Used extensively on Icky Thump, as stated by recording and mixing engineer Joe Chiccarelli in this October 2007 Sound on Sound interview.

“The Trident at Blackbird Studio D was used for monitoring, and also some guitar microphones, plus most of the room microphones. Some room mics went through an API 512, and a few through a crazy old RCA OP6 tube preamp. Most of the other close mics went through various Neve 1073, Brent Averill API 312 and Chandler TG2 preamps. Jack loves the sound of ribbon microphones, so we used a lot of them, on guitar amps, vocals, and as room mics: Coles 4038, Royer 121, AEA R84. I would have six to 10 room mics up, and would chose a stereo pair from them.

(...) “For the song ‘Icky Thump’ I had the Royer and an AEA on Jack’s two guitar amps, and a couple of U67s for room ambience. In a few cases I used the Shure SM7 guide vocal mic. Ribbons are prone to overloading, so we blew out four Coles mics on the guitar amps. Luckily Jack had several Coles 4038’s with him! The guitar mics went through Neve and Chandler preamps, and then always through an API 550A EQ, and then an 1176. The Univox sounded great acoustically in the room and was miked with a U87 across the room, going into a Chandler TG2 preamp and then some slight compression with an LA2A."

This is restated by Chiccarelli in this October 1, 2007 Mix Online interview.

Most of the vocals were recorded on a RCA 77DX ribbon microphone, but a U47 and an old Altec 633 salt shaker mic were also pressed into service. Processing, depending on the track, included a Telefunken V76 tube preamp, an 1176, an LA-3A, a Fairchild and a Chandler Limited EMI TG2 compressor. “Sometimes the vocal went through a guitar amp, sometimes through a Neve module with a preamp turned all the way up,” he says. “He's great about working the distortion, knowing how to sing to a certain microphone. He knows how to back way off and come way in when he needs to. The vocal is different on every single song."

At 1.03 of this video from the Lonerism Episodes, a Chandler TG2 can be seen in Kevin's rack.

In the Youtube video, the Chandler Limited TG2 can be seen on Zedd's rack at the 5:07 mark

At 1:13 in the video you can see his TG2 Below his 1176 Compressor

Used for the vocals on Only by the Night, as mentioned producer Jacquire King in this December 2008 Sound on Sound interview.

"Caleb's vocals were recorded with a Shure SM57 going through a Chandler TG2 mic pre, a Neve 1073 EQ, an LA2A compressor, and I also had a Dbx 902 de–esser on them."

The equipment list for Blackbird Studio's Studio D specifies a standard TG2.

In this screenshot from Vegyn's instagram story you can clearly see a chandler tg2 on Mk.gee's rack

Sitting on the desk along with some keyboards!

In a Sound on Sound article, it is mentioned that "Located below Antonoff’s workbench to his left are his preamps, with the Chandler TG2 EMI strips being used mainly for guitar and bass," confirming that Jack Antonoff uses the Chandler Limited TG2.

Part of Q-Tip's 2008 inventory, as listed in his January 2008 Remix interview. Transcripts can be found at the Future Producers forums (linked) and this Prince.org forum.

Chandler Limited LTD-1 expanded 10-series EQ/preamp, LTD-2 compressor, TG1 compressor, TG2 preamp

In this interview under the control freak section he says "a Manley microphone and a Chandler TG2 mic pre, plus a [Universal Audio] 1176, one or two effect boxes and the guitar pedals, and that's it."

Mentioned by sound engineer Trevor Muzzy in this Sound on Sound interview about the production of "Starships".

All Nicki's vocal tracking was done at Conway Studios in LA, where she had a lockout and was working with her engineer, Ariel Chobaz. I did not want to assume that how he was recording her wasn't working, so I asked him what he had set up, and he told me that there were two vocal signal chains, one being a Telefunken ELAM 251 going into a Chandler TG2 mic pre and then through an Urei 1176 [compressor]. The other was a more traditional Neumann-Neve chain. The 251 chain sounded amazing and worked really well with the 1176, which I don't typically use for cutting vocals. It gave her voice a unique character with a cool edge that wasn't there with the other chain. We cut Nicki's vocals in a day, and I came back and we redid a few things, so you could say it was a two-day process.

This Chandler Limited TG2 EMI is owned by Josh Rand