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Feedback Creation Effects Pedal

Sweet, natural feedback at any volume, with or without distortion

7 Feedback Harmonic Types

Tame out-of-control feedback on a preferred harmonic at gig volume

MOMENTARY SWITCH Sets the operation of the Footswitch. When set to the “ON” position, the feedback effect will only be enabled as long as the Footswitch is held down.

When set to the “OFF” position, the feedback effect will toggle between enabled and bypassed modes each time the Footswitch is pressed.

DRY SWITCH Turns the dry signal path on or off when the feedback effect is enabled.

GAIN KNOB & ONSET KNOB Gain Knob controls the amount of feedback signal that is mixed in with the dry guitar signal. Onset Knob sets the time it takes for the feedback to begin after an input note is detected.

TYPE KNOB Select from one of seven feedback harmonic types.

FEEDBACK LEDS These LEDs light from the center LED out as the feedback signal increases. The rate of feedback is controlled by the Onset knob.

[Caline CP-58 British Sound was renamed CP-58 Baker Street]

Caline CP-58 is based on Tech21 British and is designed to emulate early Marshall amps all the way to heavy JCM 800 line. Very flexible tone shaping controls give you a huge selection of overdrive styles. Get that distinctive Marshall midrange power. Stick it in front of your amp, or go direct into your recording setup or computer. It's that good. · All Analog · Low, Mid, High EQ Controls · Level, Contour, Drive Controls for overdrive shape

Features:True Bypass design, with aluminum alloy casing

Power requirements: AC adapter 9v DC Center Negative

Current consumption: 50mA

Product Dimensions: 11.9x9.4x3.8cm

1. Weight:0.41kg

http://web.archive.org/web/20220702194634/http://www.calinemusic.com/products/effectpedal/195.html

[Caline CP-58 British Sound was renamed CP-58 Baker Street]

Caline CP-58 is based on Tech21 British and is designed to emulate early Marshall amps all the way to heavy JCM 800 line. Very flexible tone shaping controls give you a huge selection of overdrive styles. Get that distinctive Marshall midrange power. Stick it in front of your amp, or go direct into your recording setup or computer. It's that good. · All Analog · Low, Mid, High EQ Controls · Level, Contour, Drive Controls for overdrive shape

Features:True Bypass design, with aluminum alloy casing

Power requirements: AC adapter 9v DC Center Negative

Current consumption: 50mA

Product Dimensions: 11.9x9.4x3.8cm

Weighted:0.41kg

http://web.archive.org/web/20220702194634/http://www.calinemusic.com/products/effectpedal/195.html

[Caline CP-58 British Sound was renamed CP-58 Baker Street]

Caline CP-58 is based on Tech21 British and is designed to emulate early Marshall amps all the way to heavy JCM 800 line. Very flexible tone shaping controls give you a huge selection of overdrive styles. Get that distinctive Marshall midrange power. Stick it in front of your amp, or go direct into your recording setup or computer. It's that good. · All Analog · Low, Mid, High EQ Controls · Level, Contour, Drive Controls for overdrive shape

Features: 1. True Bypass design, with aluminum alloy casing

1. Power requirements: AC adapter 9v DC Center Negative

3.Current consumption: 50mA

1. Product Dimensions: 11.9x9.4x3.8cm

2. Weight:0.41kg

http://web.archive.org/web/20220702194634/http://www.calinemusic.com/products/effectpedal/195.html

[Caline CP-58 British Sound was renamed CP-58 Baker Street]

Caline CP-58 is based on Tech21 British and is designed to emulate early Marshall amps all the way to heavy JCM 800 line. Very flexible tone shaping controls give you a huge selection of overdrive styles. Get that distinctive Marshall midrange power. Stick it in front of your amp, or go direct into your recording setup or computer. It's that good. · All Analog · Low, Mid, High EQ Controls · Level, Contour, Drive Controls for overdrive shape

Features:True Bypass design, with aluminum alloy casing

Power requirements: AC adapter 9v DC Center Negative

Current consumption: 50mA

Product Dimensions: 11.9x9.4x3.8cm

1. Weight:0.41kg

http://web.archive.org/web/20220702194634/http://www.calinemusic.com/products/effectpedal/195.html

[Caline CP-58 British Sound was renamed CP-58 Baker Street]

Caline CP-58 is based on Tech21 British and is designed to emulate early Marshall amps all the way to heavy JCM 800 line. Very flexible tone shaping controls give you a huge selection of overdrive styles. Get that distinctive Marshall midrange power. Stick it in front of your amp, or go direct into your recording setup or computer. It's that good. · All Analog · Low, Mid, High EQ Controls · Level, Contour, Drive Controls for overdrive shape

Features: 1. True Bypass design, with aluminum alloy casing

1. Power requirements: AC adapter 9v DC Center Negative

3.Current consumption: 50mA

1. Product Dimensions: 11.9x9.4x3.8cm

2. Weight:0.41kg

http://web.archive.org/web/20220702194634/http://www.calinemusic.com/products/effectpedal/195.html

[Caline CP-58 British Sound was renamed CP-58 Baker Street]

Caline CP-58 is based on Tech21 British and is designed to emulate early Marshall amps all the way to heavy JCM 800 line. Very flexible tone shaping controls give you a huge selection of overdrive styles. Get that distinctive Marshall midrange power. Stick it in front of your amp, or go direct into your recording setup or computer. It's that good. · All Analog · Low, Mid, High EQ Controls · Level, Contour, Drive Controls for overdrive shape

Features: 1. True Bypass design, with aluminum alloy casing

1. Power requirements: AC adapter 9v DC Center Negative

3.Current consumption: 50mA

1. Product Dimensions: 11.9x9.4x3.8cm

2. Weight:0.41kg

http://web.archive.org/web/20220702194634/http://www.calinemusic.com/products/effectpedal/195.html

[Caline CP-58 British Sound was renamed CP-58 Baker Street]

