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iRig UA is the first digital effects processor and audio interface that lets you play your guitar, bass or other instrument on your Android device anytime and everywhere. It pairs with AmpliTube UA to deliver jawdropping and absolutely unmatched sonic performance with any smartphone or tablet with Android 4.2 or higher (and that supports host mode/USB OTG). Now you can enjoy high-quality real time effects processing on your Android device no matter whether it’s from Samsung, Sony, Motorola, LG, HTC, Xiaomi, Marshall or any other popular manufacturer. iRig UA sounds phenomenal and the reason for this is due to its built-in digital signal processor (DSP). This cutting-edge on-board processor is a first-of-it's-kind solution that solves the issue of latency on the Android platform by moving all processing to an external accessory. iRig UA's DSP has been designed to work with a companion app, AmpliTube UA. The app, which comes with iRig UA, is powered by the DSP. Like other versions of AmpliTube, it provides you with an amazing collection of virtual gear that you can use to create your own personal dream guitar or bass rig. A versatile system, iRig UA can also be used as a 24 bit digital recording audio interface when it's connected to either a Samsung Professional Audio-compatible or Android 5.0 device or a Mac or PC

With over one million CUBE amps sold and going strong, Roland continues to push the envelope with innovative amp technology and design. The latest addition to the top-selling CUBE amp family is the CUBE-XL series. Second only in size and power to the flagship CUBE-80XL, the CUBE-40XL is compact enough to grab and go, yet powerful enough for serious stage and studio work. The CUBE-40XL provides 40 watts of power through a 10" high-performance custom speaker. There are discrete, footswitchable* channels — JC Clean and Lead — with Solo settings for each. Ten COSM amp models are onboard, including the new Extreme, and eight effects to choose from, including the new Heavy Octave and COSM vintage Spring Reverb, plus an 80-second Phrase Looper.

JOYO D-SEED is a very flexible delay pedal, with build-in TAP Tempo function, which can be independently operated at any moment to change the delay time with ease. The DSEED Delay has dual channels (presets); each can separately save its own chosen delay time, as well as other relevant parameters, so you have different delay effects to use with your playing when needed. The maximum delay time of D-SEED is 6 seconds (under TAP TEMPO mode) meeting the requirement of most players. Four different types of delay effects of D-SEED: Restores your instrument's original sounds without any polishment. Provides you a warm imitate delay tones like earlier BBD delay pedals and it enables delay time to 6 seconds by aiding with digital technology. A delay tone with modulation and it is characterized by broad and rich sense of space, especially when playing clean tones. A very interesting effect and it reverses the delayed phase to create a very psychedelic feeling.

True bypass guitar noise gate effect. Effect is controlled with one Threshold controller. Reduces any unwanted hum or stage noise from the signal.

Collapsible steel stand for combo, amplifier or speaker with adjustable height from 610 to 740 mm and great stability. Foam contact surfaces provide protection against mechanical damage cause by fall or scratches, and rubber leg endings ensure better grip. Base dimensions: 420 x 500 mm. Maximum load: 25 kg.

The JOYO JF-05 Classic Chorus pedal has just that, the classic chorus sound that is heard on masses of recordings. The Classic Chorus, a modulation effect, can breathe life into slowly picked arpeggiated chords and add a whole new dimension to overdriven guitar parts as well. Make your 6 string guitar sound like a 12 string, use a lower setting with an acoustic and strum away with an all new perspective on your songs thanks to the JOYO Classic Chorus guitar effect pedal.

Great guitarists know it's all about nuance. With its built-in expression pedal, the Zoom G1Xon allows you to add subtlety and refinement to your performance. Add in 100 great-sounding guitar effects and amp models—with the ability to use up to 5 of them simultaneously—plus 68 built-in rhythm accompaniment patterns and an onboard chromatic tuner and Looper, and take your guitar playing to a whole new level.

