Nicki Minaj

Mentioned by sound engineer Trevor Muzzy in this Sound on Sound interview about the production of "Starships".

All Nicki's vocal tracking was done at Conway Studios in LA, where she had a lockout and was working with her engineer, Ariel Chobaz. I did not want to assume that how he was recording her wasn't working, so I asked him what he had set up, and he told me that there were two vocal signal chains, one being a Telefunken ELAM 251 going into a Chandler TG2 mic pre and then through an Urei 1176 [compressor]. The other was a more traditional Neumann-Neve chain. The 251 chain sounded amazing and worked really well with the 1176, which I don't typically use for cutting vocals. It gave her voice a unique character with a cool edge that wasn't there with the other chain. We cut Nicki's vocals in a day, and I came back and we redid a few things, so you could say it was a two-day process.

Mentioned by sound engineer Trevor Muzzy in this Sound on Sound interview about the production of "Starships".

All Nicki's vocal tracking was done at Conway Studios in LA, where she had a lockout and was working with her engineer, Ariel Chobaz. I did not want to assume that how he was recording her wasn't working, so I asked him what he had set up, and he told me that there were two vocal signal chains, one being a Telefunken ELAM 251 going into a Chandler TG2 mic pre and then through an Urei 1176 [compressor]. The other was a more traditional Neumann-Neve chain. The 251 chain sounded amazing and worked really well with the 1176, which I don't typically use for cutting vocals. It gave her voice a unique character with a cool edge that wasn't there with the other chain. We cut Nicki's vocals in a day, and I came back and we redid a few things, so you could say it was a two-day process.

In Vogue's 73 question interview with Nicki Minaj the mac pro can be seen under the studio desk.