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edited Smiletone Audio The Governors Blues

Improved formatting by adding bullets to bullet point list

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Before:
The Governors Blues from Smiletone Audio is made in the USA, hand soldered and hand wired to ensure optimum reliability for stage and studio performance. The Governors Blues is a two in one reproduction of two classic British pedals made famous in the 80’s. One side is a faithful recreation of the Governor and its high gain and stacked amp tone. Settings can go from a nice overdrive to a big- rock monster while the three band EQ consisting of high, mid and low will allow for fine tuning for any situation. The other side is the classic tone of a Bluesbreaker which can go from a slightly pushed amp for an excellent blues tone on a Strat or a full on overdriven, saturated sound like cranking the volume to 10. Each side can be used individually to get two distinct sounds or used together. Placing the high gain side first allows the lower gain side to act as a boost for leads and a little extra grit if it is utilized in dual mode. Taking two classic designs and placing them in one unit will leave a lot of room for experimentation and tone-sculpting options. Dual true bypass switching was also added to prevent tone loss and the Governors Blues can run off of a standard 9V battery or Boss/1spot adapter at 9V or 18V for more headroom.Two familiar classics combined into one pedal.

Features include:

Rugged enclosure with UV printed graphics Hand made in the USA True Bypass Switching Dual mode or individual mode 9V or 18V usage Secure PCB with board mounted pots 1 year guarantee Neutrik Jacks

After:
The Governors Blues from Smiletone Audio is made in the USA, hand soldered and hand wired to ensure optimum reliability for stage and studio performance. The Governors Blues is a two in one reproduction of two classic British pedals made famous in the 80’s. One side is a faithful recreation of the Governor and its high gain and stacked amp tone. Settings can go from a nice overdrive to a big- rock monster while the three band EQ consisting of high, mid and low will allow for fine tuning for any situation. The other side is the classic tone of a Bluesbreaker which can go from a slightly pushed amp for an excellent blues tone on a Strat or a full on overdriven, saturated sound like cranking the volume to 10. Each side can be used individually to get two distinct sounds or used together. Placing the high gain side first allows the lower gain side to act as a boost for leads and a little extra grit if it is utilized in dual mode. Taking two classic designs and placing them in one unit will leave a lot of room for experimentation and tone-sculpting options. Dual true bypass switching was also added to prevent tone loss and the Governors Blues can run off of a standard 9V battery or Boss/1spot adapter at 9V or 18V for more headroom.Two familiar classics combined into one pedal.

Features include:

• Rugged enclosure with UV printed graphics • Hand made in the USA • True Bypass Switching • Dual mode or individual mode • 9V or 18V usage • Secure PCB with board mounted pots • 1 year guarantee • Neutrik Jacks

Oct 25, 2025

edited Squier Traditional Series Strat

Improved item name. Added item description. Marked as Vintage or Discontinued.

Revised item name. Show revisions
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Squier Traditional Strat
After:
Squier Traditional Series Strat
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Before:
After:
One-piece maple neck with 9.5" radius rosewood fretboard solid hardwood body with single-ply pickguard, chrome hardware

Three single-coil pickups, 22 frets, covered machine heads, one volume and one tone control

[Squier 1996 catalogue (https://guitar-compare.com/wp-content/uploads/2019/12/1996_Squier_Electric-Guitars-Basses-Amps_Catalog.pdf)]

Believed to be the predecessor of the first Affinity Strat which first appears in Squier 1997 catalog with exactly the same description as above. Also sometimes mistakenly referred to as a 50th Anniversary Strat due to the coincidence of Fender celebrating 50 years of excellence 1946-1996 sticker on rear of headstock that was applied to products in that year rather than denoting a special model. Although the 1996 Squier catalogue calls the series "Traditional Series", Fuzzfaced.net also uses the name "Tradition" interchangeably for this brief model (https://www.fuzzfaced.net/squier-affinity.html). It is described exclusively as "Traditional" in Squier Specifications & History of Models (https://medias.audiofanzine.com/files/squier-specs-473238.pdf)
Marked item as Vintage or Discontinued

Oct 25, 2025

edited Smiletone Audio The Governors Blues

Added item description. Improved item category. Marked as Vintage or Discontinued.

Revised item description. Show revisions
Before:
After:
The Governors Blues from Smiletone Audio is made in the USA, hand soldered and hand wired to ensure optimum reliability for stage and studio performance. The Governors Blues is a two in one reproduction of two classic British pedals made famous in the 80’s. One side is a faithful recreation of the Governor and its high gain and stacked amp tone. Settings can go from a nice overdrive to a big- rock monster while the three band EQ consisting of high, mid and low will allow for fine tuning for any situation. The other side is the classic tone of a Bluesbreaker which can go from a slightly pushed amp for an excellent blues tone on a Strat or a full on overdriven, saturated sound like cranking the volume to 10. Each side can be used individually to get two distinct sounds or used together. Placing the high gain side first allows the lower gain side to act as a boost for leads and a little extra grit if it is utilized in dual mode. Taking two classic designs and placing them in one unit will leave a lot of room for experimentation and tone-sculpting options. Dual true bypass switching was also added to prevent tone loss and the Governors Blues can run off of a standard 9V battery or Boss/1spot adapter at 9V or 18V for more headroom.Two familiar classics combined into one pedal.

Features include:

Rugged enclosure with UV printed graphics Hand made in the USA True Bypass Switching Dual mode or individual mode 9V or 18V usage Secure PCB with board mounted pots 1 year guarantee Neutrik Jacks
Marked item as Vintage or Discontinued
Set Bypass to true bypass
Set Analog/Digital to analog
Set Power to 9V, 18V

Oct 25, 2025

edited Johnson Amplification 4x12 Celestion Recta Vintage 30's

Marked as Vintage or Discontinued. Corrected brand. Johnson Instruments/Johnson Guitars is not connected with the former DigiTech / Harman Music Group subsidiary Johnson Amplification, formed by John Johnson.

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Johnson Instruments 4x12 Celestion Recta Vintage 30's
After:
Johnson Amplification 4x12 Celestion Recta Vintage 30's
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Before:
Johnson Instruments
After:
Johnson Amplification
Revised item category. Show revisions
Before:
Amplifiers
After:
Guitar Amplifier Cabinets
Marked item as Vintage or Discontinued

Oct 8, 2024

edited Johnson Amplification 2x12 Cabinet

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Johnson Instruments 2x12 Cabinet
After:
Johnson Amplification 2x12 Cabinet
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Before:
Johnson Instruments
After:
Johnson Amplification
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Amplifiers
After:
Guitar Amplifier Cabinets
Marked item as Vintage or Discontinued

Oct 8, 2024

edited Johnson Amplification Marquis JM60 Amplifier

Corrected brand. Johnson Instruments/Johnson Guitars is not connected with the former DigiTech / Harman Music Group subsidiary Johnson Amplification, formed by John Johnson.Marked as Vintage or Discontinued.

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Johnson Instruments Marquis JM60 Amplifier
After:
Johnson Amplification Marquis JM60 Amplifier
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Before:
Johnson Instruments
After:
Johnson Amplification
Marked item as Vintage or Discontinued

Oct 8, 2024

edited Johnson Amplification Marquis JM120

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Johnson Instruments Marquis JM120
After:
Johnson Amplification Marquis JM120
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Johnson Instruments
After:
Johnson Amplification
Marked item as Vintage or Discontinued

Oct 8, 2024

edited Johnson Amplification JM150 Amp

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Johnson Instruments JM150 Amp
After:
Johnson Amplification JM150 Amp
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Before:
Johnson Instruments
After:
Johnson Amplification
Marked item as Vintage or Discontinued

Oct 8, 2024

edited Johnson Amplification J-12 Millennium Foot Controller

Corrected brand. Johnson Instruments/Johnson Guitars is not connected with the former DigiTech / Harman Music Group subsidiary Johnson Amplification, formed by John Johnson.

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Johnson Instruments J-12 Millennium Foot Controller
After:
Johnson Amplification J-12 Millennium Foot Controller
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Before:
Johnson Instruments
After:
Johnson Amplification

Oct 8, 2024

edited Johnson Amplification Millennium Stereo One-Fifty

Corrected brand. Johnson Instruments/Johnson Guitars is not connected with the former DigiTech / Harman Music Group subsidiary Johnson Amplification, formed by John Johnson.

Revised item name. Show revisions
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Johnson Instruments Millennium Stereo One-Fifty
After:
Johnson Amplification Millennium Stereo One-Fifty
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Before:
Johnson Instruments
After:
Johnson Amplification

Oct 8, 2024

edited Johnson J-Station

Corrected brand. Johnson Instruments/Johnson Guitars is not connected with the former DigiTech / Harman Music Group subsidiary Johnson Amplification, formed by John Johnson.

Revised item name. Show revisions
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Johnson Instruments J-Station
After:
Johnson J-Station
Revised item Brand. Show revisions
Before:
Johnson Instruments
After:
Johnson Amplification
Marked item as Vintage or Discontinued
Set Analog/Digital to digital
Set Effects to multi-fx

Oct 8, 2024

edited Marshall DRP-1

Improved item name.

Revised item description. Show revisions
Before:
The Marshall Direct Recording Pre-Amp is in essence a complete Marshall stack in miniature, despite it’s compact size the DRP-1 uses micro electronic techniques to emulate the tone and feel of a typical Marshall pre-amp, power amp and loudspeaker cabinet. This allows the recording and reproducing of great guitar sounds with the minimum of fuss and without the need to set-up and mic your normal guitar amp rig.