The CE-5 Chorus Ensemble is BOSS' ultimate compact chorus pedal, covering a wide frequency range and featuring high- and low-cut filters. This lets users create any kind of chorus effect--from a mild, natural chorus to the clear and penetrating stereo chorus effect popular in contemporary music.

A very useful yet often overlooked pedal is an eq pedal. They can be used for more than most people realise as well. You can use the JF-11 to help make your solos cut through the mix. You could use it to tame a particularly bright or bassy guitar. You can use it to just generally beef up your guitar or basses tone as well. You could even use one on an acoustic to give you some extra tonal control and to even help prevent feedback problems.

Nylon strings, traditionally used for classical music, have a more mellow tone and the responsiveness of it can be enjoyed typically for folk but other styles of music use it as well. These strings are originally installed on all Yamaha Concertguitars. Standard tension and gauges: 28, 32, 40, 29, 34, 43.

Elixir® Strings Acoustic Phosphor Bronze with NANOWEB® Coating deliver distinctive phosphor bronze warmth and sparkle together with extended tone life.

With the Katana-Artist, BOSS brings a powerful new flagship to the hugely popular Katana amp lineup. This impressive 1×12 combo offers all the features that have made the series such a breakout success, including versatile amp voicings, an expansive range of built-in effects, and most importantly, exceptional sound and feel with BOSS’s Tube Logic design approach. Building on this rock-solid base, the Katana Artist adds numerous refinements, all specially tuned for the needs of gigging players and any guitarist seeking the very best in tone. If you’re familiar with other Katana amps, the first thing you’ll notice about the Katana-Artist is its larger cabinet and front-facing controls. The primary reason for this new look is the pursuit of bigger, punchier tones with richer resonance characteristics, along with improved performance in high-volume stage applications. To start, the cabinet construction is beefier, and features a wider speaker baffle than other Katana 1×12 amps. In addition, the back is a semi-closed design, providing improved low and low-mid reinforcement while also maintaining the open, airy feel that works so well with clean and light crunch sounds. With the Katana-Artist’s larger cabinet volume, BOSS was able to position the panel on the front for easier access, and also add more external controls than other Katana models. To complement the robust cabinet construction, BOSS has outfitted the Katana-Artist with a high-performance Waza Craft G12W 12-inch speaker. Originally developed for the Waza amp series, the G12W delivers the coveted tone of low-wattage vintage speakers, but with enough power-handling capacity to support the Katana-Artist’s big and loud 100-watt output. Without a doubt, the seminal ‘60s-era British 100-watt amp stack is the defining sound of heavy rock guitar. The most famous cabinets paired with these amps were loaded with four 25-watt speakers, wired in a series/parallel configuration to support the head’s full output. To this day, these speakers are considered by many guitarists to provide the ultimate tone experience. But with their low power rating, they need to be used in multiples to work with high-wattage amps. In developing the G12W speaker, BOSS set out to capture all the tonal magic of the 25-watt British classic, but in a modern design that can handle a full 100 watts of power on its own. The engineering team meticulously analyzed many original speakers to fully understand their resonance characteristics, harmonic balance, and more. Through careful selection of the magnet, cone material, and many other construction elements, the Waza Craft G12W fully realizes the rich tone, quick response, and wide dynamic range that’s made the original so famous. Paired with the Katana-Artist and its beefy cabinet, the G12W allows you to enjoy big-amp performance with the convenience of a compact and easy-to-carry 1×12 combo. All Katana amps (with the exception of the Katana-Mini) feature five unique amp characters: Clean, Crunch, Lead, and Brown, plus Acoustic for use with acoustic-electric guitars. In the Katana-Artist, all have been retuned for the very best tone with the Waza Craft speaker and new cab. The refinements include not only the gain stages, but the tone stack interaction as well. Released in late 2017, the Version 2.0 firmware update for the Katana series added lots of features, including new effects, double the Tone Setting memories, cabinet resonance, line out Air Feel, and more. The Katana-Artist includes all these great Version 2.0 enhancements, and adds some new panel controls for direct access to a few of them. There’s a bank switch for Tone Setting memories, allowing you to jump between two banks of four memories with a quick press. With the three-way Cabinet Resonance control, you can instantly re-voice the amp with Vintage, Modern, or Deep settings. There’s also a three-way Air Feel control for adjusting the tone character of the mic’d cab emulation on the Katana-Artist’s line output. (Cabinet Resonance and Air Feel are also available on other Version 2.0 Katana amps, but the controls are only accessible via the BOSS Tone Studio editor.) The Katana-Artist is equipped with rear-panel connectivity that’s basically the same as the Katana-Head. This includes support for the GA-FC and other external foot controls, a MIDI input for control from MIDI devices, an effects loop, and an aux input for connecting a smartphone for backing music. There’s a recording/phones out as well, plus USB for direct recording and connecting with the powerful BOSS Tone Studio editor software. A notable addition for 4×12 stack users is the two 16 ohm speaker outputs. Most classic 4×12 cabinets are 16 ohms, and you’re able to use one or two with the Katana-Artist for huge sound! Note that when a cabinet is connected to a 16 ohm jack on the Katana-Artist, the 8 ohm speaker jack (normally used for the internal speaker) is disabled.

