Peredur Ap Gwynedd

"The first time I picked up a PRS, I was a young kid at one of those big guitar shows at Earls Court. It was either a Custom 22 or 24. I didn’t actually own one until last year, so it’s definitely been a long time coming!" "And I’ve always been a Floyd Rose fan; it’s an incredible piece of engineering that just works."

"The GrandMeister has four different preamps – clean, crunch, lead and ultra – which covers everything. It has effects, too – there are four different types of modulation, digital reverb and delay!"

“There’s an effect on this Line 6 pedal called The Growler that I absolutely adore. The harder you drive it, the more the frequency overloads… which can transform your guitar into something close to an analogue synth. It’s really dynamic and responsive in that sense. I also use the pattern tremolo to cut my signal up as another special effect of sorts.”

"This is totally stock; there’s nothing out of the ordinary – it’s a straight-off-the-shelf model. The reason I’ve got the P24 is, of course, the PRS/LR Baggs piezo system on the bridge – because in Pendulum we use a lot of acoustic sounds on their own or mixed up with electrics."

“The best thing about this invention is that you don’t need one of those Roland Hex pickups. It uses the same technology as the [TC Electronic] PolyTune, picking up each individual string which separates everything – it’s polyphonic, like the [Electro-Harmonix] POG2."

“I’m not into using too many pedals at once. When you do that, your tone goes to hell – it sounds like a bloody mess. I’ll have a compressor, the POG, some delay and that’ll be it… I don’t like going beyond that.”

“My PRS P24 has a great piezo pickup in it, but it still sounds like a normal DI’d acoustic out front, and remember, even if you put a £10,000 Martin through a PA, that’s inevitably what it’ll sound like. So the TC Electronic BodyRez really helps me tap into more of that wooden body resonance. God knows how they do it: one knob and that’s it. It’ll make any piezo sound more like a mic’d-up acoustic, plus you still get to use your whammy bar!”

“If you only use the knob on your guitar to control your volume, it limits how much you’re able to do on the fretboard. These pedals are also very handy for changing guitars on stage as well - no-one wants to hear that jack lead clunk in between songs!"

“There are probably other similar pedals out there, but DigiTech knows exactly what its doing when it comes to bringing pitch up or down. I’ve had this one for about a year and, to tell you the truth, it didn’t replace anything on my pedalboard – it replaced four guitars!"

“The PolyTune mark one is still the most important pedal I own out of them all! Being in tune is definitely important. Before you even get to the sound, you’ve gotta make sure your guitar’s in tune… otherwise you’ll sound like a dick!”

“The Helix is mind-boggling and I’ve only just begun to scratch the surface with what it can actually do. I saw a video of [British guitarist and demonstrator] Paul Hindmarsh explaining the idea behind it and as soon as I watched that, I realised I needed it in my life."

"I use a Hughes & Kettner cab with [Celestion] Vintage 30 speakers, which have always felt good to my ears."

“This is the wireless system that receives my signal. I’m actually wearing two packs on stage – one for acoustic and one for electric. The electric signal is split first – the guitar runs into the amp, as well as through the pedalboard then the PA. I can do whatever I want with either side of it.

“I can have a DigiTech Whammy going over a distorted chord behind it. So altogether, there’s the amp sound, the DI modelled sound and then the final acoustic out. Our sound engineer gets to blend it all together.”

Quoted on the official product page.

“A very useful pedal. I use the Teleport in the FX return of my Line 6 Helix and hooked up to my laptop I can integrate plugins from my DAW with my guitar setup”

Peredur ap Gwynedd

Pendulum, Faithless

According to an article on Guitar.com titled "The Collection: Pendulum's Peredur ap Gwynedd," Peredur Ap Gwynedd frequently used a red Peavey HP Special CT during the late 2000s.

In the article "The Collection: Pendulum's Peredur ap Gwynedd" on Guitar.com, it is confirmed that Peredur Ap Gwynedd uses a Gibson Les Paul Classic.

According to the article "The Collection: Pendulum's Peredur ap Gwynedd" on Guitar.com, Peredur Ap Gwynedd is confirmed to use a Gibson Les Paul Goldtop.

Guitarist Peredur Ap Gwynedd is confirmed to use a Gus Purple Special Guitar, as detailed in the article "The Collection: Pendulum's Peredur ap Gwynedd" on Guitar.com.

Peredur Ap Gwynedd uses a Squier Stratocaster 57/62 reissue JV '83, as evidenced by his presentation of the white JV Stratocaster in an Instagram post, detailed in the Guitar.com article "The Collection: Pendulum's Peredur ap Gwynedd."

In an Instagram post, Peredur Ap Gwynedd showcases his black and white 1983 Squier SQ Stratocaster, 1972 reissue. He states, "Every time I pick up this guitar, I'm reminded that I don't play it half as often as I should." The post further details the guitar's 70s Fender Strat features and modifications made by Gwynedd himself. The proof is provided by Instagram user perryguitar666, with the caption "Show And Tell: Lockdown guitars."

In an article on Guitar.com titled "The Collection: Pendulum's Peredur ap Gwynedd," Peredur Ap Gwynedd discusses his customized Charvel Model 3, which is fitted with a Fender neck and headstock.

In an Instagram post by Peredur Ap Gwynedd, he confirms using a 2021 PRS Guitars SE Silver Sky in Ever Green, stating, "I'm lucky enough to be one of the first people to own one of these amazing guitars."

In a photo from August, Peredur Ap Gwynedd is seen using a Get'm Get'm Mirror Reflective 2" Guitar and Bass Strap in gold.