The benefits of the DRP-1 can be utilised beyond the realms of the home studio. For instance the built-in stereo headphone amplifier can be coupled to your favourite effects processor to give your personal practice routines the realism of your stage sound. Alternatively, use the DRP-1 plugged into the front end of your normal guitar amp to fully ‘Marshallize’ it.

Another use of the DRP-1 is to go direct into the PA from the emulated line-out. This is especially handy for rehearsal, where instead of transporting your main system along, you can turn up with the DRP-1 and just plug in and play. In addition to the guitar uses, the Direct Recording Pre-Amp can be used to add warmth and another dimension to keyboards, especially when mixed with the original sound.

Page 3 of DRP-1 manual

After:
The Marshall Direct Recording Pre-Amp is in essence a complete Marshall stack in miniature, despite it’s compact size the DRP-1 uses micro electronic techniques to emulate the tone and feel of a typical Marshall pre-amp, power amp and loudspeaker cabinet. This allows the recording and reproducing of great guitar sounds with the minimum of fuss and without the need to set-up and mic your normal guitar amp rig.

The benefits of the DRP-1 can be utilised beyond the realms of the home studio. For instance the built-in stereo headphone amplifier can be coupled to your favourite effects processor to give your personal practice routines the realism of your stage sound. Alternatively, use the DRP-1 plugged into the front end of your normal guitar amp to fully ‘Marshallize’ it.

Another use of the DRP-1 is to go direct into the PA from the emulated line-out. This is especially handy for rehearsal, where instead of transporting your main system along, you can turn up with the DRP-1 and just plug in and play. In addition to the guitar uses, the Direct Recording Pre-Amp can be used to add warmth and another dimension to keyboards, especially when mixed with the original sound.

Page 3 of DRP-1 manual

Jun 17, 2024

edited Marshall DRP-1

Improved item description.

Revised item description. Show revisions
Before:
From page 3 of DRP-1 manual:

The Marshall Direct Recording Pre-Amp is in essence a complete Marshall stack in miniature, despite it’s compact size the DRP-1 uses micro electronic techniques to emulate the tone and feel of a typical Marshall pre-amp, power amp and loudspeaker cabinet. This allows the recording and reproducing of great guitar sounds with the minimum of fuss and without the need to set-up and mic your normal guitar amp rig.

The benefits of the DRP-1 can be utilised beyond the realms of the home studio. For instance the built-in stereo headphone amplifier can be coupled to your favourite effects processor to give your personal practice routines the realism of your stage sound. Alternatively, use the DRP-1 plugged into the front end of your normal guitar amp to fully ‘Marshallize’ it.

Another use of the DRP-1 is to go direct into the PA from the emulated line-out. This is especially handy for rehearsal, where instead of transporting your main system along, you can turn up with the DRP-1 and just plug in and play. In addition to the guitar uses, the Direct Recording Pre-Amp can be used to add warmth and another dimension to keyboards, especially when mixed with the original sound.

After:
The Marshall Direct Recording Pre-Amp is in essence a complete Marshall stack in miniature, despite it’s compact size the DRP-1 uses micro electronic techniques to emulate the tone and feel of a typical Marshall pre-amp, power amp and loudspeaker cabinet. This allows the recording and reproducing of great guitar sounds with the minimum of fuss and without the need to set-up and mic your normal guitar amp rig.

The benefits of the DRP-1 can be utilised beyond the realms of the home studio. For instance the built-in stereo headphone amplifier can be coupled to your favourite effects processor to give your personal practice routines the realism of your stage sound. Alternatively, use the DRP-1 plugged into the front end of your normal guitar amp to fully ‘Marshallize’ it.

Another use of the DRP-1 is to go direct into the PA from the emulated line-out. This is especially handy for rehearsal, where instead of transporting your main system along, you can turn up with the DRP-1 and just plug in and play. In addition to the guitar uses, the Direct Recording Pre-Amp can be used to add warmth and another dimension to keyboards, especially when mixed with the original sound.

Page 3 of DRP-1 manual

Jun 17, 2024

edited DigiTech Eric Clapton Crossroads

Improved item description formatting.

Revised item description. Show revisions
Before:
Introducing the DigiTech Eric Clapton Crossroads, a signature overdrive pedal designed with precision to emulate the iconic tones of the legendary guitarist Eric Clapton. Powered by DigiTech's Production Modeling circuitry, this pedal can capture the essence of Clapton's distinctive sound, making it an accessible and affordable tool for musicians of all levels. Whether you're looking to add a reliable overdrive to your pedalboard, recreate Clapton's famous tones in a cover band, or simply recreate the magic of "Layla" in your own space, this pedal offers the perfect solution.

Key Features:

Powered by DigiTech's Production Modeling circuitry

Captures seven of Eric Clapton's famous tones

Affordable and reliable overdrive pedal

Perfect for playing in a cover band, or personal use

Easy access to iconic sounds through a single pedal

MODEL 1.“Sunshine of Your Love”, Cream – Disraeli Gears(1967) Perhaps one of Eric’s best known songs from the Cream years is “Sunshine of Your Love”. Eric achieved his now infamous “woman tone” on “Sunshine” in a rather unconventional manner. He began with running his amplifiers as hot and loud as possible. He then rolled back the tone control on his SG and engaged his wah-wah to a fixed position. The midrange/treble boost from the wah compensated for the lack of tone from the SG. MODEL 1 models this effect using the CNTRL 1 and CNTRL 2 knobs to adjust the amount of distortion gain and tone respectively.

MODEL 2.“Crossroads”, Cream – Wheels of Fire, Live at the Fillmore (1968) A pivotal moment in Eric’s career is the track “Crossroads” from Cream’s live 1968 recording Wheels of Fire, Live at the Fillmore. “Crossroads” was penned by Robert Johnson, Eric’s most important guitar influence. Its electrified delta blues form evolved from Eric’s days with the Bluesbreakers to the power rock blues version heard on this performance. This song features Eric’s famous soloing work that is still talked about today. CNTRL 1 adjusts the amount of distortion gain. CNTRL 2 adjusts the overall tone.

MODEL 3.“Badge”, Cream – Goodbye (1969) For the song “Badge”, Eric used a rotary organ speaker cabinet to get the swirling guitar effect heard in the breaks between the verse and chorus. This sound was achieved by overdriving the amplifier and by strategically placing two microphones around the rotating speakers. These mic signals were then panned in a stereo field. For this MODEL, connect both the OUT 1 (AMP) and OUT 2 (MIXER) outputs into two different amps or two channels of a mixer panned hard left and hard right to hear the rotary speaker modulation effect at its best. CNTRL 1 adjusts the amount of overdrive gain for the guitar signal while CNTRL 2 adjusts the speed of the modulated sound.

MODEL 4.“Layla”, Derek and the Dominoes – Layla and Other Assorted Love Songs (1970) Eric’s most recognized guitar riff and song is “Layla”. Recorded under the band moniker of Derek and the Dominos,“Layla” features Eric on “Brownie”, his Fender® Strat™ guitar which he played through a tweed Fender® Champ™ amplifier. CNTRL 1 adjusts the amount of distortion gain. CNTRL 2 adjusts the overall tone.

MODEL 5.“Lay Down Sally”, Eric Clapton – Slowhand (1977) “Lay Down Sally” is a country style shuffle featuring Eric and George Terry in a counterpoint guitar duet. CNTRL 1 adjusts the amount of distortion gain. CNTRL 2 adjusts the overall tone.

MODEL 6.“Layla” (Acoustic),Eric Clapton – Unplugged LIVE A pivotal moment in Eric’s career was his live acoustic performance on the MTV™ television series “Unplugged”. Here Eric and his band unleashed a variety of acoustic renditions of some of Eric’s most famous electric works, including his hit song “Layla”. MODEL 6 transforms your electric guitar signal into Eric’s vintage acoustic heard on this performance. Connect both the OUT 1 (AMP) and OUT 2 (MIXER) outputs into two different amps or two channels of a mixer panned hard left and hard right for stereo imaging. CNTRL 1 boosts/cuts the dominant resonant body frequencies modeled from Eric’s 000-42. CNTRL 2 adjusts the reverb level being added to the signal.

MODEL 7.“Reptile”, Eric Clapton – Reptile (2001 Eric’s title track on his 2001 release “Reptile” features a classic Gibson® L-5 jazz guitar played through his custom Cornell tweed combo. Some chorusing and reverb were added during mixdown. CNTRL 1 adjusts the amount of overdrive gain. CNTRL 2 adjusts the reverb level being added to the signal.
After:
Introducing the DigiTech Eric Clapton Crossroads, a signature overdrive pedal designed with precision to emulate the iconic tones of the legendary guitarist Eric Clapton. Powered by DigiTech's Production Modeling circuitry, this pedal can capture the essence of Clapton's distinctive sound, making it an accessible and affordable tool for musicians of all levels. Whether you're looking to add a reliable overdrive to your pedalboard, recreate Clapton's famous tones in a cover band, or simply recreate the magic of "Layla" in your own space, this pedal offers the perfect solution.

Key Features:

Powered by DigiTech's Production Modeling circuitry

Captures seven of Eric Clapton's famous tones

Affordable and reliable overdrive pedal

Perfect for playing in a cover band, or personal use

Easy access to iconic sounds through a single pedal

MODEL 1.“Sunshine of Your Love”, Cream – *Disraeli Gears (1967) Perhaps one of Eric’s best known songs from the Cream years is “Sunshine of Your Love”. Eric achieved his now infamous “woman tone” on “Sunshine” in a rather unconventional manner. He began with running his amplifiers as hot and loud as possible. He then rolled back the tone control on his SG and engaged his wah-wah to a fixed position. The midrange/treble boost from the wah compensated for the lack of tone from the SG. MODEL 1 models this effect using the CNTRL 1 and CNTRL 2 knobs to adjust the amount of distortion gain and tone respectively.

