Papa Emeritus III

"We did four rhythm tracks on everything. On one side we had a Les Paul gold top with P-90s that went through an Orange amp, and also a white [Gibson] Explorer from, like, ’82 or something like that—that typical James Hetfield sort of guitar—that went through an old Marshall rack amp from the early Nineties. And then on the other side it was a mid-Seventies Les Paul Black Beauty 20th Anniversary through one of those old Laneys that Tony Iommi used and an early Eighties [Gibson] Flying V that went through another Orange. Then I had a Seventies Strat for a lot of the leads, and I think I did overdubs mostly with the Explorer. So it was quite simple."

"We did four rhythm tracks on everything. On one side we had a Les Paul gold top with P-90s that went through an Orange amp, and also a white [Gibson] Explorer from, like, ’82 or something like that—that typical James Hetfield sort of guitar—that went through an old Marshall rack amp from the early Nineties. And then on the other side it was a mid-Seventies Les Paul Black Beauty 20th Anniversary through one of those old Laneys that Tony Iommi used and an early Eighties [Gibson] Flying V that went through another Orange. Then I had a Seventies Strat for a lot of the leads, and I think I did overdubs mostly with the Explorer. So it was quite simple."

Tobias used a Precision Bass when he played the bass guitar.

Papa Emeritus III, also known as Tobias Forge, has used a Fender Telecaster for recording parts of his albums, as shown in the user-uploaded photo on Imgur.

"We did four rhythm tracks on everything. On one side we had a Les Paul gold top with P-90s that went through an Orange amp, and also a white [Gibson] Explorer from, like, ’82 or something like that—that typical James Hetfield sort of guitar—that went through an old Marshall rack amp from the early Nineties. And then on the other side it was a mid-Seventies Les Paul Black Beauty 20th Anniversary through one of those old Laneys that Tony Iommi used and an early Eighties [Gibson] Flying V that went through another Orange. Then I had a Seventies Strat for a lot of the leads, and I think I did overdubs mostly with the Explorer. So it was quite simple."

"We did four rhythm tracks on everything. On one side we had a Les Paul gold top with P-90s that went through an Orange amp, and also a white [Gibson] Explorer from, like, ’82 or something like that—that typical James Hetfield sort of guitar—that went through an old Marshall rack amp from the early Nineties. And then on the other side it was a mid-Seventies Les Paul Black Beauty 20th Anniversary through one of those old Laneys that Tony Iommi used and an early Eighties [Gibson] Flying V that went through another Orange. Then I had a Seventies Strat for a lot of the leads, and I think I did overdubs mostly with the Explorer. So it was quite simple."

at the start of the video, tobias discusses with kirk about a fernandez strat he owns

Papa Emeritus III used a Gibson SG Standard during performances with Repugnant, as shown in a user-uploaded photo on Tumblr.

He is seen playing the kazoo in this video for the main tune of the song.

"We did four rhythm tracks on everything. On one side we had a Les Paul gold top with P-90s that went through an Orange amp, and also a white [Gibson] Explorer from, like, ’82 or something like that—that typical James Hetfield sort of guitar—that went through an old Marshall rack amp from the early Nineties. And then on the other side it was a mid-Seventies Les Paul Black Beauty 20th Anniversary through one of those old Laneys that Tony Iommi used and an early Eighties [Gibson] Flying V that went through another Orange. Then I had a Seventies Strat for a lot of the leads, and I think I did overdubs mostly with the Explorer. So it was quite simple."