Caline CP-58 is based on Tech21 British and is designed to emulate early Marshall amps all the way to heavy JCM 800 line. Very flexible tone shaping controls give you a huge selection of overdrive styles. Get that distinctive Marshall midrange power. Stick it in front of your amp, or go direct into your recording setup or computer. It's that good. · All Analog · Low, Mid, High EQ Controls · Level, Contour, Drive Controls for overdrive shape

Feactures: 1. True Bypass design, with aluminum alloy casing

1. Power requirements: AC adapter 9v DC Center Negative

3.Current consumption: 50mA

1. Product Dimensions: 11.9x9.4x3.8cm
2. Weight:0.41kg

http://web.archive.org/web/20220702194634/http://www.calinemusic.com/products/effectpedal/195.html

[Caline CP-58 British Sound was renamed CP-58 Baker Street]

Caline CP-58 is based on Tech21 British and is designed to emulate early Marshall amps all the way to heavy JCM 800 line. Very flexible tone shaping controls give you a huge selection of overdrive styles. Get that distinctive Marshall midrange power. Stick it in front of your amp, or go direct into your recording setup or computer. It's that good. · All Analog · Low, Mid, High EQ Controls · Level, Contour, Drive Controls for overdrive shape

Features: 1. True Bypass design, with aluminum alloy casing

1. Power requirements: AC adapter 9v DC Center Negative

3.Current consumption: 50mA

1. Product Dimensions: 11.9x9.4x3.8cm

2. Weight:0.41kg

http://web.archive.org/web/20220702194634/http://www.calinemusic.com/products/effectpedal/195.html

[Caline CP-58 British Sound was renamed CP-58 Baker Street]

Caline CP-58 is based on Tech21 British and is designed to emulate early Marshall amps all the way to heavy JCM 800 line. Very flexible tone shaping controls give you a huge selection of overdrive styles. Get that distinctive Marshall midrange power. Stick it in front of your amp, or go direct into your recording setup or computer. It's that good. · All Analog · Low, Mid, High EQ Controls · Level, Contour, Drive Controls for overdrive shape

Feactures: 1. True Bypass design, with aluminum alloy casing
2. Power requirements: AC adapter 9v DC Center Negative 3.Current consumption: 50mA 4. Product Dimensions: 11.9x9.4x3.8cm 5. Weight:0.41kg

http://web.archive.org/web/20220702194634/http://www.calinemusic.com/products/effectpedal/195.html

[Caline CP-58 British Sound was renamed CP-58 Baker Street]

Caline CP-58 is based on Tech21 British and is designed to emulate early Marshall amps all the way to heavy JCM 800 line. Very flexible tone shaping controls give you a huge selection of overdrive styles. Get that distinctive Marshall midrange power. Stick it in front of your amp, or go direct into your recording setup or computer. It's that good. · All Analog · Low, Mid, High EQ Controls · Level, Contour, Drive Controls for overdrive shape

Feactures: 1. True Bypass design, with aluminum alloy casing

1. Power requirements: AC adapter 9v DC Center Negative

3.Current consumption: 50mA

1. Product Dimensions: 11.9x9.4x3.8cm
2. Weight:0.41kg

http://web.archive.org/web/20220702194634/http://www.calinemusic.com/products/effectpedal/195.html

[Caline CP-58 British Sound was renamed CP-58 Baker Street]

Caline CP-58 is based on Tech21 British and is designed to emulate early Marshall amps all the way to heavy JCM 800 line. Very flexible tone shaping controls give you a huge selection of overdrive styles. Get that distinctive Marshall midrange power. Stick it in front of your amp, or go direct into your recording setup or computer. It's that good. · All Analog · Low, Mid, High EQ Controls · Level, Contour, Drive Controls for overdrive shape

Feactures: 1. True Bypass design, with aluminum alloy casing
2. Power requirements: AC adapter 9v DC Center Negative 3.Current consumption: 50mA 4. Product Dimensions: 11.9x9.4x3.8cm 5. Weight:0.41kg

http://web.archive.org/web/20220702194634/http://www.calinemusic.com/products/effectpedal/195.html

Delivers the warm, vintage fuzz tones of a late 60s’-era germanium transistor-based pedal

Covers a range of retro fuzz sounds, from darker, more sustained/compressed sounds to more subtle, Texas Blues-sounding dirt

Responsive to your guitar’s volume level: dial back your volume knob for a cleaner sound whose bite is a little more understated

The Fame JTA-05 Sweet Baby Guitar Valve Amplifier Combo is a 5W guitar valve amplifier combo, with a 1x 8" Celestion speaker, class A, a 12AX7 preamp tube, a 6V6GT power tube, and a 5AR4 rectifier tube. In the tradition of small tube amplifiers of the 50s, the Sweet Baby from Fame offers a huge range of classic sounds. Especially in the studio, small amplifiers can be very useful as the full range of their tonal dynamics can be exploited at humane volume levels. The volume reserves are more than enough for spontaneous jam sessions and even small gigs. Equipped with a volume control, a wide range of sounds can be generated with the volume and tone knobs of the guitar.

The main features of the Fame JTA-05 Sweet Baby Guitar Valve Amplifier Combo include:

• Single Ended Class A • Full Tube • Output: 5 Watt • Preamp tubes: 1x 12AX7 • Power amp tubes: 1x 6V6GT • Rectifier valve: 5AR4 (can also be operated with 5Y3GT) • Controls: Volume • Speaker: 1x 8" Celestion G8C-15 (15W) • Inputs: Hi, Low • Outputs: 8 or 4 Ohm • Dimensions: 350 x 370 x 180 mm • Weight: 9.05 kg

This is amplifier is identical to the JOYO JTA-05 Sweet Baby but with the JOYO badge changed to Fame

Fender Squier from 1996.

Series Specifications: One piece maple neck with 9.5" radius rosewood fretboard, solid hardwood body, single-ply pickguard, chrome hardware.