MODEL 2.“Crossroads”, Cream – Wheels of Fire, Live at the Fillmore (1968) A pivotal moment in Eric’s career is the track “Crossroads” from Cream’s live 1968 recording Wheels of Fire, Live at the Fillmore. “Crossroads” was penned by Robert Johnson, Eric’s most important guitar influence. Its electrified delta blues form evolved from Eric’s days with the Bluesbreakers to the power rock blues version heard on this performance. This song features Eric’s famous soloing work that is still talked about today. CNTRL 1 adjusts the amount of distortion gain. CNTRL 2 adjusts the overall tone.

MODEL 3.“Badge”, Cream – Goodbye (1969) For the song “Badge”, Eric used a rotary organ speaker cabinet to get the swirling guitar effect heard in the breaks between the verse and chorus. This sound was achieved by overdriving the amplifier and by strategically placing two microphones around the rotating speakers. These mic signals were then panned in a stereo field. For this MODEL, connect both the OUT 1 (AMP) and OUT 2 (MIXER) outputs into two different amps or two channels of a mixer panned hard left and hard right to hear the rotary speaker modulation effect at its best. CNTRL 1 adjusts the amount of overdrive gain for the guitar signal while CNTRL 2 adjusts the speed of the modulated sound.

MODEL 4.“Layla”, Derek and the Dominoes – Layla and Other Assorted Love Songs (1970) Eric’s most recognized guitar riff and song is “Layla”. Recorded under the band moniker of Derek and the Dominos,“Layla” features Eric on “Brownie”, his Fender® Strat™ guitar which he played through a tweed Fender® Champ™ amplifier. CNTRL 1 adjusts the amount of distortion gain. CNTRL 2 adjusts the overall tone.

MODEL 5.“Lay Down Sally”, Eric Clapton – Slowhand (1977) “Lay Down Sally” is a country style shuffle featuring Eric and George Terry in a counterpoint guitar duet. CNTRL 1 adjusts the amount of distortion gain. CNTRL 2 adjusts the overall tone.

MODEL 6.“Layla” (Acoustic),Eric Clapton – Unplugged LIVE A pivotal moment in Eric’s career was his live acoustic performance on the MTV™ television series “Unplugged”. Here Eric and his band unleashed a variety of acoustic renditions of some of Eric’s most famous electric works, including his hit song “Layla”. MODEL 6 transforms your electric guitar signal into Eric’s vintage acoustic heard on this performance. Connect both the OUT 1 (AMP) and OUT 2 (MIXER) outputs into two different amps or two channels of a mixer panned hard left and hard right for stereo imaging. CNTRL 1 boosts/cuts the dominant resonant body frequencies modeled from Eric’s 000-42. CNTRL 2 adjusts the reverb level being added to the signal.

MODEL 7.“Reptile”, Eric Clapton – Reptile (2001 Eric’s title track on his 2001 release “Reptile” features a classic Gibson® L-5 jazz guitar played through his custom Cornell tweed combo. Some chorusing and reverb were added during mixdown. CNTRL 1 adjusts the amount of overdrive gain. CNTRL 2 adjusts the reverb level being added to the signal.

Jun 16, 2024

edited DigiTech Eric Clapton Crossroads

Improved item description by adding the song modes.

Revised item description. Show revisions
Before:
Introducing the DigiTech Eric Clapton Crossroads, a signature overdrive pedal designed with precision to emulate the iconic tones of the legendary guitarist Eric Clapton. Powered by DigiTech's Production Modeling circuitry, this pedal can capture the essence of Clapton's distinctive sound, making it an accessible and affordable tool for musicians of all levels. Whether you're looking to add a reliable overdrive to your pedalboard, recreate Clapton's famous tones in a cover band, or simply recreate the magic of "Layla" in your own space, this pedal offers the perfect solution.

Key Features:

Powered by DigiTech's Production Modeling circuitry

Captures seven of Eric Clapton's famous tones

Affordable and reliable overdrive pedal

Perfect for playing in a cover band, or personal use

Easy access to iconic sounds through a single pedal
After:
Introducing the DigiTech Eric Clapton Crossroads, a signature overdrive pedal designed with precision to emulate the iconic tones of the legendary guitarist Eric Clapton. Powered by DigiTech's Production Modeling circuitry, this pedal can capture the essence of Clapton's distinctive sound, making it an accessible and affordable tool for musicians of all levels. Whether you're looking to add a reliable overdrive to your pedalboard, recreate Clapton's famous tones in a cover band, or simply recreate the magic of "Layla" in your own space, this pedal offers the perfect solution.

Key Features:

Powered by DigiTech's Production Modeling circuitry

Captures seven of Eric Clapton's famous tones

Affordable and reliable overdrive pedal

Perfect for playing in a cover band, or personal use

Easy access to iconic sounds through a single pedal

MODEL 1.“Sunshine of Your Love”, Cream – Disraeli Gears(1967) Perhaps one of Eric’s best known songs from the Cream years is “Sunshine of Your Love”. Eric achieved his now infamous “woman tone” on “Sunshine” in a rather unconventional manner. He began with running his amplifiers as hot and loud as possible. He then rolled back the tone control on his SG and engaged his wah-wah to a fixed position. The midrange/treble boost from the wah compensated for the lack of tone from the SG. MODEL 1 models this effect using the CNTRL 1 and CNTRL 2 knobs to adjust the amount of distortion gain and tone respectively.

MODEL 2.“Crossroads”, Cream – Wheels of Fire, Live at the Fillmore (1968) A pivotal moment in Eric’s career is the track “Crossroads” from Cream’s live 1968 recording Wheels of Fire, Live at the Fillmore. “Crossroads” was penned by Robert Johnson, Eric’s most important guitar influence. Its electrified delta blues form evolved from Eric’s days with the Bluesbreakers to the power rock blues version heard on this performance. This song features Eric’s famous soloing work that is still talked about today. CNTRL 1 adjusts the amount of distortion gain. CNTRL 2 adjusts the overall tone.

MODEL 3.“Badge”, Cream – Goodbye (1969) For the song “Badge”, Eric used a rotary organ speaker cabinet to get the swirling guitar effect heard in the breaks between the verse and chorus. This sound was achieved by overdriving the amplifier and by strategically placing two microphones around the rotating speakers. These mic signals were then panned in a stereo field. For this MODEL, connect both the OUT 1 (AMP) and OUT 2 (MIXER) outputs into two different amps or two channels of a mixer panned hard left and hard right to hear the rotary speaker modulation effect at its best. CNTRL 1 adjusts the amount of overdrive gain for the guitar signal while CNTRL 2 adjusts the speed of the modulated sound.

MODEL 4.“Layla”, Derek and the Dominoes – Layla and Other Assorted Love Songs (1970) Eric’s most recognized guitar riff and song is “Layla”. Recorded under the band moniker of Derek and the Dominos,“Layla” features Eric on “Brownie”, his Fender® Strat™ guitar which he played through a tweed Fender® Champ™ amplifier. CNTRL 1 adjusts the amount of distortion gain. CNTRL 2 adjusts the overall tone.

MODEL 5.“Lay Down Sally”, Eric Clapton – Slowhand (1977) “Lay Down Sally” is a country style shuffle featuring Eric and George Terry in a counterpoint guitar duet. CNTRL 1 adjusts the amount of distortion gain. CNTRL 2 adjusts the overall tone.

MODEL 6.“Layla” (Acoustic),Eric Clapton – Unplugged LIVE A pivotal moment in Eric’s career was his live acoustic performance on the MTV™ television series “Unplugged”. Here Eric and his band unleashed a variety of acoustic renditions of some of Eric’s most famous electric works, including his hit song “Layla”. MODEL 6 transforms your electric guitar signal into Eric’s vintage acoustic heard on this performance. Connect both the OUT 1 (AMP) and OUT 2 (MIXER) outputs into two different amps or two channels of a mixer panned hard left and hard right for stereo imaging. CNTRL 1 boosts/cuts the dominant resonant body frequencies modeled from Eric’s 000-42. CNTRL 2 adjusts the reverb level being added to the signal.

MODEL 7.“Reptile”, Eric Clapton – Reptile (2001 Eric’s title track on his 2001 release “Reptile” features a classic Gibson® L-5 jazz guitar played through his custom Cornell tweed combo. Some chorusing and reverb were added during mixdown. CNTRL 1 adjusts the amount of overdrive gain. CNTRL 2 adjusts the reverb level being added to the signal.

Jun 16, 2024

edited Epiphone SG G-400

Improved item description improved formatting.

Revised item description. Show revisions
Before:

This faithful reproduction of its desirable ancestor, the 1962 Gibson SG, possesses all the bite, tone and comfort, at a fraction of the cost!

[Description in Epiphone Catalogs in 1999 to 2010, except 2001]

A faithful reproduction of the 1962 Gibson SG, one of the most desirable models. Solid mahogany body, 24.75" scale, set mahogany neck with rosewood fingerboard and trazepoid inlays. Features two Alnico V humbuckers.

[Description in Epiphone Product Catalog 2001]

After:
This faithful reproduction of its desirable ancestor, the 1962 Gibson SG, possesses all the bite, tone and comfort, at a fraction of the cost!

Description in Epiphone Catalogs in 1999 to 2010, except 2001

A faithful reproduction of the 1962 Gibson SG, one of the most desirable models. Solid mahogany body, 24.75" scale, set mahogany neck with rosewood fingerboard and trazepoid inlays. Features two Alnico V humbuckers.