Kremona's Artist Series Guitars are handcrafted entirely of solid, carefully selected tonewoods from all over the world, in the case of the Fiesta FC, solid red cedar (top), solid Indian rosewood (back, sides, fingerboard, bridge, and headstock) and Honduras cedar (neck), which give it a unique and striking timbre. The Fiesta FC is crafted by Kremona's most experienced luthiers to ensure it's lively and extraodinarily expressive like the players they are designed for. Other accoutrements of this special guitar include rosewood edging, fine birch purfling, a wooden rosette, bone nut and saddle, and Gebr. Van Gent gold-plated machine heads with rosewood buttons.

Elixir® Electric Nickel Plated Steel Strings with OPTIWEB™ Coating give you the performance of a natural string — that crisp tone, natural feel and playable grip you know and love—without sacrificing the signature long-lasting tone life of Elixir Strings.

Elixir® Electric Nickel Plated Steel Strings with OPTIWEB™ Coating give you the performance of a natural string — that crisp tone, natural feel and playable grip you know and love—without sacrificing the signature long-lasting tone life of Elixir Strings.

Mooer's Noise Killer is a high quality noise gate. Noise gates run at the very end of your signal chain to keep things quiet. When the background threshold is above a certain predefined limit, the gate opens, allowing the full signal of your chain to flow through. The key thing for noise gates is that they be transparent, have a wide threshold range, and have smooth gating that isn't sudden. This pedal does all of the above. Threshold goes from -70dB to +10dB to give you maximum flexibility when gating. More importantly the gate can be defined as Hard or Soft. The soft one is the good one. This is so that the gate doesn't suddenly just turn off, shutting your signal off, making for awkward transitions that can be heard in a live situation. The Soft setting allows notes to gracefully get turned down as with a volume pedal. So because a noise gate is a set and forget kind of pedal, why not get a mini one that will save you space on your pedalboard, and lighten up your load to gigs. The Mooer Noise Killer is your best bet.

AD810E is a model from the Cort`s Standard Series of acoustic and acoustic-electric models. It is a non-cutaway dreadnought model made of spruce top and mahogany back and sides. AD810E is available in natural and open pore black gloss finish with black binding and black teardrop shaped pickguard. The neck on this model is made of mahogany and has a C contour and a dovetail joint positioned at the 14th fret. The fingerboard is made of rosewood with 20 frets and dot inlays. The electronics on AD810E consist of a ceramic piezo pickup and a preamp with on-board controls mounted on the side of the guitar. The bridge is made of rosewood with black pins and white plastic saddle

