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Average Price: $588
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$150
$601+
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Description
Introducing the Line 6 M9 Stompbox Modeler, a versatile companion for both novice and experienced musicians. This multi-effects pedal is part of the esteemed M series, offering a plethora of programmable, shapeable presets. Easily adaptable to different genres and styles, it's perfect for those who love to experiment or need to switch between sounds quickly. It comes with looping and tap tempo functions, making it a comprehensive tool for enhancing your performance.
Key Features:
- Part of the widely acclaimed M series
- Loaded bank of programmable, shapeable presets
- Features three separate stomp units
- Includes looping and tap tempo functions
- Ideal for beginners and multi-genre musicians
Product specs
| Brand | Line 6 |
| Model | M9 Stompbox Modeler |
| Finish | Black |
| Year | 2010s |
| Made In | United States |
| Categories | Multi-Effects Pedals and Processors |
| Pedal Format | Floor Unit |
FAQs
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What types of effects are included in the Line 6 M9 Stompbox Modeler?
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The Line 6 M9 Stompbox Modeler includes over 100 different effects such as delays, reverbs, distortions, modulations, and filters, providing a comprehensive range of sounds for various musical styles.
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Can the Line 6 M9 Stompbox Modeler be used in a live performance setting?
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Yes, the Line 6 M9 is designed for live performance with its sturdy build, easy-to-navigate interface, and ability to store up to 24 scenes, allowing quick access to your favorite effect combinations.
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Does the Line 6 M9 Stompbox Modeler require a specific power supply?
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The Line 6 M9 Stompbox Modeler requires a 9V DC power supply. It's important to use the correct power supply to ensure optimal performance and avoid damage to the unit.
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How does the Line 6 M9 handle multiple effects simultaneously?
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The Line 6 M9 allows you to use up to three effects at once, each with independent control, enabling complex soundscapes and versatile performance options.
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Is the Line 6 M9 suitable for both guitar and bass?
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Yes, the Line 6 M9 is suitable for both guitar and bass, offering a wide range of effects that can enhance the tonal palette of both instruments.
Videos
gearmanndude
Line 6 M9 Stompbox Modeler guitar effects pedal demo
Reviews
PROS
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Durable and reliable, even in less-than-ideal venues
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Excellent for live, recording, and experimenting purposes
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Replaces multiple pedals, reducing pedalboard clutter
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Exceptional delays, reverbs, modulations, and unique effects
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Allows for up to 3 simultaneous effects
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Compact unit with a rich collection of effects
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Offers stereo functionality and easy programming
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Compatible with expression pedals for added control
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30-second looper with easier access than DL4
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Affordable for the variety and quality of effects
CONS
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Lacks amp/cab simulations, limiting tonal versatility
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Distortion and overdrive effects considered thin and lifeless
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Learning curve and complexity might overwhelm beginners
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Stock switches prone to breaking, may require replacement
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Pitch shifting and tracking not as precise as higher-end units
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MIDI out port lacks MIDI through and is not programmable
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Power supply design is bulky and unwieldy
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Filters and reverbs not everyone's favorite; may feel lackluster
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Modest build quality; internal upgrades recommended for optimal performance
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Line 6 M9 Stompbox Modeler.
Mods and upgrades
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Some users express interest in mods, specifically inquiring about improvements to the audio path for clearer sound, but details on specific parts to modify are scarce.
Source
Features and functionality
Use cases and applications
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Users frequently employ the M9 for delays and reverbs, finding it particularly effective when paired with other analogue overdrive/distortion pedals.
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It's commonly used alongside an expression pedal for dynamic control, such as adjusting volume or pitch, offering versatility for live performances.
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The M9 excels in producing unique sounds, such as using a bass envelope filter and distortion controlled by a Hot Hands expression ring.
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The M9 is noted for its effectiveness as a standalone pedalboard alternative, ideal for touring without additional pedals.
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The M5 is seen as a great utility pedal for filling gaps when specific pedals are absent or broken.
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Comparisons
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The M13 is noted for allowing up to four simultaneous modulations, whereas the M9 offers a more compact solution without sacrificing sound quality.
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While the M9 is lauded for its effect modeling, some compare its warmth and responsiveness unfavorably to analog gear, though it stands out next to digital competitors like Fractal Audio.
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The Line 6 Helix HX is slightly larger than the M9 but supports eight simultaneous effects and includes all M-series patches.
Source
User experience
Critic Reviews
4.5 out of 5
Based on 12 Reviews and 48 Ratings
103
Everything a DL4 can do and more.
Incredible delays, reverbs and modulations from the stompbox modeler series but lackluster distortions (some adjustments are required to reduce excesive high end). The looper function is better than the DL4 since you access to it using your feet and you don't need to double tap any button for the reverse function. Stock switches tend to break easily so I got them replaced.
Preferred Settings + Usage:
Barberpole Phaser, Sweep Echo, Octo Reverb and Particle Verb.
483
Ditto X2 made me buy this.