Squier Strat by Fender appears in the 1996 Squier catalog on a page titled "Traditional Series" although those words appear nowhere on the instrument. http://squierwiki.com/tiki-download_file.php?fileId=1278

A 1964 Telecaster Custom with the 1956 Stratocaster neck from “Brownie”.

http://www.fendercustomshop.com/series/limited-edition/limited-edition-eric-clapton-blind-faith-telecaster-by-todd-krause-maple-fingerboard-faded-3-color-sunburst/

Roc Pro 1000 1x12 Combo These tough lookin' Tube-Driven Hybrid amps are designed to rock from the inside out! Deep within the molten core of the Tube Drive channel a real 12AX7/ECC83 tube glows hot and heavy, creating tones most amps can only dream of. The Normal channel can be set for pristine, or coaxed into edgy overdrive for that tone that has kept Fender amplifiers at the top of the tone heap for 50 years.

Description: Electronically identical, both models offer real-tube distortion and enough wattage to let clean tones sparkle and distortion tones claw through the band. Specs: 100 watts rms. Features: Channel switching, normal channel (Treble, Mid, Bass), tube drive channel (tube preamp, dual Selectable Gain, Treble, Mid, Bass), reverb, adjustable EFX loop with mix control, line output, external speaker out, 3-button footswitch.

http://web.archive.org/web/19970220074513/http://www.fender.com/cgi/doAmp.cgi?c/amps/amps+rocpro1000

Zoom Amplifier Modeling From vintage combo to modern high gain amp sounds, Fire amps give you the tone you want at the turn of a knob. From vintage tube, to acoustic, to solid state thrash metal-Zoom amps have it all. A clean amp setting is also provided for use with your outboard effects and pedals. Fire-15 : 11 amp models

FIRE-15 : FDR CLEAN / J-CLEAN / MS DRIVE / BG DRIVE / PVY DRIVE / OVER DRIVE / DISTORTION / FUZZ / METAL / ACOUSTIC / EFFECT IN

Zoom Multi-Effects A leader in effects processing for over a decade, Fire amplifiers include a full complement of Zoom guitar effects. Standards like Chorus, Flanger, Phase, Delay, and Reverb as well as modern sounds like Ring Modulator and Slow Attack. There is a sound for every song. And every effect can be adjusted in intensity. Fire-15 : 17 effect types

CHORUS / FLANGER / PHASE / DOUBLING / TREMOLO / AUTO WAH / STEP / SLOW ATTACK / PITCH / RING MODULATOR / DELAY / ECHO / ROOM / HALL / ZNR / BOOST / SUSTAIN

Store Your Effects Settings Built-in memory allows you to save up to 10 of your own effect combinations, or "patches". Recall any setting anytime, including effects and amp models. Preset patches are also built-in that simulate traditional amplifier tones. Fire-15 : 10 user / 10 preset patches

Post-Effect Processing BOOST Raises the input signal, providing deeper distortion and more SPL. SUSTAIN Adds depth and length with compression. Great for leads.

Preamplifier Section Control knobs allow you to adjust Level, Gain and a three band EQ with Bass, Middle and Treble controls.

Auto Chromatic Tuner A built-in auto chromatic tuner allows you to tune your guitar quickly and accurately.

Foot Switch Using the optional FS-01 foot switch, the user can switch between manual mode and program mode. Switch between a clean sound for rhythm parts, and an overdrive tone for leads.

Zoom Noise Reduction ZNR is Zoom's own noise reduction system. It cleanly cuts out spurious noise during silences in your playing. ZNR is adjustable in it's intensity, and can be turned on and off.

Auxiliary Input When Connecting CD player to AUX IN, you can hear the CD playback and the sound of your guitar. This is a great feature for rehearsing, or learning a guitar part.

Direct Output Plug in your headphones to the output jack, or plug directly into a recording device using the convenient front panel output jack.

SPECIFICATION Power Output 15W RMS, 8 ohm. Speaker 8 inch (20cm). Modeling Type 11. Effect Program 17. Effect Module 5. Patch Memory 20 (User 10/Preset 10).

Control : Gain, Bass, Middle, Treble, Level, Master A/D Conversion : 20bit 64times over-sampling D/A Conversion : 20bit 8times over-sampling Sampling Frequency : 31.25kHz Guitar Input : 1 x 1/4" Monaural Phone Jack (Nominal Input Level : -20dBm, Input Impedance : 470k ohm) AUX Input : 1 x 1/4" Stereo Phone Jack (Nominal Input Level : -20dBm, Input Impedance : 10k ohm) Recording/Headphone Output : 1 x 4" Stereo Phone Jack (Nominal Output Level : +4dBm at Load Impedance 10k ohm or more) Control Input : Foot Switch (FS-01) Display : 2digit 7segment LED Power Requirement : 100~240V, 50/60Hz Supplied Accessory : Power Cable Dimension : FIRE-15 / 400 (W) x 205 (D) x 380 (H) mm, FIRE-30 / 485 (W) x 240 (D) x 410 (H) mm Weight : FIRE-15 / 10kg, FIRE-30 / 12kg *0dBm = 0.775Vrms

An overdrive pedal delivers the nuances of music greatly. With a wide range of High-Gain, the tonal possibilities range from a clean boost to distortion by adjusting the GAIN knob. Besides, both Low Gain and High Gain are delivered vividly.

https://www.joyoaudio.com/product/4.html

American Sound reproduces the sound of a Fender 57 Deluxe amp, which performs great from clean, driven, and everywhere in between.

https://www.joyoaudio.com/product/63.html

ZOOM 503 AMP SIMULATOR 14 TYPES OF GUITAR AND BASS AMP SOUNDS IN A COMPACT PEDAL

The Zoom 503 has 14 different guitar and bass amp sounds designed specifically to emulate the most popular amplifiers on the market. 32 programs are already crafted to let you instantly get the right tone for your set up. It's great for line recording direct and makes even a small practice amp sound rich and big. The 503's cabinet simulator can also simulate the tone of a amplifier that has been picked up with a microphone. An AUX jack allows input of external signal from CD player or similar -- perfect for practice and learning new tunes. If you already own a Zoom COMPACT MULTI SERIES product -- the 503 is an excellent addition to your modular system! Effect programs: 32 Guitar Amp (MS Crunch/MS Drive/F Clean/F Drive/BG Drive/PV Drive/J Clean /VX Crunch/Line Clean), Bass Amp (TE Clean/F Drive/SW Clean/AC Drive/Line Clean), Flat, Guitar Cabinet (4 types), Bass Cabinet (2 types), ZNR (Zoom Noise Reduction), Chorus/Effects (6 types), Reverb (4 types) Maximum simultaneous effects: 5 Patch memory: 24 Dimensions: 147 x 157 x 48 (w x d x h) mm Weight: 480 g without battery (1.05lbs.) Accessories: AD-0006

http://web.archive.org/web/19981202033858/http://www.zoom.co.jp:80/english/index.html

ZOOM PLAYER 1010 25 EFFECTS IN A SMALL PACKAGE AT AN INCREDIBLY LOW PRICE!