Description in Epiphone Product Catalog 2001

May 24, 2024

edited NUX NSS5 Solid Studio

Improved item description by adding cabinet and microphone names.

Revised item description. Show revisions
Before:
A pedal version of the most classic amp/cabinet scenarios including microphones and power amp tubes.

The New Era of Mic-ing!

NUX Solid Studio was created to address: limited gear availability, and the cumbersome transport reality of physical amp/speaker cabinets.

Over many years of research, Solid Studio was specifically developed to fill the essential needs of discerning musicians and sound technicians, including the art of mic-ing instrument amplifiers on stage or in the studio. Solid Studio provides ease-of-use, reliability, versatility, and, above all, incredible audio quality. Virtual mic-ing is achieved by choosing 1 cabinet and 1 microphone, and fine-tuning the position of the microphone using the mic position switch. Plus, you can add the tube sound by engaging the power amp simulation.

What's Inside?

Solid Studio comes with 8 speaker cabinet simulations. All the cabinet models inside the Solid Studio sound and feel as great as their original counterpart.

And there are 8 microphone models you can combine with any cabinets. Also, you can adjust microphone position for fine tuning

Solid Studio Power Amp Simulation offers three power tube models that deliver corresponding tonal characteristics: EL84, EL34 and 6V6.

Inputs/Outputs

NUX Solid Studio has a 6.35mm mono input with an input signal level toggle switch (-10dB / +4dB) for fitting various instruments. And it has 3 outputs: simulation dedicated (TRS) STEREO OUTPUT and DI OUT, and a bypassed "THRU" output.

Connection Tips

Solid Studio offers a variety of connection solutions to give you correct guitar tones with or without a real speaker cabinet.

Gig saver

You can place the Solid Studio at the end of your pedal board, and you can send the simulated sound to the mixer while you can send your original signal to the amp. It's an alternate option for amp / cabinet mic-ing on stage.

Silent recording

Solid Studio is good for sitting between your pedals and audio interface for silent direct recording. Let the Solid Studio handle the speaker cabinet and microphone part.

Advanced connection

By placing the Solid Studio between the amp and the cabinet, while still using your real cabinet for stage monitoring, you can split a DI signal with cabinet simulation to the mixer from Solid studio. The Solid Studio DOES NOT provide NO LOAD to the amplifier, therefore, a real cabinet or a loadbox MUST be connected to the THRU jack of the Solid Studio, or there is risk of damaging the amplifier.

The amplifier's speaker output must be connected to the Solid Studio's input by a SPEAKER CABLE

The Solid Studio's input mode must be switched to +4 dB

The Solid Studio's THRU output must be connected to the speaker cabinet's input by a SPEAKER CABLE

The Solid Studio's output mode must be selected as SPK (SPEAKER)

IR file support

You can easily emulate the sound of any guitar cabinet by loading different IR (Impulse response) files to NUX Solid Studio.

Technically the Most Realistic IR Loader: Solid Studio

The Solid Studio's IR resolution is 2048 samples and 46ms, which is higher than the common quality standard that most of IR loaders are using today: 1024 samples and 20ms capturing length. Some well-known profiler devices offer 2048 samples / 40ms length.

The highest resolution quality limit of the IR is 50ms, it is the REAL sound.Considering all the process on the signal from your guitar to your ear, Solid Studio delivers the signal faster than the blink of an eye with the greatest result. Thanks to Solid Studio's high-quality processor and perfect algorithm, the signal latency from input to output is less than 1ms.

What makes the Solid Studio standout? It offers 46ms length which means it can perfectly read all the frequencies. Comparing the length, 20ms is already enough to capture a sound profile with an efficient result but it's not enough to catch the lower frequencies. That's why devices with high-quality usually provide 40ms length - it means higher resolution and better quality.

What makes the Solid Studio standout? It offers 46ms length which means it can perfectly read all the frequencies. Comparing the length, 20ms is already enough to capture a sound profile with an efficient result but it's not enough to catch the lower frequencies. That's why devices with high-quality usually provide 40ms length - it means higher resolution and better quality.

The highest resolution quality limit of the IR is 50ms, it is the REAL sound.Considering all the process on the signal from your guitar to your ear, Solid Studio delivers the signal faster than the blink of an eye with the greatest result. Thanks to Solid Studio's high-quality processor and perfect algorithm, the signal latency from input to output is less than 1ms.

Many of the IR loaders' signal latency is around 2ms, and each additional digital pedal in the signal chain also increases the latency. For example, the fastest multi-effect pedal needs 2ms to deliver the sound, if you use an IR loader together with this multi-effect pedal, the total latency will be 4ms and a guitar player can ~barely~ feel that. If it's more than 5ms it's obviously slow and it's not able to play.

IR Capture

You can capture any speaker's profile easily with Solid Studio. Create your own IR file and save it.

First, make all the connections (you can see the picture below):

Adjust the microphone position and connect to the Mic Preamp

Mic Preamp Output to Solid Studio Input

Solid Studio Output to Power Amp in / Return

Now follow these steps:

Push and hold both footswitches on Solid Studio and plug in the power cable. Solid Studio will start running in IR capturing mode

Select the save position on Solid Studio, you can dial up any preset you want. Choose a speaker cabinet, mic position and a microphone (and please note it). This will be your preset recall position as long as you keep the file here. 8 Speaker Cabinets x 3 Microphone positions x 8 Microphones = 192 dial up positions

Press CAB/MIC footswitch ~ and it will capture the profile. Usually it takes couple of seconds, just wait until the LED's stops blinking.

Your very own Impulse Response file is ready to rock!

Specifications

8 Speaker Cabinets

8 Microphones and 3 Mic. Positions

3 Power Amp Tubes

Master, Drive and Presence Controls (Power Amp)

Simulation Dedicated Output and DI Out

Thru Output

Thru Output Modes (Line / Speaker)

Input Level Switch (-10dB / +4dB)

USB Port for loading 3rd party IR files, software control and firmware update
After:
A pedal version of the most classic amp/cabinet scenarios including microphones and power amp tubes.

The New Era of Mic-ing!

NUX Solid Studio was created to address: limited gear availability, and the cumbersome transport reality of physical amp/speaker cabinets.

Over many years of research, Solid Studio was specifically developed to fill the essential needs of discerning musicians and sound technicians, including the art of mic-ing instrument amplifiers on stage or in the studio. Solid Studio provides ease-of-use, reliability, versatility, and, above all, incredible audio quality. Virtual mic-ing is achieved by choosing 1 cabinet and 1 microphone, and fine-tuning the position of the microphone using the mic position switch. Plus, you can add the tube sound by engaging the power amp simulation.

What's Inside?

Solid Studio comes with 8 speaker cabinet simulations. All the cabinet models inside the Solid Studio sound and feel as great as their original counterpart.

JZ120 Roland Jazz Chorus 120

DR112 Fender Deluxe Reverb 112

BS4110 Fender Bassman 410

A212 Vox AC30 212

TR212 Fender Twin Reverb 212

1960 Marshall 1960 412

GB412 Celestion Greenback 412

V412 Celestion Vintage 30 412

And there are 8 microphone models you can combine with any cabinets. Also, you can adjust microphone position for fine tuning

DYN421 Sennheiser MD421

557 Shure SM57

U87 Neumann U87

R122 Royer R122

R121 Royer R121

C414 AKG 414

C3000 AKG 3000

B52 Shure Beta52

Solid Studio Power Amp Simulation offers three power tube models that deliver corresponding tonal characteristics: EL84, EL34 and 6V6.

Inputs/Outputs

NUX Solid Studio has a 6.35mm mono input with an input signal level toggle switch (-10dB / +4dB) for fitting various instruments. And it has 3 outputs: simulation dedicated (TRS) STEREO OUTPUT and DI OUT, and a bypassed "THRU" output.

Connection Tips

Solid Studio offers a variety of connection solutions to give you correct guitar tones with or without a real speaker cabinet.

Gig saver

You can place the Solid Studio at the end of your pedal board, and you can send the simulated sound to the mixer while you can send your original signal to the amp. It's an alternate option for amp / cabinet mic-ing on stage.

Silent recording

Solid Studio is good for sitting between your pedals and audio interface for silent direct recording. Let the Solid Studio handle the speaker cabinet and microphone part.

Advanced connection

By placing the Solid Studio between the amp and the cabinet, while still using your real cabinet for stage monitoring, you can split a DI signal with cabinet simulation to the mixer from Solid studio. The Solid Studio DOES NOT provide NO LOAD to the amplifier, therefore, a real cabinet or a loadbox MUST be connected to the THRU jack of the Solid Studio, or there is risk of damaging the amplifier.

The amplifier's speaker output must be connected to the Solid Studio's input by a SPEAKER CABLE

The Solid Studio's input mode must be switched to +4 dB

The Solid Studio's THRU output must be connected to the speaker cabinet's input by a SPEAKER CABLE

The Solid Studio's output mode must be selected as SPK (SPEAKER)

IR file support

You can easily emulate the sound of any guitar cabinet by loading different IR (Impulse response) files to NUX Solid Studio.

Technically the Most Realistic IR Loader: Solid Studio

The Solid Studio's IR resolution is 2048 samples and 46ms, which is higher than the common quality standard that most of IR loaders are using today: 1024 samples and 20ms capturing length. Some well-known profiler devices offer 2048 samples / 40ms length.

The highest resolution quality limit of the IR is 50ms, it is the REAL sound.Considering all the process on the signal from your guitar to your ear, Solid Studio delivers the signal faster than the blink of an eye with the greatest result. Thanks to Solid Studio's high-quality processor and perfect algorithm, the signal latency from input to output is less than 1ms.

