Third Eye Blind – Third Eye Blind

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Marshall JCM-800 during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized two Vox AC-30s during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a '69 Marshall Plexi during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Hot Rod DeVille 4x10" during the recording of "London" from Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a '59 Bassman during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a 5150 during the recording of "Losing a Whole Year" from Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Heartbreaker combo for live work around the time of the release of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Casino during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Country Gentleman during the recording of "Semi-Charmed Life" from Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized an RD extensively during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Duo Tone during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Sabre extensively during the recording of Third Eye Blind's self-titled debut album.

In this 2016 video, Cadogan can be seen playing a Line 6 James Tyler Variax modeling guitar. Kevin told Jude Gold in his 'no guitar is safe' podcast that he uses the JTV-69 to switch quickly between the different tunings that he used recording Third Eye Blind's first two albums, as he does not have a guitar tech handing him different guitars for every song anymore.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Morley Switchless Wah during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Cry Baby during the recording of "Good For You" from Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Rotovibe (on the Uni-Vibe setting) during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized an RV-3 during the recording of Third Eye Blind's self-titled debut album, especially on "The Background."

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a GX-700 for live work and touring to promote Third Eye Blind's self-titled debut album.