25 effects in a package that's small enough to fit in your guitar case (and probably costs less). Up to six effects can be used simultaneously including distortion with amp simulation. Create up to 12 of your own presets or use the 30 multi-effect presets on-board. Effect programs: 25 (Up to 6 effects in 5 modules) Patch memory: 42 (User 12/Preset 30) Dimensions: 270 x 136.5 x 34 (w x d x h) mm

http://web.archive.org/web/19981202033858/http://www.zoom.co.jp:80/english/index.html Weight: 1 kg (2.2.lbs.) Accessory: FP01

ZOOM PLAYER 1010 25 EFFECTS IN A SMALL PACKAGE AT AN INCREDIBLY LOW PRICE!

25 effects in a package that's small enough to fit in your guitar case (and probably costs less). Up to six effects can be used simultaneously including distortion with amp simulation. Create up to 12 of your own presets or use the 30 multi-effect presets on-board. Effect programs: 25 (Up to 6 effects in 5 modules) Patch memory: 42 (User 12/Preset 30) Dimensions: 270 x 136.5 x 34 (w x d x h) mm Weight: 1 kg (2.2.lbs.) Accessory: FP01

http://web.archive.org/web/19981202033858/http://www.zoom.co.jp:80/english/index.html

ZOOM PLAYER 1010 25 EFFECTS IN A SMALL PACKAGE AT AN INCREDIBLY LOW PRICE!

25 effects in a package that's small enough to fit in your guitar case (and probably costs less). Up to six effects can be used simultaneously including distortion with amp simulation. Create up to 12 of your own presets or use the 30 multi-effect presets on-board. Effect programs: 25 (Up to 6 effects in 5 modules) Patch memory: 42 (User 12/Preset 30) Dimensions: 270 x 136.5 x 34 (w x d x h) mm Weight: 1 kg (2.2.lbs.) Accessory: FP01

ZOOM PLAYER 1010 25 EFFECTS IN A SMALL PACKAGE AT AN INCREDIBLY LOW PRICE!

25 effects in a package that's small enough to fit in your guitar case (and probably costs less). Up to six effects can be used simultaneously including distortion with amp simulation. Create up to 12 of your own presets or use the 30 multi-effect presets on-board. Effect programs: 25 (Up to 6 effects in 5 modules) Patch memory: 42 (User 12/Preset 30) Dimensions: 270 x 136.5 x 34 (w x d x h) mm

http://web.archive.org/web/19981202033858/http://www.zoom.co.jp:80/english/index.html Weight: 1 kg (2.2.lbs.) Accessory: FP01

ZOOM PLAYER 1010 25 EFFECTS IN A SMALL PACKAGE AT AN INCREDIBLY LOW PRICE!

25 effects in a package that's small enough to fit in your guitar case (and probably costs less). Up to six effects can be used simultaneously including distortion with amp simulation. Create up to 12 of your own presets or use the 30 multi-effect presets on-board. Effect programs: 25 (Up to 6 effects in 5 modules) Patch memory: 42 (User 12/Preset 30) Dimensions: 270 x 136.5 x 34 (w x d x h) mm Weight: 1 kg (2.2.lbs.) Accessory: FP01

V-AMP Virtual Guitar Amplifier with Tube Simulation and 24-Bit Effects

Based on state-of-the-art amp modeling technology, the V-AMP puts a variety of guitar tones at your fingertips without the need to mic an amp. With 16 amp models, 15 independently selectable speaker simulations plus integrated effects, the V-AMP gives you everything you need for practice, recording and live front-end applications.

The built-in 24-bit studio-quality stereo effects unit includes a broad selection of specially developed algorithms, including chorus, tremolo, compression, noise gate, delay etc, with combinations of these also selectable. A separate manually or MIDI-controllable wah-wah effect and 9 stereo reverb types are available in combination with any other effect, amp or speaker setting.

The V-AMP also boasts an integrated chromatic tuner, a tap tempo function for real-time adjustment of the effect’s speed parameter, an adjustable stereo aux input, a stereo line output with speaker simulation, an effective 3-band EQ with amp-model dependent characteristics, a master volume control and an adjustable headphones output. The MIDI interface allows real-time remote control and automation, data transfer and access to additional parameters. 125 presets, organized in 25 banks and including 50 presets by renowned guitarists, are available for storage of your favorite settings.

In spite of its comprehensive features, the V-AMP features a transparent, intuitive user interface with dedicated controls for all essential settings. It comes with a dual footswitch for preset selection and tuner control plus an AC adapter in an attractive, durable carrying bag.

https://web.archive.org/web/20080517154334/http://www.behringer.com/V-AMP/

Great sound in a small, easy-to-use package The Ampworks modeler is a stress-free way to experience real amp sound in any situation. Since it's ultra-compact design enables it to fit into the accessory pocket of a guitar case, it's easy to take it along wherever you go − home, studio or stage. This compact unit is also great for PC-based recording systems with limited desktop space.

Modeling technology for realistic sound Korg's proprietary "REMS" modeling technology is acclaimed by musicians around the world and is used to deliver numerous types of realistic simulation. With stadium-class sound unimaginable from a unit its size, Ampworks delivers the serious sound you need.

Ampworks contains eleven coveted guitar amp sounds Ampworks provides eleven types of amp sounds ranging from vintage to modern. From the warm and fat sounds of tube amps to aggressive high-gain amps and brilliant clean tones, Ampworks delivers the most sought-after tones for any style of playing.