What makes the Solid Studio standout? It offers 46ms length which means it can perfectly read all the frequencies. Comparing the length, 20ms is already enough to capture a sound profile with an efficient result but it's not enough to catch the lower frequencies. That's why devices with high-quality usually provide 40ms length - it means higher resolution and better quality.

What makes the Solid Studio standout? It offers 46ms length which means it can perfectly read all the frequencies. Comparing the length, 20ms is already enough to capture a sound profile with an efficient result but it's not enough to catch the lower frequencies. That's why devices with high-quality usually provide 40ms length - it means higher resolution and better quality.

The highest resolution quality limit of the IR is 50ms, it is the REAL sound.Considering all the process on the signal from your guitar to your ear, Solid Studio delivers the signal faster than the blink of an eye with the greatest result. Thanks to Solid Studio's high-quality processor and perfect algorithm, the signal latency from input to output is less than 1ms.

Many of the IR loaders' signal latency is around 2ms, and each additional digital pedal in the signal chain also increases the latency. For example, the fastest multi-effect pedal needs 2ms to deliver the sound, if you use an IR loader together with this multi-effect pedal, the total latency will be 4ms and a guitar player can ~barely~ feel that. If it's more than 5ms it's obviously slow and it's not able to play.

IR Capture

You can capture any speaker's profile easily with Solid Studio. Create your own IR file and save it.

First, make all the connections (you can see the picture below):

Adjust the microphone position and connect to the Mic Preamp

Mic Preamp Output to Solid Studio Input

Solid Studio Output to Power Amp in / Return

Now follow these steps:

Push and hold both footswitches on Solid Studio and plug in the power cable. Solid Studio will start running in IR capturing mode

Select the save position on Solid Studio, you can dial up any preset you want. Choose a speaker cabinet, mic position and a microphone (and please note it). This will be your preset recall position as long as you keep the file here. 8 Speaker Cabinets x 3 Microphone positions x 8 Microphones = 192 dial up positions

Press CAB/MIC footswitch ~ and it will capture the profile. Usually it takes couple of seconds, just wait until the LED's stops blinking.

Your very own Impulse Response file is ready to rock!

Specifications

8 Speaker Cabinets

8 Microphones and 3 Mic. Positions

3 Power Amp Tubes

Master, Drive and Presence Controls (Power Amp)

Simulation Dedicated Output and DI Out

Thru Output

Thru Output Modes (Line / Speaker)

Input Level Switch (-10dB / +4dB)

USB Port for loading 3rd party IR files, software control and firmware update

May 23, 2024

edited Epiphone SG G-400

Added item description from Epiphone catalogs 1999 to 2010. Marked as Vintage or Discontinued as superseded by Original, Modern and Artist SG.

Revised item description. Show revisions
Before:
After:

This faithful reproduction of its desirable ancestor, the 1962 Gibson SG, possesses all the bite, tone and comfort, at a fraction of the cost!

[Description in Epiphone Catalogs in 1999 to 2010, except 2001]

A faithful reproduction of the 1962 Gibson SG, one of the most desirable models. Solid mahogany body, 24.75" scale, set mahogany neck with rosewood fingerboard and trazepoid inlays. Features two Alnico V humbuckers.

[Description in Epiphone Product Catalog 2001]
Marked item as Vintage or Discontinued

May 23, 2024

edited NUX NSS5 Solid Studio

Improved item description by adding missing paragraph about microphones.

Revised item description. Show revisions
Before:
A pedal version of the most classic amp/cabinet scenarios including microphones and power amp tubes.

The New Era of Mic-ing!

NUX Solid Studio was created to address: limited gear availability, and the cumbersome transport reality of physical amp/speaker cabinets.

Over many years of research, Solid Studio was specifically developed to fill the essential needs of discerning musicians and sound technicians, including the art of mic-ing instrument amplifiers on stage or in the studio. Solid Studio provides ease-of-use, reliability, versatility, and, above all, incredible audio quality. Virtual mic-ing is achieved by choosing 1 cabinet and 1 microphone, and fine-tuning the position of the microphone using the mic position switch. Plus, you can add the tube sound by engaging the power amp simulation.

What's Inside?

Solid Studio comes with 8 speaker cabinet simulations. All the cabinet models inside the Solid Studio sound and feel as great as their original counterpart.

Solid Studio Power Amp Simulation offers three power tube models that deliver corresponding tonal characteristics: EL84, EL34 and 6V6.

Inputs/Outputs

NUX Solid Studio has a 6.35mm mono input with an input signal level toggle switch (-10dB / +4dB) for fitting various instruments. And it has 3 outputs: simulation dedicated (TRS) STEREO OUTPUT and DI OUT, and a bypassed "THRU" output.

Connection Tips

Solid Studio offers a variety of connection solutions to give you correct guitar tones with or without a real speaker cabinet.

Gig saver

You can place the Solid Studio at the end of your pedal board, and you can send the simulated sound to the mixer while you can send your original signal to the amp. It's an alternate option for amp / cabinet mic-ing on stage.

Silent recording

Solid Studio is good for sitting between your pedals and audio interface for silent direct recording. Let the Solid Studio handle the speaker cabinet and microphone part.

Advanced connection

By placing the Solid Studio between the amp and the cabinet, while still using your real cabinet for stage monitoring, you can split a DI signal with cabinet simulation to the mixer from Solid studio. The Solid Studio DOES NOT provide NO LOAD to the amplifier, therefore, a real cabinet or a loadbox MUST be connected to the THRU jack of the Solid Studio, or there is risk of damaging the amplifier.

The amplifier's speaker output must be connected to the Solid Studio's input by a SPEAKER CABLE

The Solid Studio's input mode must be switched to +4 dB

The Solid Studio's THRU output must be connected to the speaker cabinet's input by a SPEAKER CABLE

The Solid Studio's output mode must be selected as SPK (SPEAKER)

IR file support

You can easily emulate the sound of any guitar cabinet by loading different IR (Impulse response) files to NUX Solid Studio.

Technically the Most Realistic IR Loader: Solid Studio

The Solid Studio's IR resolution is 2048 samples and 46ms, which is higher than the common quality standard that most of IR loaders are using today: 1024 samples and 20ms capturing length. Some well-known profiler devices offer 2048 samples / 40ms length.

The highest resolution quality limit of the IR is 50ms, it is the REAL sound.Considering all the process on the signal from your guitar to your ear, Solid Studio delivers the signal faster than the blink of an eye with the greatest result. Thanks to Solid Studio's high-quality processor and perfect algorithm, the signal latency from input to output is less than 1ms.

What makes the Solid Studio standout? It offers 46ms length which means it can perfectly read all the frequencies. Comparing the length, 20ms is already enough to capture a sound profile with an efficient result but it's not enough to catch the lower frequencies. That's why devices with high-quality usually provide 40ms length - it means higher resolution and better quality.

What makes the Solid Studio standout? It offers 46ms length which means it can perfectly read all the frequencies. Comparing the length, 20ms is already enough to capture a sound profile with an efficient result but it's not enough to catch the lower frequencies. That's why devices with high-quality usually provide 40ms length - it means higher resolution and better quality.

The highest resolution quality limit of the IR is 50ms, it is the REAL sound.Considering all the process on the signal from your guitar to your ear, Solid Studio delivers the signal faster than the blink of an eye with the greatest result. Thanks to Solid Studio's high-quality processor and perfect algorithm, the signal latency from input to output is less than 1ms.

Many of the IR loaders' signal latency is around 2ms, and each additional digital pedal in the signal chain also increases the latency. For example, the fastest multi-effect pedal needs 2ms to deliver the sound, if you use an IR loader together with this multi-effect pedal, the total latency will be 4ms and a guitar player can ~barely~ feel that. If it's more than 5ms it's obviously slow and it's not able to play.

IR Capture

You can capture any speaker's profile easily with Solid Studio. Create your own IR file and save it.

First, make all the connections (you can see the picture below):

Adjust the microphone position and connect to the Mic Preamp

Mic Preamp Output to Solid Studio Input

Solid Studio Output to Power Amp in / Return

Now follow these steps:

Push and hold both footswitches on Solid Studio and plug in the power cable. Solid Studio will start running in IR capturing mode

Select the save position on Solid Studio, you can dial up any preset you want. Choose a speaker cabinet, mic position and a microphone (and please note it). This will be your preset recall position as long as you keep the file here. 8 Speaker Cabinets x 3 Microphone positions x 8 Microphones = 192 dial up positions

Press CAB/MIC footswitch ~ and it will capture the profile. Usually it takes couple of seconds, just wait until the LED's stops blinking.

Your very own Impulse Response file is ready to rock!

Specifications

8 Speaker Cabinets

8 Microphones and 3 Mic. Positions

3 Power Amp Tubes

Master, Drive and Presence Controls (Power Amp)

Simulation Dedicated Output and DI Out

Thru Output

Thru Output Modes (Line / Speaker)

Input Level Switch (-10dB / +4dB)

USB Port for loading 3rd party IR files, software control and firmware update
After:
A pedal version of the most classic amp/cabinet scenarios including microphones and power amp tubes.

The New Era of Mic-ing!

NUX Solid Studio was created to address: limited gear availability, and the cumbersome transport reality of physical amp/speaker cabinets.

Over many years of research, Solid Studio was specifically developed to fill the essential needs of discerning musicians and sound technicians, including the art of mic-ing instrument amplifiers on stage or in the studio. Solid Studio provides ease-of-use, reliability, versatility, and, above all, incredible audio quality. Virtual mic-ing is achieved by choosing 1 cabinet and 1 microphone, and fine-tuning the position of the microphone using the mic position switch. Plus, you can add the tube sound by engaging the power amp simulation.

