Mansun – Six

In this transcription of a 1998 interview with Guitar magazine, Chad discussed the recording of Mansun's Six album. "Then there were loads of smaller pedals - a Colorsound Toneblender, an Electro-Harmonix Big Muff, a Daddy-O, a Rat fuzz, plus an old Electro-Harmonix Clone Theory which is excellent for a really shitty chorus sound."

In this transcription of a 1998 interview with Guitar magazine, Chad discussed the recording of Mansun's Six album. "Then there were loads of smaller pedals - a Colorsound Toneblender, an Electro-Harmonix Big Muff, a Daddy-O, a Rat fuzz, plus an old Electro-Harmonix Clone Theory which is excellent for a really shitty chorus sound."

In this transcription of a 1998 interview with Guitar magazine, Chad discussed the recording of Mansun's Six album. "Then there were loads of smaller pedals - a Colorsound Toneblender, an Electro-Harmonix Big Muff, a Daddy-O, a Rat fuzz, plus an old Electro-Harmonix Clone Theory which is excellent for a really shitty chorus sound."

In this transcription of a 1998 interview with Guitar magazine, Chad discussed the recording of Mansun's Six album. "Then there were loads of smaller pedals - a Colorsound Toneblender, an Electro-Harmonix Big Muff, a Daddy-O, a Rat fuzz, plus an old Electro-Harmonix Clone Theory which is excellent for a really shitty chorus sound."

In this transcription of a 1998 interview with Guitar magazine, Chad discussed the recording of Mansun's Six album. "I've got two foot processors, a Boss ME-8 and a Zoom 8080..."

In this transcription of a 1998 interview with Guitar magazine, Chad discussed the recording of Mansun's Six album. "We also used an Eventide DSP4000, an old MXR flanger which is fantastic... As I was playing that riff through this MXR flanger, Paul was twirling the knobs around as I played. Really fucked-up sound ¬great! We also used a Bell BF20 rack flanger - you can hear that on the main riff of 'Anti-Everything'."

In this transcription of a 1998 interview with Guitar magazine, Chad discussed the recording of Mansun's Six album. "As well as his previously mainstay, a Gibson ES-335... and his trusty Fender Tele Std, employed on the spikier riffs, Chad has also acquired a vintage Gretsch Country Gentleman and an old Fender Jaguar (both useful for Six's extensive trem waggling moments)."

In this transcription of a 1998 interview with Guitar magazine, Chad discussed the recording of Mansun's Six album. "As well as his previously mainstay, a Gibson ES-335... and his trusty Fender Tele Std, employed on the spikier riffs, Chad has also acquired a vintage Gretsch Country Gentleman and an old Fender Jaguar (both useful for Six's extensive trem waggling moments)."

In this transcription of a 1998 interview with Guitar magazine, Chad discussed the recording of Mansun's Six album. "As well as his previously mainstay, a Gibson ES-335... and his trusty Fender Tele Std, employed on the spikier riffs, Chad has also acquired a vintage Gretsch Country Gentleman and an old Fender Jaguar (both useful for Six's extensive trem waggling moments)."

In this transcription of a 1998 interview with Guitar magazine, Draper discussed the recording of Mansun's Six album. " I used a Roland TR-707 [sic], one of the early guitar synths, too,' continues Draper. 'It's been mostly old gear. But new sounds." (While the article used the TR designation, it was likely an error as that prefix refers to a drum machine while the G model would be ascribed to guitar synths.)

In this transcription of a 1998 interview with Guitar magazine, Draper discussed the recording of Mansun's Six album. "[His] more occasional fretboard forays largely come via a Gibson Melody Maker: 'On Grey Lantern I used a Les Paul through a JCM45 [sic], but I wanted a smaller, more punky set-up for this one, so I've switched over to a Melody Maker going through a Mesa Boogie Mark III - sounds really good, too. But we'll both use whatever's to hand; we chop and Change gear all the time.'"

In this transcription of a 1998 interview with Guitar magazine, Draper discussed the recording of Mansun's Six album. "[His] more occasional fretboard forays largely come via a Gibson Melody Maker: 'On Grey Lantern I used a Les Paul through a JCM45 [sic], but I wanted a smaller, more punky set-up for this one, so I've switched over to a Melody Maker going through a Mesa Boogie Mark III - sounds really good, too. But we'll both use whatever's to hand; we chop and change gear all the time.'"