Cabinet models sweeten your tone potential Ampworks provides eleven different models of cabinet and speaker configurations. Every detail of cabinet resonance is faithfully simulated, delivering superb depth and spatial realism even when using headphones or direct-line output.

A full range of effects for flexible sound creation High-quality effects such as compressor, modulation, delay, and reverb are built-in. These realistic effects are modeled from a variety of superb, pro-level effects using sophisticated technology. The results deliver new depth and versatility to your sound arsenal.

Preset programs let you plug in and play For each amp model, ideal tone settings (including the cabinet model and ideal effect) have been preset. Since these eleven preset programs are selected automatically when you choose an amp model, you can immediately start playing with the optimal amp sound. You can also store your own favorite settings in the two user area programs.

Knob-based interface for intuitive editing Like a conventional analog amp, operation is simply a matter of turning the knobs. Not just the tone controls, but all amp, cabinet and effect settings are selected using dedicated knobs, so creating the sound you want is intuitive and fast. Delay time, reverb time, and LFO speed settings can be made using the convenient Tap button. There's also a Manual mode that detects the physical position of the knobs, giving you visual confirmation of the sound. Specifications subject to change without notice

Great sound in a small, easy-to-use package The Ampworks modeler is a stress-free way to experience real amp sound in any situation. Since it's ultra-compact design enables it to fit into the accessory pocket of a guitar case, it's easy to take it along wherever you go − home, studio or stage. This compact unit is also great for PC-based recording systems with limited desktop space.

Modeling technology for realistic sound Korg's proprietary "REMS" modeling technology is acclaimed by musicians around the world and is used to deliver numerous types of realistic simulation. With stadium-class sound unimaginable from a unit its size, Ampworks delivers the serious sound you need.

Ampworks contains eleven coveted guitar amp sounds Ampworks provides eleven types of amp sounds ranging from vintage to modern. From the warm and fat sounds of tube amps to aggressive high-gain amps and brilliant clean tones, Ampworks delivers the most sought-after tones for any style of playing.

Cabinet models sweeten your tone potential Ampworks provides eleven different models of cabinet and speaker configurations. Every detail of cabinet resonance is faithfully simulated, delivering superb depth and spatial realism even when using headphones or direct-line output.

A full range of effects for flexible sound creation High-quality effects such as compressor, modulation, delay, and reverb are built-in. These realistic effects are modeled from a variety of superb, pro-level effects using sophisticated technology. The results deliver new depth and versatility to your sound arsenal.

Preset programs let you plug in and play For each amp model, ideal tone settings (including the cabinet model and ideal effect) have been preset. Since these eleven preset programs are selected automatically when you choose an amp model, you can immediately start playing with the optimal amp sound. You can also store your own favorite settings in the two user area programs.

Knob-based interface for intuitive editing Like a conventional analog amp, operation is simply a matter of turning the knobs. Not just the tone controls, but all amp, cabinet and effect settings are selected using dedicated knobs, so creating the sound you want is intuitive and fast. Delay time, reverb time, and LFO speed settings can be made using the convenient Tap button. There's also a Manual mode that detects the physical position of the knobs, giving you visual confirmation of the sound. Specifications subject to change without notice

https://web.archive.org/web/20060312182519/http://www.korg.com/gear/info.asp?a_prod_no=AmpworksG&category_id=6

Great sound in a small, easy-to-use package The Ampworks modeler is a stress-free way to experience real amp sound in any situation. Since it's ultra-compact design enables it to fit into the accessory pocket of a guitar case, it's easy to take it along wherever you go − home, studio or stage. This compact unit is also great for PC-based recording systems with limited desktop space.

Modeling technology for realistic sound Korg's proprietary "REMS" modeling technology is acclaimed by musicians around the world and is used to deliver numerous types of realistic simulation. With stadium-class sound unimaginable from a unit its size, Ampworks delivers the serious sound you need.

Ampworks contains eleven coveted guitar amp sounds Ampworks provides eleven types of amp sounds ranging from vintage to modern. From the warm and fat sounds of tube amps to aggressive high-gain amps and brilliant clean tones, Ampworks delivers the most sought-after tones for any style of playing.

Cabinet models sweeten your tone potential Ampworks provides eleven different models of cabinet and speaker configurations. Every detail of cabinet resonance is faithfully simulated, delivering superb depth and spatial realism even when using headphones or direct-line output.

A full range of effects for flexible sound creation High-quality effects such as compressor, modulation, delay, and reverb are built-in. These realistic effects are modeled from a variety of superb, pro-level effects using sophisticated technology. The results deliver new depth and versatility to your sound arsenal.

Preset programs let you plug in and play For each amp model, ideal tone settings (including the cabinet model and ideal effect) have been preset. Since these eleven preset programs are selected automatically when you choose an amp model, you can immediately start playing with the optimal amp sound. You can also store your own favorite settings in the two user area programs.

Knob-based interface for intuitive editing Like a conventional analog amp, operation is simply a matter of turning the knobs. Not just the tone controls, but all amp, cabinet and effect settings are selected using dedicated knobs, so creating the sound you want is intuitive and fast. Delay time, reverb time, and LFO speed settings can be made using the convenient Tap button. There's also a Manual mode that detects the physical position of the knobs, giving you visual confirmation of the sound. Specifications subject to change without notice

GUITAR AMP MODELER

The ultimate guitar amp modeling device creates a perfect replication of eleven world-famous guitar amplifier sounds.

• Authentic recreation of 11 world-famous guitar amp characteristics Zoom's sophisticated technology called VAMS (Variable Architecture Modeling System) has made it possible to faithfully reproduce the sound of 11 famous guitar amplifiers. Whether you record with a multi-track recorder at home or in the studio, you no longer need a guitar amplifier. Within a single compact housing, the GM-200 gives you immediate access to the dynamic, life-like sounds of 11 high-class guitar amps.

