Steve Jansen

"On 'Blackwater' I decided I wasn't happy with the original brush part", says Jansen. "The studio time had finished, so I had time to go away and think about it and I really didn't like what I'd done. I had taken samples of the sounds at the time so I took a SMPTE mix of the track home to our E16 and started to duplicate what I'd played using an Akai S1000 and the Macintosh. I used a variety of samples and literally compiled them on top of the original - slowing down where it slowed down and so on. Hopefully it doesn't sound too bad. I was surprised at the quality of the Akai; it was the first time I'd used one." The equipment list specifies that the Macintosh is the SE model.

"On 'Blackwater' I decided I wasn't happy with the original brush part", says Jansen. "The studio time had finished, so I had time to go away and think about it and I really didn't like what I'd done. I had taken samples of the sounds at the time so I took a SMPTE mix of the track home to our E16 and started to duplicate what I'd played using an Akai S1000 and the Macintosh. I used a variety of samples and literally compiled them on top of the original - slowing down where it slowed down and so on. Hopefully it doesn't sound too bad. I was surprised at the quality of the Akai; it was the first time I'd used one."

"On 'Blackwater' I decided I wasn't happy with the original brush part", says Jansen. "The studio time had finished, so I had time to go away and think about it and I really didn't like what I'd done. I had taken samples of the sounds at the time so I took a SMPTE mix of the track home to our E16 and started to duplicate what I'd played using an Akai S1000 and the Macintosh. I used a variety of samples and literally compiled them on top of the original - slowing down where it slowed down and so on. Hopefully it doesn't sound too bad. I was surprised at the quality of the Akai; it was the first time I'd used one."