Shlomi Aber

In an interview with Attack Magazine, Shlomi Aber praises the Neve 1073DPA preamps, highlighting their exceptional ability to enhance various sounds and frequencies. He notes that these preamps consistently deliver outstanding audio quality, unlike others that might only excel in certain frequency ranges.

I was completely addicted to my cheap old Behringer speakers, which I had owned for over 15 years, and was so used to them that I didn’t want to change them even though I got many studio monitors for free from high-end companies. I tried them, but always sent them back as I didn’t want to fix what wasn’t broken, until I listened to my music on the PMC speakers, and that was when I finally realised that it was indeed broken! These speakers reveal so many frequencies I couldn’t hear in any other speakers, and have very special dynamics.

One of the main highlights of my studio. I can’t see myself producing without having the Manley somewhere in my input and output chain. The latest version has this fantastic high-pass option to filter the input into the old-school tube compressor, which helps to keep the dynamics alive and not over-squeeze the track while having hard compression.

Many producers out there are using the Moog synths, while not many of them know the Studio Electronics SE-1, a raw, dirty monophonic synth that reminds me of the basic Moog stuff, though it’s got wider oscillators that are maybe even more useful in their simplicity.

In an interview with Attack Magazine, Shlomi Aber mentions the Moog Minimoog Voyager, noting that while it is considered a high-standard synthesizer, he personally finds the SE-1 more interesting and lush. He reveals that the Voyager has been featured in several of his older tracks, including "Freakside," "Portico," "Sea Of Sand," and "After Love" with Guy Gerber.

In the Attack Magazine feature by Adam Gilbert, Shlomi Aber discusses his use of the AMS Neve 1073 Mic Preamp & Equalizer, praising its ability to enhance a wide range of sounds and frequencies with exceptional quality. Aber highlights the 1073 as one of the few preamps capable of consistently delivering outstanding tonal balance across both the high and low ends, making it an essential part of his studio setup.

One of the main highlights of my studio. I can’t see myself producing without having the Manley somewhere in my input and output chain. The latest version has this fantastic high-pass option to filter the input into the old-school tube compressor, which helps to keep the dynamics alive and not over-squeeze the track while having hard compression.

In a photo from Attackmagazine, Shlomi Aber is seen using the Native Instruments Maschine MKII.

Another great piece from Manley. This one is used more often for mastering purposes, though I often also use it on every channel while producing. It can change the character of a sound if used in the right way. I love the way I can EQ a mastered song with it, after taping it on my Tascam machine – it really compensates the missing frequencies.