• Refined effects and selectable output character The GM-200 provides vintage chorus, tremolo, tape echo, and spring reverb. These high-quality effects are extremely easy to use, being controlled by a single knob. The Output Character control enhances your sound by adding the optimum ambience and mastering effects for every environment. OUTPUT CHARACTER LINE AUDIO (Off, Punch, Edge, Live) These character settings are optimized when using the unit with a home audio system, a portable stereo or a headphone.

MTR RECORDING (Direct, Air, Wide) These character settings are optimized for line out use with a multi-track recorder or mixer.

GUITAR AMP (Normal, Bright, Warm, Bottom) These character settings are optimized for direct connection to a guitar amplifier. Input/output configuration to fit any recording environment On the input side, a gain switch makes it easy to accommodate guitars with active pickups. A MIX IN (stereo mini phone jack) lets you add external sources without effect processing to the guitar signal, for applications like playing along with your favorite CD. On the output side, a pair of RCA-type phono jacks is provided in addition to the standard phone jack (stereo). This eliminates problems when laying down a guitar track on a multi-track recorder. There's even more... Gain and master level can used to adjust the intensity of the distortion setting, just like a guitar amplifier. A simple twist of the ZNR (Zoom Noise Reduction) knob eliminates unwanted noise. And a 3-band tone control (TREBLE, MIDDLE, BASS) lets you tailor the sound just the way you want it. Battery operation allows you to use for any purpose.

American Clean Emulates the clean channel of a tube-type combo amp developed in the nineteen-sixties by a famous American manufacturer. It is characterized by a clear, bright sound with full-bodied tonal characteristics. Twin Drive Emulates the drive channel sound of the tube-type amp mentioned above. Produces a drive sound with extended top end. Suitable for a wide range of applications, from rhythm to lead guitar. Blues Tweed Emulates a small classic tube-type combo amp built in the fifties by the same company as the American Clean amp. Produces dry distortion with the harmonic "ring" produced by the cabinet. Class A Combo Emulates the class A drive tube amp that became the hallmark of the Liverpool sound in the sixties. It is characterized by a distinct midrange sound. British Crunch Emulates a British tube-type stack amplifier (known by some as the "800" series) that ruled the eighties hard rock scene. It has powerful tonal characteristics, with distortion overtones even when the gain is turned down. British Drive Emulates the full-blown drive sound of the "900" series that was the successor to the amp above, characterized by its blunt attack, exceptional presence and thick bottom sounds. Combo 335 In the late sixties, a manufacturer in San Francisco introduced a hand-built tube combo amp. This setting emulates the sound of this legendary amplifier, famous for its "bluesy" character and extra long sustain. Metal Panel The same manufacturer came out in the nineties with a tube-type stack amp, designed for intense distortion. Black Bottom Emulates a tube stack amp developed by an American amp manufacturer in the nineties with a rock guitar superstar. The sound has a gutsy low end and detailed distortion. Modern Lead Emulates a head made in America by a custom manufacturer in the eighties. Great for "slow hand" lead guitar playing. Fuzz Stack Creates a dynamic sixties style stack amp sound with massive fuzz distortion, suitable for leads and riffs. Great for people who set their guitars on fire or play them with their teeth...

GM-200 SPECIFICATIONS Modeling Amp type : 11 Output Character : 11 Tone Control : 3 band Effect type : 4

Sampling Frequency : 40.0kHz A/D Conversion : 20 bit 64 times oversampling D/A Conversion : 20 bit 128 times oversampling

Guitar Input : 1/4" monaural phone jack (Input impedance : 470kohm) Gain Switch : HIGH / for Passive pick up (Nominal input level : -20dBm) LOW / for Active pick up (Nominal input level : -10dBm) Mix Input : Mini stereo phone jack (Nominal input level : -10dBm / Input impedance : 480kohm)

Output (Used as both Line and Headphone) : 1/4" stereo phone jack (Maximum ourput level : +4dBm / Load impedance 10kohm or more) Sub Output : RCA Pin jack (L / R)

Power requirements : DC9V/300mA (Optional AC Adapter AD-0006/Center minus) or AA (LR6) battery x 6 ** Continuous battery operation :** More than10 hours (Alkaline)

Dimensions : 215 x 175 x 65(W x D x H)mm Weight : 600g(Without battery)

*0dBm=0.775 Vrms

http://web.archive.org/web/20001206052400/http://www.zoom.co.jp/english/index.html

GUITAR AMP MODELER

The ultimate guitar amp modeling device creates a perfect replication of eleven world-famous guitar amplifier sounds.

Authentic recreation of 11 world-famous guitar amp characteristics Zoom's sophisticated technology called VAMS (Variable Architecture Modeling System) has made it possible to faithfully reproduce the sound of 11 famous guitar amplifiers. Whether you record with a multi-track recorder at home or in the studio, you no longer need a guitar amplifier. Within a single compact housing, the GM-200 gives you immediate access to the dynamic, life-like sounds of 11 high-class guitar amps.

Refined effects and selectable output character The GM-200 provides vintage chorus, tremolo, tape echo, and spring reverb. These high-quality effects are extremely easy to use, being controlled by a single knob. The Output Character control enhances your sound by adding the optimum ambience and mastering effects for every environment.

OUTPUT CHARACTER LINE AUDIO (Off, Punch, Edge, Live) These character settings are optimized when using the unit with a home audio system, a portable stereo or a headphone. MTR RECORDING (Direct, Air, Wide) These character settings are optimized for line out use with a multi-track recorder or mixer. GUITAR AMP (Normal, Bright, Warm, Bottom) These character settings are optimized for direct connection to a guitar amplifier.

Input/output configuration to fit any recording environment On the input side, a gain switch makes it easy to accommodate guitars with active pickups. A MIX IN (stereo mini phone jack) lets you add external sources without effect processing to the guitar signal, for applications like playing along with your favorite CD. On the output side, a pair of RCA-type phono jacks is provided in addition to the standard phone jack (stereo). This eliminates problems when laying down a guitar track on a multi-track recorder.

