Satoru Kōsaki

Satoru Kōsaki uses the RME Fireface UCX USB 2.0 Audio Interface in his music creation setup, as he detailed in an interview with SONICWIRE.

Satoru Kōsaki uses the ADAM Audio A7X Powered Studio Monitor in his music creation environment. This information is confirmed by his interview on Sonicwire, where he details the gear he utilizes, including his DAW, audio interface, and monitor setup.

Satoru Kōsaki uses the AKG K712 Pro headphones as part of his monitor environment, as confirmed in his interview published by Sonicwire.

Satoru Kōsaki uses the Nektar Impact LX88 MIDI Controller in his music production setup, as confirmed in an interview titled "神前 暁 氏による Spitfire Audio 製品レビュー" on Sonicwire.

• What Spitfire Audio sound sources do you often use?

I use "SPITFIRE CHAMBER STRINGS" in a lot of songs. I use this sound source for almost all songs, especially vocals. I often end up replacing it with live performances, but sometimes I mix in sounds I've created using a program for reinforcement.

• What is your favorite part of "SPITFIRE CHAMBER STRINGS"?

The good thing about "SPITFIRE CHAMBER STRINGS" is that the sound attack is fast and it doesn't get lost in the rhythm arrangement. Also, even if you don't specify the articulation in detail, it sounds musically natural, so you can concentrate on the arrangement. I think another reason it's easy to use is that it's close to the arrangement I usually record.

• Are there any recent Spitfire Audio products that catch your eye?

I've never used Spitfire Audio's percussion sound source, so I'm interested in it.

Satoru Kōsaki uses the Roland JV-1000 as confirmed by an article on DTMステーション. In the article, Kōsaki mentions, "When I found out that Roland's musiro was released in that vein, I begged my parents to buy it for me. Well, at that time, rather than making my own songs, I used them as sound sources that sound good. The sound source was CM64, and the sequencer was Ballade."

" I bought Roland's JV-1000. It's a music workstation, or a synth with a built-in sequencer."

Satoru Kōsaki has been confirmed to use the Akai S3000XL sampler, as he mentioned in an interview with DTMステーション. In his words, "After that, I bought AKAI's sampler, S3000XL, replaced it with the XP-50 model like the successor to the JV-1000, and used JP-8000, and used various equipment."

Satoru Kōsaki has confirmed the use of the Roland XP-50, stating, "After that, I bought AKAI's sampler, S3000XL, replaced it with the XP-50 model like the successor to the JV-1000, and used JP-8000, and used various equipment," as detailed in an article by DTMステーション.

Satoru Kōsaki has confirmed the use of the Roland JP-8000 Synthesizer in his music production. This information is supported by an interview on DTMステーション, where he stated, "After that, I bought AKAI's sampler, S3000XL, replaced it with the XP-50 model like the successor to the JV-1000, and used JP-8000, and used various equipment."

Satoru Kōsaki uses Steinberg Cubase Pro 13 - Full Version (Download) on Windows PCs for his music production. In an interview with DTMステーション, he mentioned, "I mainly use Cubase 13 on Windows PCs. We use the Windows version of Pro Tools to exchange data with studios and engineers." This indicates his reliance on Cubase for creating and managing his music projects.

Satoru Kōsaki uses Avid Pro Tools on Windows to facilitate data exchange with studios and engineers, as mentioned in an article by DTMステーション.

Satoru Kōsaki utilizes Toontrack Superior Drummer 3 as his drum sound source, as confirmed by an article from DTMステーション titled "涼宮ハルヒの憂鬱、らき☆すた…などの音楽を手がけた神前 暁(MONACA)さんの音楽制作への向き合い方."

Satoru Kōsaki, known for his work on music for anime such as "The Melancholy of Haruhi Suzumiya" and "Lucky☆Star," uses the virtual instrument Toontrack EZBass as part of his music production setup. This information is corroborated by an article from DTMステーション, which provides details on the gear he employs.

Satoru Kōsaki is confirmed to use IK Multimedia MODO BASS 2 as a bass sound source. This information is supported by an article from DTMステーション, titled "涼宮ハルヒの憂鬱、らき☆すた…などの音楽を手がけた神前 暁(MONACA)さんの音楽制作への向き合い方."

Satoru Kōsaki uses Spectrasonics Keyscape for piano sounds in his music production, as confirmed by DTMステーション in an article discussing his approach to music creation.

Satoru Kōsaki utilizes the Vilabs - Ravenscroft 275 piano in his music productions, as confirmed by DTMステーション in their article on his creative process.

Since the guitar is premised on replacing it with live music, the REAL GUITAR series emphasizes ease of use.