A couple years ago I bought a Blackstar ID 30 and Ditto X2... tried to loop through the ID30 ... epic fail. I try to keep it simple. Needed a good delay & chorus. Hearing about DL 4 decided to look further went to my local store and saw this. I didn't need or want a amp modeler multi effect board, I have the ID 30. Upon learning this was the POD 500 sans amp modeling and it was the DL 4 plus it was a workable solution to use with the Ditto X2.
While I have a low opinion of Line 6 in general, I bought it. What can I say, Delays are excellent and love the idea you can stack multiple delays... Or any effects. Easier than TC Electronic Flashback or Flashback Mini. You can set up multiple delays (effects) which beats bending over and setting and resetting for different songs.
Modulations are great too. Distortions sound a little thin but usable though I would not use them for serious performing or recording but, good enough for looping. Filters ...don't use them but nice to have should you need them. Reverbs are good. The 30 second looper is not bad either.
If I were to use one pedal this would be it. Build seems solid though I have read players have had issues with switches. Power supply is clunky. There are many effects to pull from if you need it most you will never use unless your name is Zappa. Foot print is about the same size as the DL 4 so for $100 more why not.
813
relatively cheap with plenty of timeless sounds
does a bit less than the amount of buttons might initially suggest. but it's packed with all the 4 series algorithms and more. delays and filters are killer, with the reverbs being my least favorite. overall, a great catch-all with up to 3 simultaneous effects
122
Pass on the DL4 and go straight for the M9.
I was actually shopping for a DL4 and was pointed towards the M9. It takes up roughly the same amount of space on your board as the DL4. It does everything the DL4 does, and also the MM4, the DM4, and some other tasty effects. However, stay away from the distortion (yellow) effects. They are thin, tinny, and feel lifeless. All the other models are fantastic, albeit, not analog. I am finding new, but subtle, ways of using this to keep things interesting for the live performance environment. I highly recommend grabbing at least one expression pedal (you can use 2 for added control) to make full use of the M9. Try this thing, you won't be disappointed.
367
Excellent but still (just) a Line6
The M series are an amazing collection of effects and a very refreshing change from the typical multi fx board where you have to use the built in amp sims and cab sims. It is without a doubt a feature packed unit with very good sounding classic effects and some innovative ones also, however it is obviously guitar oriented since it misses some basic Bass effects. In the end, it is still just a Line6 unit and, although not bad, tracking for pitch shifting effects is nowhere near an Eventide for instance. Another limitation is the MIDI out port that does not have MIDI through implemented and is not programmable. A couple more turnings to the software and Line6 could sell an update that would turn the unit into a MIDI controller but they preferred to abandone the M series development.
152
Great compact stompbox modeler
I love the M9 as it has a very good sound for a digital unit, a lot of effects in a very compact unit. I used it for modulations mostly, but it has very good effects for Delay, Reverb, Filters and synths, Od/Dist/Fuzz and it's not expensive. Whenever you don't need a lot of effects (you can use 3 of any at the same time, in the order you want) in a light unit, it's very useful.
606
Suits some situations.
This is a great idea if you need to save space. Ideal for pit work or very tight stages. The effects are great and varied, there are even effects you will get no where outside of vintage pedals, seek wah comes to mind. The inbuilt looper is effective, not perfect but it works well. This system also makes sense for the casual player at a lower price than many other systems it is well worth it if you want lots of good quality pedals in a small space.
132
Great pedal, but get the JHV3 mod
Stock, this pedal is awesome. It gives you tons of sounds that work well. However, get the audio mod and switch upgrade from JHV3. The stock switches are on the cheap side. The audio upgrade changes out internal components to higher quality ones and makes a huge improvement. 4 star rating for a stock M9, 5 star for a JHV3 M9.
It's great.
I use it mainly for delays and reverbs. It's a great unit, but you need to spend time tweaking around.
Artist usage
Add artist
In this live image, we see the Edge using an M9 unit for effects on his keyboard.
In her live performance of Genesis, for radio station KEXP 90.3, Grimes can be seen using the Line 6 M9 Stompbox Modeler.
A Line 6 M9 Stompbox Modeler can be seen on Omar's pedalboard at about 5 minutes into the video.
In this photo, which comes from Cory Wong's Instagram story, his session pedalboard is visible. One of the pedals that can be seen is the Line 6 M9.
Wata, Boris
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Guitarist Mark Lettieri showcases his use of the Line 6 M9 Stompbox Modeler in an Instagram post, where he highlights its compact size, noting it "fits in a carry-on."
In a photo shared on his Facebook page, Reeves Gabrels showcases his use of the Line 6 M9 Stompbox Modeler, highlighting its role in his guitar effects setup.
https://www.youtube.com/watch?v=872odsrEjF4 at 9 seconds in you can see Steven is using the Line 6 M9. Could be using it on his keys judging by the placement.
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Line 6 M9 Stompbox Modeler, it is most commonly used with the following gear.
Community setups
Show yoursSimilar
Add recommendation6 alternative and related items for Line 6 M9 Stompbox Modeler, curated by the Equipboard community.
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completely different with how they achieve the sounds you need, but very very similar with how they integrate into rigs. would literally and figuratively drop right into that m9-shaped hole in your board.