There's even more... Gain and master level can used to adjust the intensity of the distortion setting, just like a guitar amplifier. A simple twist of the ZNR (Zoom Noise Reduction) knob eliminates unwanted noise. And a 3-band tone control (TREBLE, MIDDLE, BASS) lets you tailor the sound just the way you want it. Battery operation allows you to use for any purpose.

American Clean Emulates the clean channel of a tube-type combo amp developed in the nineteen-sixties by a famous American manufacturer. It is characterized by a clear, bright sound with full-bodied tonal characteristics. Twin Drive Emulates the drive channel sound of the tube-type amp mentioned above. Produces a drive sound with extended top end. Suitable for a wide range of applications, from rhythm to lead guitar. Blues Tweed Emulates a small classic tube-type combo amp built in the fifties by the same company as the American Clean amp. Produces dry distortion with the harmonic "ring" produced by the cabinet. Class A Combo Emulates the class A drive tube amp that became the hallmark of the Liverpool sound in the sixties. It is characterized by a distinct midrange sound. British Crunch Emulates a British tube-type stack amplifier (known by some as the "800" series) that ruled the eighties hard rock scene. It has powerful tonal characteristics, with distortion overtones even when the gain is turned down. British Drive Emulates the full-blown drive sound of the "900" series that was the successor to the amp above, characterized by its blunt attack, exceptional presence and thick bottom sounds. Combo 335 In the late sixties, a manufacturer in San Francisco introduced a hand-built tube combo amp. This setting emulates the sound of this legendary amplifier, famous for its "bluesy" character and extra long sustain. Metal Panel The same manufacturer came out in the nineties with a tube-type stack amp, designed for intense distortion. Black Bottom Emulates a tube stack amp developed by an American amp manufacturer in the nineties with a rock guitar superstar. The sound has a gutsy low end and detailed distortion. Modern Lead Emulates a head made in America by a custom manufacturer in the eighties. Great for "slow hand" lead guitar playing. Fuzz Stack Creates a dynamic sixties style stack amp sound with massive fuzz distortion, suitable for leads and riffs. Great for people who set their guitars on fire or play them with their teeth...

GM-200 SPECIFICATIONS Modeling Amp type : 11 Output Character : 11 Tone Control : 3 band Effect type : 4

Sampling Frequency : 40.0kHz A/D Conversion : 20 bit 64 times oversampling D/A Conversion : 20 bit 128 times oversampling

Guitar Input : 1/4" monaural phone jack (Input impedance : 470kohm) Gain Switch : HIGH / for Passive pick up (Nominal input level : -20dBm) LOW / for Active pick up (Nominal input level : -10dBm) Mix Input : Mini stereo phone jack (Nominal input level : -10dBm / Input impedance : 480kohm)

Output (Used as both Line and Headphone) : 1/4" stereo phone jack (Maximum ourput level : +4dBm / Load impedance 10kohm or more) Sub Output : RCA Pin jack (L / R)

Power requirements : DC9V/300mA (Optional AC Adapter AD-0006/Center minus) or AA (LR6) battery x 6 ** Continuous battery operation :** More than10 hours (Alkaline)

Dimensions : 215 x 175 x 65(W x D x H)mm Weight : 600g(Without battery)

*0dBm=0.775 Vrms

http://web.archive.org/web/20001206052400/http://www.zoom.co.jp/english/index.html

GUITAR AMP MODELER

The ultimate guitar amp modeling device creates a perfect replication of eleven world-famous guitar amplifier sounds.

• Authentic recreation of 11 world-famous guitar amp characteristics Zoom's sophisticated technology called VAMS (Variable Architecture Modeling System) has made it possible to faithfully reproduce the sound of 11 famous guitar amplifiers. Whether you record with a multi-track recorder at home or in the studio, you no longer need a guitar amplifier. Within a single compact housing, the GM-200 gives you immediate access to the dynamic, life-like sounds of 11 high-class guitar amps.

• Refined effects and selectable output character The GM-200 provides vintage chorus, tremolo, tape echo, and spring reverb. These high-quality effects are extremely easy to use, being controlled by a single knob. The Output Character control enhances your sound by adding the optimum ambience and mastering effects for every environment. OUTPUT CHARACTER LINE AUDIO (Off, Punch, Edge, Live) These character settings are optimized when using the unit with a home audio system, a portable stereo or a headphone.

MTR RECORDING (Direct, Air, Wide) These character settings are optimized for line out use with a multi-track recorder or mixer.

GUITAR AMP (Normal, Bright, Warm, Bottom) These character settings are optimized for direct connection to a guitar amplifier. Input/output configuration to fit any recording environment On the input side, a gain switch makes it easy to accommodate guitars with active pickups. A MIX IN (stereo mini phone jack) lets you add external sources without effect processing to the guitar signal, for applications like playing along with your favorite CD. On the output side, a pair of RCA-type phono jacks is provided in addition to the standard phone jack (stereo). This eliminates problems when laying down a guitar track on a multi-track recorder. There's even more... Gain and master level can used to adjust the intensity of the distortion setting, just like a guitar amplifier. A simple twist of the ZNR (Zoom Noise Reduction) knob eliminates unwanted noise. And a 3-band tone control (TREBLE, MIDDLE, BASS) lets you tailor the sound just the way you want it. Battery operation allows you to use for any purpose.

