Paddy McAloon's Keyboards and Synthesizers
“But I got a synthesizer, a Roland JX3P, and I programmed into it a variation on their string sound which you didn’t have to hold down — you just hit the chord and put a long release on.
On his home studio Topaz mix desk he has a channel dedicated to his Korg X5D keyboard.
Among the outboard sound modules McAloon likes to use when choosing final sounds are an EMU Proteus orchestral unit, Korg TR–Rack and two Roland Sound Canvases. The results are recorded to his Tascam MX2424 hard-disk recorder. “I use a lot of sounds that I suppose were designed for dance music,” he points out. “But I use them way out of context. I’ll use one part of the sound and treat it, put it through a delay or put flange on it. I’m trying to disguise the lack of finesse that may exist in the original sound sources.
Among the outboard sound modules McAloon likes to use when choosing final sounds are an EMU Proteus orchestral unit, Korg TR–Rack and two Roland Sound Canvases. The results are recorded to his Tascam MX2424 hard-disk recorder. “I use a lot of sounds that I suppose were designed for dance music,” he points out. “But I use them way out of context. I’ll use one part of the sound and treat it, put it through a delay or put flange on it. I’m trying to disguise the lack of finesse that may exist in the original sound sources.”
Among the outboard sound modules McAloon likes to use when choosing final sounds are an EMU Proteus orchestral unit, Korg TR–Rack and two Roland Sound Canvases. The results are recorded to his Tascam MX2424 hard-disk recorder. “I use a lot of sounds that I suppose were designed for dance music,” he points out. “But I use them way out of context. I’ll use one part of the sound and treat it, put it through a delay or put flange on it. I’m trying to disguise the lack of finesse that may exist in the original sound sources.
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