In the recording of "Drain You" Butch Vig explains that they added two tracks of the Fender Bassman.

Time Stamp - 0:23

He used this to record “Father of All...” and ended up blowing it up.

Stevie Ray Vaughan's Fender Bassman amplifier is owned by Guitar Center and displayed in Austin, Texas.

The caption on the card reads:

1959 Fender Bassman 410, owned by artist

In this interview with Premier Guitar magazine regarding the recording of his 2018 album Call the Comet, Marr explains how he got the tone on the track "Hey Angel." He says, "The main rhythm guitar on there is a 1973 Les Paul Custom, like the one James Williamson used in the Stooges. That guitar was running through a Fender Bassman cranked up very hot. The solo and lead parts were done with the Carl Martin PlexiTone pedal, which is a great-sounding thing!"

In a January 2001 article from Guitar Player, The Edge mentions using an "old Fender Bassman" for many of the clean tones on the album All That You Can't Leave Behind: "Well, I'm a fairly well established AC30 man, but lately, for a bit of variety, I've been moving away from the Vox. I used a 70s Hiwatt combo for a lot of the distortion tones, and for many of the clean tones, I used an old Fender Bassman."

In "Joe Bonamassa on tone – and how to sound like Clapton, Page and Beck" 2:11 joe talks about his rig and the couples of twins and bassman that he's using

In an interview by Dave Marsh from February 1981, highlighting the the E Street Band's equipment, Bruce's use of "four pre-CBS Fender Bassman amps, ca. 1958-1962," is confirmed, indicating that one such amp, a Fender 'Narrow Panel Tweed' Bassman 5F6, is utilized onstage under the drum riser.

In the video "Rory Gallagher - Moonchild Montreux 22nd July 1977," Rory Gallagher is seen using a Fender Bassman Combo Amp.

In Hozier's Rig Rundown he reveals his twin amp rig of Vox Ac30s and Fender Bassmans

Campbell himself mentions the Bassman in this September 1999 "Spotlight on a Heartbreaker" interview from the official Tom Petty & the Heartbreakers website.

26) Hank asked: I saw that you use those Danelectro pedals. Can you tell me your settings on the Daddy-O? For settings on the Danelectro pedal consult [email protected]. 27) Randy in NC and Greg asked: What is your stage amp setup and what pedals do you use? I saw what looked like several Vox AC-30's. Are your AC-30's top Boosted? I use a vintage AC-30 ( with top boost I think) with wah wah Roland delays, Danelectro Daddy-O --- also a Kustom200 and sometimes a Bassman amp. Also on the last tour the soundman had a feed from a Groove Tube preamp for the PA only.

Mentioned in this interview from the October 1987 issue of Musician Magazine, as documented in this page from the website Tom Waits Library. It is erroneously transcribed as "basement".

MR (1987): "Not too surprisingly. Waits prefers "mostly tube stuff' to digital equipment. Microphones of choice include a Ribbon ("Dave Garroway") and RCA high-impedance mikes; Waits usually sings through a Shure Green Bullet (used mostly by harmonica players). Also an Altec 21D vocal mike- "because Sinatra used it." On guitar, Waits likes his Gretsch New Yorker "with old strings" played through an old Fender tweed basement [sic] amp. When recording, he says he uses a lot of heavy compression with room sound; to do that he'll sometimes push the track into the room through Auratone speakers, and then mike that. It's not his only technique, "but I don't want to give away all my secrets." (Source: "Tom Waits is flying upside down (on purpose)" Sidebar. Musician: Mark Rowland. October, 1987)

Gem Archer, guitarist for Noel Gallagher's High Flying Birds, is confirmed to utilize two Fender '59 Bassman combo amplifiers during performances. This equipment choice is distinctly visible at the 0:18 timestamp in the official music video for "Open The Door, See What You Find" by Noel Gallagher's High Flying Birds, providing clear visual evidence of his gear preference.