American Clean Emulates the clean channel of a tube-type combo amp developed in the nineteen-sixties by a famous American manufacturer. It is characterized by a clear, bright sound with full-bodied tonal characteristics. Twin Drive Emulates the drive channel sound of the tube-type amp mentioned above. Produces a drive sound with extended top end. Suitable for a wide range of applications, from rhythm to lead guitar. Blues Tweed Emulates a small classic tube-type combo amp built in the fifties by the same company as the American Clean amp. Produces dry distortion with the harmonic "ring" produced by the cabinet. Class A Combo Emulates the class A drive tube amp that became the hallmark of the Liverpool sound in the sixties. It is characterized by a distinct midrange sound. British Crunch Emulates a British tube-type stack amplifier (known by some as the "800" series) that ruled the eighties hard rock scene. It has powerful tonal characteristics, with distortion overtones even when the gain is turned down. British Drive Emulates the full-blown drive sound of the "900" series that was the successor to the amp above, characterized by its blunt attack, exceptional presence and thick bottom sounds. Combo 335 In the late sixties, a manufacturer in San Francisco introduced a hand-built tube combo amp. This setting emulates the sound of this legendary amplifier, famous for its "bluesy" character and extra long sustain. Metal Panel The same manufacturer came out in the nineties with a tube-type stack amp, designed for intense distortion. Black Bottom Emulates a tube stack amp developed by an American amp manufacturer in the nineties with a rock guitar superstar. The sound has a gutsy low end and detailed distortion. Modern Lead Emulates a head made in America by a custom manufacturer in the eighties. Great for "slow hand" lead guitar playing. Fuzz Stack Creates a dynamic sixties style stack amp sound with massive fuzz distortion, suitable for leads and riffs. Great for people who set their guitars on fire or play them with their teeth...

GM-200 SPECIFICATIONS Modeling Amp type : 11 Output Character : 11 Tone Control : 3 band Effect type : 4

Sampling Frequency : 40.0kHz A/D Conversion : 20 bit 64 times oversampling D/A Conversion : 20 bit 128 times oversampling

Guitar Input : 1/4" monaural phone jack (Input impedance : 470kohm) Gain Switch : HIGH / for Passive pick up (Nominal input level : -20dBm) LOW / for Active pick up (Nominal input level : -10dBm) Mix Input : Mini stereo phone jack (Nominal input level : -10dBm / Input impedance : 480kohm)

Output (Used as both Line and Headphone) : 1/4" stereo phone jack (Maximum ourput level : +4dBm / Load impedance 10kohm or more) Sub Output : RCA Pin jack (L / R)

Power requirements : DC9V/300mA (Optional AC Adapter AD-0006/Center minus) or AA (LR6) battery x 6 ** Continuous battery operation :** More than10 hours (Alkaline)

Dimensions : 215 x 175 x 65(W x D x H)mm Weight : 600g(Without battery)

*0dBm=0.775 Vrms

http://web.archive.org/web/20001206052400/http://www.zoom.co.jp/english/index.html

The Genesis3 is ideal for the professional or project recording studio, as it places all of the GeNetX sound creation and processing flexibility in a compact desktop unit. The Genesis 3 includes a knob based editing interface, eight segment display, stereo outputs, and 48 user and 48 factory presets.The S/PDIF digital output provides a direct interface for recording in the digital domain. The Dry Track feature taps the signal before the effects processing and sends it out the S/PDIF output while effected signal can still be monitored out the 1/4" outputs. The MIDI capabilities provide easy computer-based editing functions, and virtually unlimited preset storage. The Genesis3 can be quickly converted into a live performance piece with the addition of the optional DigiTech Control X foot controller.

Tone Controls Individually adjust Gain, EQ, and Level for each of the 2 Amp Channels in every preset using the 5 Tone controls.

Speaker Cabinet Models Mix and match amp and speaker cabinet models to create your own unique sounds. You can even tune your cabinet's resonant frequency to match your style of music.

Warping with GeNetX™ Take two amp and cabinet models and Warp their characteristic together to create a completely new amp HyperModel.

User HyperModel™ Your new HyperModel can be saved in one of 9 User HyperModel locations. These HyperModels can then be Warped again with any other Factory Amp Model or User HyperModel.

Amp Models Choose from 16 popular amp models, Acoustic Guitar Simulation or from your own library of HyperModel creations.

48 User Presets Store your custom settings to any of the 48 User Preset locations.

Effects Editing Quickly adjust your most used effects using the knobs beneath the display. Effect edit mode lets you fine tune up to 5 parameters per effect.

S/PDIF Digital Output Connect to your digitally equipped sound card or recording device with an S/PDIF Digital Output.

https://web.archive.org/web/20020207211156/http://digitech.com/products/productpgs/genesis3.htm

Featuring a pickup system and a cutaway, the FGX412SC includes the same materials and craftsmanship offered in the FG412S. https://web.archive.org/web/20010430131411/http://www.yamaha.com/cgi-win/webcgi.exe/Features/?gACE00004FGX412SC

Top Solid Spruce Back / Sides Nato Neck Nato Fretboard Indian Rosewood Bridge Indian Rosewood Frets 20 Hardware Chrome Finishes Natural, Tobacco Sunburst Electronics 3 Band EQ, AMF (adjustable mid-range frequency), volume, battery light, mute Comments New scale length (650mm), improved bracing pattern

http://www.yamaha.com/cgi-win/webcgi.exe/Specs/?gACE00004FGX412SC

Featuring a pickup system and a cutaway, the FGX412SC includes the same materials and craftsmanship offered in the FG412S.

https://web.archive.org/web/20010430131411/http://www.yamaha.com/cgi-win/webcgi.exe/Features/?gACE00004FGX412SC

Top Solid Spruce Back / Sides Nato Neck Nato Fretboard Indian Rosewood Bridge Indian Rosewood Frets 20 Hardware Chrome Finishes Natural, Tobacco Sunburst Electronics 3 Band EQ, AMF (adjustable mid-range frequency), volume, battery light, mute Comments New scale length (650mm), improved bracing pattern

http://www.yamaha.com/cgi-win/webcgi.exe/Specs/?gACE00004FGX412SC

Featuring a pickup system and a cutaway, the FGX412SC includes the same materials and craftsmanship offered in the FG412S. https://web.archive.org/web/20010430131411/http://www.yamaha.com/cgi-win/webcgi.exe/Features/?gACE00004FGX412SC

Top Solid Spruce Back / Sides Nato Neck Nato Fretboard Indian Rosewood Bridge Indian Rosewood Frets 20 Hardware Chrome Finishes Natural, Tobacco Sunburst Electronics 3 Band EQ, AMF (adjustable mid-range frequency), volume, battery light, mute Comments New scale length (650mm), improved bracing pattern

http://www.yamaha.com/cgi-win/webcgi.exe/Specs/?gACE00004FGX412SC