What's Inside?

Solid Studio comes with 8 speaker cabinet simulations. All the cabinet models inside the Solid Studio sound and feel as great as their original counterpart.

And there are 8 microphone models you can combine with any cabinets. Also, you can adjust microphone position for fine tuning

Solid Studio Power Amp Simulation offers three power tube models that deliver corresponding tonal characteristics: EL84, EL34 and 6V6.

Inputs/Outputs

NUX Solid Studio has a 6.35mm mono input with an input signal level toggle switch (-10dB / +4dB) for fitting various instruments. And it has 3 outputs: simulation dedicated (TRS) STEREO OUTPUT and DI OUT, and a bypassed "THRU" output.

Connection Tips

Solid Studio offers a variety of connection solutions to give you correct guitar tones with or without a real speaker cabinet.

Gig saver

You can place the Solid Studio at the end of your pedal board, and you can send the simulated sound to the mixer while you can send your original signal to the amp. It's an alternate option for amp / cabinet mic-ing on stage.

Silent recording

Solid Studio is good for sitting between your pedals and audio interface for silent direct recording. Let the Solid Studio handle the speaker cabinet and microphone part.

Advanced connection

By placing the Solid Studio between the amp and the cabinet, while still using your real cabinet for stage monitoring, you can split a DI signal with cabinet simulation to the mixer from Solid studio. The Solid Studio DOES NOT provide NO LOAD to the amplifier, therefore, a real cabinet or a loadbox MUST be connected to the THRU jack of the Solid Studio, or there is risk of damaging the amplifier.

The amplifier's speaker output must be connected to the Solid Studio's input by a SPEAKER CABLE

The Solid Studio's input mode must be switched to +4 dB

The Solid Studio's THRU output must be connected to the speaker cabinet's input by a SPEAKER CABLE

The Solid Studio's output mode must be selected as SPK (SPEAKER)

IR file support

You can easily emulate the sound of any guitar cabinet by loading different IR (Impulse response) files to NUX Solid Studio.

Technically the Most Realistic IR Loader: Solid Studio

The Solid Studio's IR resolution is 2048 samples and 46ms, which is higher than the common quality standard that most of IR loaders are using today: 1024 samples and 20ms capturing length. Some well-known profiler devices offer 2048 samples / 40ms length.

The highest resolution quality limit of the IR is 50ms, it is the REAL sound.Considering all the process on the signal from your guitar to your ear, Solid Studio delivers the signal faster than the blink of an eye with the greatest result. Thanks to Solid Studio's high-quality processor and perfect algorithm, the signal latency from input to output is less than 1ms.

What makes the Solid Studio standout? It offers 46ms length which means it can perfectly read all the frequencies. Comparing the length, 20ms is already enough to capture a sound profile with an efficient result but it's not enough to catch the lower frequencies. That's why devices with high-quality usually provide 40ms length - it means higher resolution and better quality.

What makes the Solid Studio standout? It offers 46ms length which means it can perfectly read all the frequencies. Comparing the length, 20ms is already enough to capture a sound profile with an efficient result but it's not enough to catch the lower frequencies. That's why devices with high-quality usually provide 40ms length - it means higher resolution and better quality.

The highest resolution quality limit of the IR is 50ms, it is the REAL sound.Considering all the process on the signal from your guitar to your ear, Solid Studio delivers the signal faster than the blink of an eye with the greatest result. Thanks to Solid Studio's high-quality processor and perfect algorithm, the signal latency from input to output is less than 1ms.

Many of the IR loaders' signal latency is around 2ms, and each additional digital pedal in the signal chain also increases the latency. For example, the fastest multi-effect pedal needs 2ms to deliver the sound, if you use an IR loader together with this multi-effect pedal, the total latency will be 4ms and a guitar player can ~barely~ feel that. If it's more than 5ms it's obviously slow and it's not able to play.

IR Capture

You can capture any speaker's profile easily with Solid Studio. Create your own IR file and save it.

First, make all the connections (you can see the picture below):

Adjust the microphone position and connect to the Mic Preamp

Mic Preamp Output to Solid Studio Input

Solid Studio Output to Power Amp in / Return

Now follow these steps:

Push and hold both footswitches on Solid Studio and plug in the power cable. Solid Studio will start running in IR capturing mode

Select the save position on Solid Studio, you can dial up any preset you want. Choose a speaker cabinet, mic position and a microphone (and please note it). This will be your preset recall position as long as you keep the file here. 8 Speaker Cabinets x 3 Microphone positions x 8 Microphones = 192 dial up positions

Press CAB/MIC footswitch ~ and it will capture the profile. Usually it takes couple of seconds, just wait until the LED's stops blinking.

Your very own Impulse Response file is ready to rock!

Specifications

8 Speaker Cabinets

8 Microphones and 3 Mic. Positions

3 Power Amp Tubes

Master, Drive and Presence Controls (Power Amp)

Simulation Dedicated Output and DI Out

Thru Output

Thru Output Modes (Line / Speaker)

Input Level Switch (-10dB / +4dB)

USB Port for loading 3rd party IR files, software control and firmware update

May 23, 2024

edited Marshall DSL1CR

Improved item description. Removed further reference to Resonance control and removed inference that there are separate Master volume and Reverb controls for each channel (features of larger models).

Revised item description. Show revisions
Before:
Introducing the Marshall DSL1CR, an essential piece of gear for any guitarist who values robust, dynamic sound. This combo guitar amplifier from Marshall's renowned DSL series is packed with features that cater to both beginners and seasoned pros.

The standout characteristic of this amp is the Adjustable Power Output, a feature that ensures maximum valve tone and feel at any volume. This isn't just about turning off valve stages; it's about adjusting the power to the valves to maintain articulation and dynamism, whether you're in the bedroom or on the biggest stages.

The DSL1CR's EQ refinements are another notable feature. These tweaks offer unparalleled tonal flexibility, delivering exactly what your ears crave. The emulated output, a product of Marshall's partnership with Softube®, provides incredibly accurate emulation of Marshall's famed 1960 cabinet, perfect for those looking for that distinct vintage sound.

The amp also boasts discrete master volume controls for each channel, built-in reverb, and resonance controls, making it more versatile than ever. Even with all these features, it remains user-friendly, ideal for musicians at any level.

Key Features:

Adjustable Power Output: Delivers all-valve tone and feel at any volume

EQ Refinements: Offers greater tonal flexibility

Softube® Emulated Output: Provides accurate emulation of Marshall's famed 1960 cabinet

Reverb & Master Volume: Features discrete master volume controls for each channel and built-in reverb controls

Celestion Eight 15 Speaker

Silent Recording Mode

2 X ECC83 and 1 X ECC82 Valves for rich, warm tones
After:
Introducing the Marshall DSL1CR, an essential piece of gear for any guitarist who values robust, dynamic sound. This combo guitar amplifier from Marshall's renowned DSL series is packed with features that cater to both beginners and seasoned pros.

The standout characteristic of this amp is the Adjustable Power Output, a feature that ensures maximum valve tone and feel at any volume. This isn't just about turning off valve stages; it's about adjusting the power to the valves to maintain articulation and dynamism, whether you're in the bedroom or on the biggest stages.

The DSL1CR's EQ refinements are another notable feature. These tweaks offer unparalleled tonal flexibility, delivering exactly what your ears crave. The emulated output, a product of Marshall's partnership with Softube®, provides incredibly accurate emulation of Marshall's famed 1960 cabinet, perfect for those looking for that distinct vintage sound.

The amp also boasts discrete volume controls for each channel, and built-in reverb, making it more versatile than ever. Even with all these features, it remains user-friendly, ideal for musicians at any level.

Key Features:

Adjustable Power Output: Delivers all-valve tone and feel at any volume

EQ Refinements: Offers greater tonal flexibility

Softube® Emulated Output: Provides accurate emulation of Marshall's famed 1960 cabinet

Reverb & Master Volume: Features discrete volume controls for each channel and built-in reverb control

Celestion Eight 15 Speaker

Silent Recording Mode

2 X ECC83 and 1 X ECC82 Valves for rich, warm tones

May 23, 2024

edited Marshall DSL1CR

Improved item description. Removed references to Resonance controls as they are found on larger models - not on DSL1CR

Revised item description. Show revisions
Before:
Introducing the Marshall DSL1CR, an essential piece of gear for any guitarist who values robust, dynamic sound. This combo guitar amplifier from Marshall's renowned DSL series is packed with features that cater to both beginners and seasoned pros.

The standout characteristic of this amp is the Adjustable Power Output, a feature that ensures maximum valve tone and feel at any volume. This isn't just about turning off valve stages; it's about adjusting the power to the valves to maintain articulation and dynamism, whether you're in the bedroom or on the biggest stages.

The DSL1CR's EQ refinements are another notable feature. These tweaks offer unparalleled tonal flexibility, delivering exactly what your ears crave. The emulated output, a product of Marshall's partnership with Softube®, provides incredibly accurate emulation of Marshall's famed 1960 cabinet, perfect for those looking for that distinct vintage sound.

The amp also boasts discrete master volume controls for each channel, built-in reverb, and resonance controls, making it more versatile than ever. Even with all these features, it remains user-friendly, ideal for musicians at any level.

Key Features:

Adjustable Power Output: Delivers all-valve tone and feel at any volume

EQ Refinements: Offers greater tonal flexibility

Softube® Emulated Output: Provides accurate emulation of Marshall's famed 1960 cabinet

Reverb, Resonance, & Master Volume: Features discrete master volume controls for each channel, built-in reverb, and resonance controls

Celestion Eight 15 Speaker

Silent Recording Mode

2 X ECC83 and 1 X ECC82 Valves for rich, warm tones
After:
Introducing the Marshall DSL1CR, an essential piece of gear for any guitarist who values robust, dynamic sound. This combo guitar amplifier from Marshall's renowned DSL series is packed with features that cater to both beginners and seasoned pros.