The NCX/NTX series brings the classical guitar to the 21st century and breathes a new life into the centuries-old instrument. The basic concept is the fusion of the traditional classical guitar with contemporary technology and electronics. NCX700C is one of the most affordable representatives of the series, coming in with $865.00 price tag (MSRP, not retail price). Main features include a single-cut body (full-sized classical body with Venetian cutaway, nato back & sides, spruce top), 12th fret dovetail neck joint, standard 25-9/16" scale, Yamaha`s own electronics, modern styling. Natural (w/gloss finish, gold hardware) is the only available color option. Other important appointments include a nato neck, 19-fret rosewood fingerboard (2.05" nut, side dot inlays, classical frets), rosewood bridge, and classical tuners.

KX5-CQ is a fixed bridge pair of the KX5FR-CQ and features almost the same specs. They are both placed within the KX series of superstrat models in Cort`s catalog. KX5-CQ kicks off with a double cutaway basswood body. It is available in black color with a custom graphic designed by Stephen Jensen. Top on this model is slightly contoured and finished in high gloss. The bridge on KX5-CQ is a combination of tune-o-matic and a string-through construction. The bridge, as well as the rest of the hardware is black. Pickups department consists of two Motherbucker humbucking pickups placed in the bridge and neck position. They are controlled through master volume, master tone with a push-pull function for coil-splitting and a three-way toggle pickup switch. The neck on this model is made of Canadian hard maple with slim and narrow contour and bolt-on joint. Combined with big lower cutaway necks on KX models give great access to the upper frets. The fingerboard is made of rosewood and features 24 large sized frets, pearl block position inlays and a 12" fingerboard radius. Other features include: 25-1/2" scale length, die-cast tuning machines and black hardware.

The graphics on this guitar are amazing: a Dimebag Darrell portrait, his trademark lightning and razorblade dogtag graphics, and a print of Dime's signature. It's all there and the layout is the perfect compliment to the Dimeblade body shape. Once you've taken in the view, plug it in - this is a Dean, after all! Featuring the famous Dean headstock, string-thru body "V" tailpiece and bridge position humbucker. The lightweight basswood body and comfortable Dean neck will keep you playing your best through the whole gig.

If you're looking for a serious 7-string guitar, you've found it. As part of the LTD Deluxe Series designed for professional musicians, the LTD MH-1007 EverTune offers a slew of amazing features that you won't find on other guitars. It offers set-thru construction, meaning the neck extends deeply into the guitar's body cavity, offering unparalleled access to the upper frets with a smooth heel joint. It has a mahogany body with a maple cap, along with a three-piece thin U-shaped maple neck, and an ebony fingerboard with 24 extra-jumbo frets. High-class touches are included, like its multiple white binding and Grover tuners. But the MH-1007 takes things a step further with the inclusion of active EMG 85-7H (neck) and EMG 81-7H (bridge) pickup for tones that range from dark and menacing through screaming and aggressive. Finally, the EverTune constant tension bridge ensures that almost any conditions, your guitar will stay in perfect tune, and have incredibly accurate intonation at every point on the fingerboard. Available in Black finish.

The RG6PCMLTD is an RG series solid body electric guitar model introduced by Ibanez in 2017. It was made in Indonesia as part of the mid-tier Premium line. The RG6PCMLTD features an ash body with a 3.5mm curly maple top with white binding bolted to an eleven piece wenge, bubinga, maple and purpleheart Wizard neck with a 24 stainless steel fret curly maple fingerboard with white binding, offset pearloid dot position markers and luminescent side dots. The pickups are from DiMarzio with two humbuckers flanking a single-coil and are mounted directly to the body. Other components include an Edge Zero II double locking tremolo bridge with a locking nut and a removable ZPS tuning stabilizer and locking Gotoh tuning machines. The RG7PCMLTD is a similar seven-string model. The RG657MSK is a somewhat similar model which is made in Japan for the Prestige line. The RG6PCMLTD was a limited edition model which was available only in 2017.