, making it a crucial component in Khajanchi's audio setup.

Neeraj Khajanchi utilizes the Crane Song Avocet Stereo Monitor Controller in his studio setup, as evident from a tweet by @kingneeraj. The Avocet is known for its precise digital-to-analog conversion and versatile input/output options, making it ideal for both stereo and surround sound environments. Khajanchi's tweet, discussing his goals for Atmos mixing, underscores the Avocet's role in his professional audio workflow.

Neeraj Khajanchi uses the IK Multimedia iLoud MTM studio monitors, as indicated in his Twitter post. These monitors are known for their ultra-flat frequency response, linear phase response, and built-in automatic sound field correction via ARC System technology, making them ideal for precise audio work. Neeraj's tweet highlights his excitement about completing an Atmos mix for a seven-track album, showcasing the capabilities of these monitors in his studio setup.

Neeraj Khajanchi is seen utilizing the Shadow Hills Industries Oculus in a Twitter post by user kingneeraj. The post, which discusses mixing a 7-track album in Dolby Atmos, showcases Khajanchi in his studio, indicating the Oculus is part of his setup for mastering and sound equalization.

Neeraj Khajanchi utilizes the Avid Dock, a versatile DAW controller, in his music production process. This is evident from his Twitter post, where he shares insights from his work on a Dolby Atmos jazz album. The Avid Dock, known for its seamless integration with Pro Tools and other DAWs via EUCON technology, enhances his workflow by providing tactile and touchscreen controls. This setup allows Neeraj to efficiently navigate and mix projects across multiple platforms, including Logic Pro X and Cubase.

Neeraj Khajanchi uses the Apogee Symphony I/O MK II, a high-performance Thunderbolt audio interface known for its exceptional AD/DA conversion and modular design, offering up to 32 channels with optional mic preamps. This setup is highlighted in a recent Twitter post by Neeraj, where he shares insights from his studio environment.

In a documentary by the 3NoJi Channel on YouTube, Neeraj Khajanchi is shown using the Mytek Digital Private Q2 Mix Station during a recording session. This powered mixer system includes a distribution/power supply rack, satellite mixing stations, and snap-on DL-DL cables. It offers musicians the freedom of individual 12-channel mixes with 2x30 Watts of loud and clear Class A sound, all while being easily mountable on a mic or music stand. The Private Q2 is a portable, self-contained system that simplifies setup in any tracking room without the need for additional power amps or cabling.

In a documentary by 3NoJi Channel titled "Mona ～レコーディングに密着～【第一回】," Neeraj Khajanchi is shown using the Sony MDR-M1st headphones. These professional studio monitor headphones, developed by Sony and Sony Music Studio, are known for their high-resolution sound capabilities, featuring a 40mm dome-type driver, a closed dynamic design, and a wide frequency response of 5 to 80,000 Hz.

In the YouTube video titled "ニラジ・カジャンチ「プロのバンド・レコーディング全公開」前編" by SoundRecordingJP, Neeraj Khajanchi is shown using the Sennheiser MD 421-II microphone. This dynamic, unidirectional cardioid microphone, known for its 30Hz-17kHz frequency response and 143dB maximum SPL, is favored for recording drums, vocals, and wind instruments. The video highlights its use in a professional band recording session, emphasizing its versatility and quality.

In the YouTube video titled "ニラジ・カジャンチ『プロのバンド・レコーディング全公開』前編," Neeraj Khajanchi is shown using the Neumann U47 FET condenser microphone during a professional band recording session.

In the YouTube video titled "プロのバンド・レコーディング全公開" by SoundRecordingJP, Neeraj Khajanchi is seen using a Shure SM57 dynamic microphone. This microphone, known for its unidirectional pattern and frequency response of 40Hz-15kHz, is a staple in studio recording sessions for capturing musical instruments.

In the YouTube video titled "ニラジ・カジャンチ『プロのバンド・レコーディング全公開』前編" by SoundRecordingJP, Neeraj Khajanchi is shown using the Josephson e22S condenser microphone for professional band recording. The microphone features a cardioid directional pattern, a frequency response of 20-20,000 Hz ±2 dB, and a sensitivity of 3.0 mV/Pa, making it suitable for capturing high-quality audio in studio settings.

In the YouTube video titled "プロのバンド・レコーディング全公開" by SoundRecordingJP, Neeraj Khajanchi is shown using the AKG C451EB condenser microphone. This microphone, known for its unidirectional pickup pattern and frequency response of 20Hz to 20kHz, is ideal for recording drum cymbals and hi-hats. It features a dynamic range of 117dB, switchable PADS of 10dB/20dB, and a high-pass filter at 75Hz or 150Hz. The AKG C451EB also includes a SA40 stand adapter, W90 windscreen, and a case, making it a versatile choice for studio recording.

In the YouTube video titled "ニラジ・カジャンチ「プロのバンド・レコーディング全公開」前編" by SoundRecordingJP, Neeraj Khajanchi is shown using the Royer R-121 ribbon microphone. This microphone features a bidirectional pattern, a 2.5-micron aluminum ribbon element, and operates with a rare earth neodymium magnet. It offers a frequency response of 30-15kHz ±3dB, sensitivity of -50dB (1V/pa ±1dB), and an output impedance of 300Ω. The R-121 is equipped with an XLR3-pin male connector and can handle a maximum sound pressure of >135dB SPL. It comes with a dedicated wooden case for storage and protection.

In the YouTube video titled "ニラジ・カジャンチ「プロのバンド・レコーディング全公開」前編" by SoundRecordingJP, Neeraj Khajanchi is shown using the Royer R-122 ribbon microphone for studio recording.

In a video titled "プロのバンド・レコーディング全公開" by SoundRecordingJP, Neeraj Khajanchi is shown using the Coles 4038 ribbon microphone. This microphone, known for its frequency response of 30 Hz to 15,000 Hz and low distortion under high sound pressure levels, is a staple in professional studio recordings. Its durable construction features a heavy gauge brass body and corrosion-resistant mesh, and it comes with a carrying case and mic stand adaptor, making it a versatile choice for recording sessions.

In the YouTube video titled "ニラジ・カジャンチ『プロのバンド・レコーディング全公開』前編" by SoundRecordingJP, Neeraj Khajanchi is shown using the Audio-Technica AT5045 Large-diaphragm Condenser Microphone. This microphone, known for its unidirectional pattern and wide frequency range (20 to 20,000 Hz), is ideal for capturing precise studio recordings. The AT5045 features a maximum sound pressure level of 149 dB SPL and a dynamic range of 141 dB, making it a reliable choice for professional setups.

In the YouTube video titled "プロのバンド・レコーディング全公開" by SoundRecordingJP, Neeraj Khajanchi is shown using the Sennheiser MKH 40-P48 condenser microphone. This microphone features a cardioid pattern, offering an open circuit sensitivity of 25 mV/Pa and a frequency response from 40 Hz to 20 kHz, making it ideal for professional studio recordings.

In the YouTube video titled "ニラジ・カジャンチ「プロのバンド・レコーディング全公開」前編" by SoundRecordingJP, Neeraj Khajanchi discusses his use of the Sony DRE-S777 effects processor. He highlights its exceptional reverb capabilities, particularly its realistic bottom-end. The unit comes with a comprehensive 5-CD set that includes tools for sampling your own spaces and various acoustic environments, such as halls, churches, and studios from around the world.