The standout characteristic of this amp is the Adjustable Power Output, a feature that ensures maximum valve tone and feel at any volume. This isn't just about turning off valve stages; it's about adjusting the power to the valves to maintain articulation and dynamism, whether you're in the bedroom or on the biggest stages.

The DSL1CR's EQ refinements are another notable feature. These tweaks offer unparalleled tonal flexibility, delivering exactly what your ears crave. The emulated output, a product of Marshall's partnership with Softube®, provides incredibly accurate emulation of Marshall's famed 1960 cabinet, perfect for those looking for that distinct vintage sound.

The amp also boasts discrete master volume controls for each channel, built-in reverb, and resonance controls, making it more versatile than ever. Even with all these features, it remains user-friendly, ideal for musicians at any level.

Key Features:

Adjustable Power Output: Delivers all-valve tone and feel at any volume

EQ Refinements: Offers greater tonal flexibility

Softube® Emulated Output: Provides accurate emulation of Marshall's famed 1960 cabinet

Reverb & Master Volume: Features discrete master volume controls for each channel and built-in reverb controls

Celestion Eight 15 Speaker

Silent Recording Mode

2 X ECC83 and 1 X ECC82 Valves for rich, warm tones

May 23, 2024

edited Epiphone G-400 Electric Guitar

Improved item description formatting.

Revised item description. Show revisions
Before:
This faithful reproduction of its desirable ancestor, the 1962 Gibson SG, possesses all the bite, tone and comfort, at a fraction of the cost! [Description in Epiphone Catalogs in 1999 to 2010, except 2001]

A faithful reproduction of the 1962 Gibson SG, one of the most desirable models. Solid mahogany body, 24.75" scale, set mahogany neck with rosewood fingerboard and trazepoid inlays. Features two Alnico V humbuckers. [Description in Epiphone Product Catalog 2001]

Over later years there were variations as "Worn" and "Pro". The previous Item Description provided in Equipboard for "Pro" is retained below

The SG is one of rock 'n roll's most famous and popular guitar styles, and now Epiphone has produced the G-400 PRO, a guitar that delivers the sound, feel, and look of classic SGs at an extremely wallet-friendly price. The G-400 PRO contains the distinctive, player-friendly double cutaway SG body style and adds Alnico Classic PRO humbucking pickups and push-pull coil-tapping for producing more single coil-like tone. Added to that foundation are tonally rich, balanced-feel tonewoods, as well as high-quality Epiphone hardware, making the G-400 a tremendous value.

After:
This faithful reproduction of its desirable ancestor, the 1962 Gibson SG, possesses all the bite, tone and comfort, at a fraction of the cost! [Description in Epiphone Catalogs in 1999 to 2010, except 2001]

A faithful reproduction of the 1962 Gibson SG, one of the most desirable models. Solid mahogany body, 24.75" scale, set mahogany neck with rosewood fingerboard and trazepoid inlays. Features two Alnico V humbuckers. [Description in Epiphone Product Catalog 2001]

Over later years there were variations as "Worn" and "Pro". The previous Item Description provided in Equipboard for "Pro" is retained below

The SG is one of rock 'n roll's most famous and popular guitar styles, and now Epiphone has produced the G-400 PRO, a guitar that delivers the sound, feel, and look of classic SGs at an extremely wallet-friendly price. The G-400 PRO contains the distinctive, player-friendly double cutaway SG body style and adds Alnico Classic PRO humbucking pickups and push-pull coil-tapping for producing more single coil-like tone. Added to that foundation are tonally rich, balanced-feel tonewoods, as well as high-quality Epiphone hardware, making the G-400 a tremendous value.

May 23, 2024

edited Epiphone G-400 Electric Guitar

Improved item description by explaining that Pro description retained. Marked as Vintage or Discontinued as Epiphone has superseded with Original, Modern and Artist models.

Revised item description. Show revisions
Before:

This faithful reproduction of its desirable ancestor, the 1962 Gibson SG, possesses all the bite, tone and comfort, at a fraction of the cost! [Description in Epiphone Catalogs in 1999 to 2010, except 2001]

A faithful reproduction of the 1962 Gibson SG, one of the most desirable models. Solid mahogany body, 24.75" scale, set mahogany neck with rosewood fingerboard and trazepoid inlays. Features two Alnico V humbuckers. [Description in Epiphone Product Catalog 2001]

The SG is one of rock 'n roll's most famous and popular guitar styles, and now Epiphone has produced the G-400 PRO, a guitar that delivers the sound, feel, and look of classic SGs at an extremely wallet-friendly price. The G-400 PRO contains the distinctive, player-friendly double cutaway SG body style and adds Alnico Classic PRO humbucking pickups and push-pull coil-tapping for producing more single coil-like tone. Added to that foundation are tonally rich, balanced-feel tonewoods, as well as high-quality Epiphone hardware, making the G-400 a tremendous value.

After:
This faithful reproduction of its desirable ancestor, the 1962 Gibson SG, possesses all the bite, tone and comfort, at a fraction of the cost! [Description in Epiphone Catalogs in 1999 to 2010, except 2001]

A faithful reproduction of the 1962 Gibson SG, one of the most desirable models. Solid mahogany body, 24.75" scale, set mahogany neck with rosewood fingerboard and trazepoid inlays. Features two Alnico V humbuckers. [Description in Epiphone Product Catalog 2001]

Over later years there were variations as "Worn" and "Pro". The previous Item Description provided in Equipboard for "Pro" is retained below

The SG is one of rock 'n roll's most famous and popular guitar styles, and now Epiphone has produced the G-400 PRO, a guitar that delivers the sound, feel, and look of classic SGs at an extremely wallet-friendly price. The G-400 PRO contains the distinctive, player-friendly double cutaway SG body style and adds Alnico Classic PRO humbucking pickups and push-pull coil-tapping for producing more single coil-like tone. Added to that foundation are tonally rich, balanced-feel tonewoods, as well as high-quality Epiphone hardware, making the G-400 a tremendous value.
Marked item as Vintage or Discontinued

May 23, 2024

edited Epiphone G-400 Electric Guitar

Improved item description with quotes from Epiphone catalogs 1999-2010 https://guitar-compare.com/catalogs/epiphone-catalogs/

Revised item description. Show revisions
Before:
The SG is one of rock 'n roll's most famous and popular guitar styles, and now Epiphone has produced the G-400 PRO, a guitar that delivers the sound, feel, and look of classic SGs at an extremely wallet-friendly price. The G-400 PRO contains the distinctive, player-friendly double cutaway SG body style and adds Alnico Classic PRO humbucking pickups and push-pull coil-tapping for producing more single coil-like tone. Added to that foundation are tonally rich, balanced-feel tonewoods, as well as high-quality Epiphone hardware, making the G-400 a tremendous value.

After:

This faithful reproduction of its desirable ancestor, the 1962 Gibson SG, possesses all the bite, tone and comfort, at a fraction of the cost! [Description in Epiphone Catalogs in 1999 to 2010, except 2001]

A faithful reproduction of the 1962 Gibson SG, one of the most desirable models. Solid mahogany body, 24.75" scale, set mahogany neck with rosewood fingerboard and trazepoid inlays. Features two Alnico V humbuckers. [Description in Epiphone Product Catalog 2001]

The SG is one of rock 'n roll's most famous and popular guitar styles, and now Epiphone has produced the G-400 PRO, a guitar that delivers the sound, feel, and look of classic SGs at an extremely wallet-friendly price. The G-400 PRO contains the distinctive, player-friendly double cutaway SG body style and adds Alnico Classic PRO humbucking pickups and push-pull coil-tapping for producing more single coil-like tone. Added to that foundation are tonally rich, balanced-feel tonewoods, as well as high-quality Epiphone hardware, making the G-400 a tremendous value.

May 23, 2024

edited Vox ToneLab ST Guitar Multi Effects Pedal

Improved item description from https://voxamps.com/en-gb/product/tonelab-st/

Revised item description. Show revisions
Before:
Unleash the full potential of your guitar with the Vox ToneLab ST Guitar Multi Effects Pedal, a compact yet powerful solution for musicians seeking versatility and quality. This pedal is your gateway to exploring new sounds, thanks to its unique combination of tube-driven warmth and a vast array of digital effects. Whether you're a seasoned professional looking to streamline your setup or a newcomer eager to experiment, the ToneLab ST offers a sonic palette that will inspire creativity and enhance your performances.

Key Features:

Powered by a 12AX7 triode vacuum tube, ensuring authentic, analog warmth and character.

Features 50 preset programs, including amp, cabinet, and pedal models, for a wide range of sound possibilities.

Built-in wah/volume pedal for expressive control over your playing dynamics.

USB connectivity for easy editing, storing, and sharing of custom effects.

Intuitive interface with robust construction, designed for both live performance and studio use.
After:
The Valvetronix series is the perfect example of VOX's unique, cutting edge vacuum tube modeling know-how; delivering a broad range of powerful sounds. From large amp stacks to mini-combo amps and multi-effect units, the series boasts a diverse lineup, and can be seen on stage, in the studio, and in the home. The ToneLab ST maintains the sophisticated specifications of the Valvetronix series, while packaging them into a compact unit that allows anyone to easily experience true tube powered sound. In addition to both amplifier and cabinet models, there are also a wide variety of expertly modeled effects. In a compact, easy-to-use format, ToneLab ST delivers classic vintage sounds, studio-quality and high-gain amps, even new amp models created by VOX. Effect parameters can be quickly assigned to the expression pedal, ensuring a limitless range of performance power. Sophisticated extras include an auto chromatic tuner, sound management software for your PC, and convenient USB audio interface operations. The ToneLab ST is designed to deliver the ultimate in tonal dexterity to the musician in any situation, from stage to studio and everywhere in between.

VOX TONELAB ST SPECIFICATIONS

AMP MODELS: 33

CABINET MODELS: 11

EFFECT MODELS: Pedal types11, Mod/Delay types 11, Reverb types 3

NOISE REDUCTION: 1

PROGRAMS: 100 (50 preset, 50 user)

AUDIO INPUT: INPUT jack, AUX IN jack

AUDIO OUTPUT: OUTPUT/PHONES jack (stereo/mono dual use), LEVEL knob, AMP/LINE switch

USB: USB connector (Type B)

TUNER: Detection range: A0 – E6, Calibration: A=438–445 Hz

OTHER: DC12V connector, STANDBY switch

SIGNAL PROCESSING: A/D conversion 24-bit, D/A conversion 24-bit, Sampling Frequency 44.1kHz

POWER SUPPLY: 12V DC

POWER CONSUMPTION: 540mA(12V)

DIMENSIONS: 270 (H) x 180(D) x 70(H) mm / 10.63”(W) x 7.09”(D) x 2.76”(H)

WEIGHT: 1.6 kg / 3.527 lbs.

INCLUDED ITEMS: AC adapter (DC12V)
Marked item as Vintage or Discontinued
Set Power to 12V

May 22, 2024

edited bespeco weeper

Added item description from https://bespeco.it/en/prodotti/weeper/

Revised item description. Show revisions
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After:
WAH-WAH effect pedal, made of ABS with shielded metal plate base and rubber feet.

Dimensions
86 (L) x 198 (P) x 60 (H) mm

Controls
Bypass switch

Power supply
9V Battery (not included) – 9V dc power supply (not included)

Type
WAH – WAH effect pedal

Input ø6,3 mm mono jack socket, ø6,3 mm mono jack socket (with-power on switch)

Output
Jack mono plug ø 6,3 mm, Jack mono plug ø 6,3 mm

May 22, 2024

edited Vox VC-4

Added item description from https://web.archive.org/web/20031012155152/http://www.voxamps.co.uk/products/valvetronix/vc4.htm

Revised item description. Show revisions
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The optional VOX VC-4 Foot controller adds even more functionality and flexibility to the AD60VT and AD120VT combos. In addition to allowing you to switch seamlessly between programs, with the VC-4 you can control the speed of the Modulation effects in real-time via the built-in Expression/Volume pedal, tune your guitar (silently or audibly), set the delay tempo button, and also access the incredibly useful Individual Mode which is like having four stomp boxes on the floor! You can also hook up an optional external volume pedal (V850) to the VC-4 if you wish. The VC-4 is a ‘must have’ item for all AD60VT and ZD120VT owners!

CONNECTORS: VOX bus jack, Volume pedal jack

DIMENSIONS: 417.0(W) x 158(D) x 63(H) mm / 16.42(W)" x 6.24(D)" x 2.49(H)"

WEIGHT: 1.8 KG / 4.82 LBS.

ACCESSORIES: 10 Base-T cable (straight type)

OPTIONS: V850 Volume Pedal

May 22, 2024

edited NUX NSS5 Solid Studio

Added item description from https://www.nuxaudio.com/solid-studio.html

Revised item description. Show revisions
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After:
A pedal version of the most classic amp/cabinet scenarios including microphones and power amp tubes.

The New Era of Mic-ing!

NUX Solid Studio was created to address: limited gear availability, and the cumbersome transport reality of physical amp/speaker cabinets.

Over many years of research, Solid Studio was specifically developed to fill the essential needs of discerning musicians and sound technicians, including the art of mic-ing instrument amplifiers on stage or in the studio. Solid Studio provides ease-of-use, reliability, versatility, and, above all, incredible audio quality. Virtual mic-ing is achieved by choosing 1 cabinet and 1 microphone, and fine-tuning the position of the microphone using the mic position switch. Plus, you can add the tube sound by engaging the power amp simulation.

What's Inside?

Solid Studio comes with 8 speaker cabinet simulations. All the cabinet models inside the Solid Studio sound and feel as great as their original counterpart.

Solid Studio Power Amp Simulation offers three power tube models that deliver corresponding tonal characteristics: EL84, EL34 and 6V6.

Inputs/Outputs

NUX Solid Studio has a 6.35mm mono input with an input signal level toggle switch (-10dB / +4dB) for fitting various instruments. And it has 3 outputs: simulation dedicated (TRS) STEREO OUTPUT and DI OUT, and a bypassed "THRU" output.

Connection Tips

Solid Studio offers a variety of connection solutions to give you correct guitar tones with or without a real speaker cabinet.

Gig saver

You can place the Solid Studio at the end of your pedal board, and you can send the simulated sound to the mixer while you can send your original signal to the amp. It's an alternate option for amp / cabinet mic-ing on stage.

Silent recording

Solid Studio is good for sitting between your pedals and audio interface for silent direct recording. Let the Solid Studio handle the speaker cabinet and microphone part.

Advanced connection

By placing the Solid Studio between the amp and the cabinet, while still using your real cabinet for stage monitoring, you can split a DI signal with cabinet simulation to the mixer from Solid studio. The Solid Studio DOES NOT provide NO LOAD to the amplifier, therefore, a real cabinet or a loadbox MUST be connected to the THRU jack of the Solid Studio, or there is risk of damaging the amplifier.

The amplifier's speaker output must be connected to the Solid Studio's input by a SPEAKER CABLE

The Solid Studio's input mode must be switched to +4 dB

The Solid Studio's THRU output must be connected to the speaker cabinet's input by a SPEAKER CABLE

The Solid Studio's output mode must be selected as SPK (SPEAKER)

IR file support

You can easily emulate the sound of any guitar cabinet by loading different IR (Impulse response) files to NUX Solid Studio.

Technically the Most Realistic IR Loader: Solid Studio

The Solid Studio's IR resolution is 2048 samples and 46ms, which is higher than the common quality standard that most of IR loaders are using today: 1024 samples and 20ms capturing length. Some well-known profiler devices offer 2048 samples / 40ms length.

The highest resolution quality limit of the IR is 50ms, it is the REAL sound.Considering all the process on the signal from your guitar to your ear, Solid Studio delivers the signal faster than the blink of an eye with the greatest result. Thanks to Solid Studio's high-quality processor and perfect algorithm, the signal latency from input to output is less than 1ms.

What makes the Solid Studio standout? It offers 46ms length which means it can perfectly read all the frequencies. Comparing the length, 20ms is already enough to capture a sound profile with an efficient result but it's not enough to catch the lower frequencies. That's why devices with high-quality usually provide 40ms length - it means higher resolution and better quality.

What makes the Solid Studio standout? It offers 46ms length which means it can perfectly read all the frequencies. Comparing the length, 20ms is already enough to capture a sound profile with an efficient result but it's not enough to catch the lower frequencies. That's why devices with high-quality usually provide 40ms length - it means higher resolution and better quality.

The highest resolution quality limit of the IR is 50ms, it is the REAL sound.Considering all the process on the signal from your guitar to your ear, Solid Studio delivers the signal faster than the blink of an eye with the greatest result. Thanks to Solid Studio's high-quality processor and perfect algorithm, the signal latency from input to output is less than 1ms.

Many of the IR loaders' signal latency is around 2ms, and each additional digital pedal in the signal chain also increases the latency. For example, the fastest multi-effect pedal needs 2ms to deliver the sound, if you use an IR loader together with this multi-effect pedal, the total latency will be 4ms and a guitar player can ~barely~ feel that. If it's more than 5ms it's obviously slow and it's not able to play.

IR Capture

You can capture any speaker's profile easily with Solid Studio. Create your own IR file and save it.

First, make all the connections (you can see the picture below):

Adjust the microphone position and connect to the Mic Preamp

Mic Preamp Output to Solid Studio Input

Solid Studio Output to Power Amp in / Return

Now follow these steps:

Push and hold both footswitches on Solid Studio and plug in the power cable. Solid Studio will start running in IR capturing mode

Select the save position on Solid Studio, you can dial up any preset you want. Choose a speaker cabinet, mic position and a microphone (and please note it). This will be your preset recall position as long as you keep the file here. 8 Speaker Cabinets x 3 Microphone positions x 8 Microphones = 192 dial up positions

Press CAB/MIC footswitch ~ and it will capture the profile. Usually it takes couple of seconds, just wait until the LED's stops blinking.

Your very own Impulse Response file is ready to rock!

Specifications

8 Speaker Cabinets

8 Microphones and 3 Mic. Positions

3 Power Amp Tubes

Master, Drive and Presence Controls (Power Amp)

Simulation Dedicated Output and DI Out

Thru Output

Thru Output Modes (Line / Speaker)

Input Level Switch (-10dB / +4dB)

USB Port for loading 3rd party IR files, software control and firmware update

May 22, 2024

edited Ibanez SoundTank TL5 Tremolo

Added item description from https://web.archive.org/web/19980526131214/http://www.ibanez.com:80/volume_pedals.html

Revised item description. Show revisions
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Smooth, very clean, vintage tremolo at a very reasonable price. All your favorite variations of vintage amp tremolo sounds
Marked item as Vintage or Discontinued

May 22, 2024

edited Marshall DRP-1

Marked as Vintage or Discontinued.

Marked item as Vintage or Discontinued

May 22, 2024