Kevin Cadogan

Kevin is depicted in this image playing one of his custom-made Mirages.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Casino during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Country Gentleman during the recording of "Semi-Charmed Life" from Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized an RD extensively during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 2000 issue of Guitar Player magazine), Kevin utilized a Starfire during the recording of Third Eye Blind's second album, Blue.

According to this interview (transcribed from the February 2000 issue of Guitar Player magazine), Kevin utilized an ES-335 during the recording of Third Eye Blind's second album, Blue.

According to this interview (transcribed from the February 2000 issue of Guitar Player magazine), Kevin utilized an ES-125 during the recording of Third Eye Blind's second album, Blue.

According to this interview (transcribed from the February 2000 issue of Guitar Player magazine), Kevin utilized a McCarty archtop during the recording of Third Eye Blind's second album, Blue.

According to this interview (transcribed from the February 2000 issue of Guitar Player magazine), Kevin utilized a '54 Goldtop during the recording of Third Eye Blind's second album, Blue.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Duo Tone during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Sabre extensively during the recording of Third Eye Blind's self-titled debut album.

In this image, we see Cadogan playing a Jet Firebird while performing live with Third Eye Blind.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Marshall JCM-800 during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized two Vox AC-30s during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a '69 Marshall Plexi during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Hot Rod DeVille 4x10" during the recording of "London" from Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a '59 Bassman during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a 5150 during the recording of "Losing a Whole Year" from Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 2000 issue of Guitar Player magazine), Kevin utilized two Mavericks during the recording of Third Eye Blind's second album, Blue.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Heartbreaker combo for live work around the time of the release of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 2000 issue of Guitar Player magazine), Kevin utilized an M15 during the recording of Third Eye Blind's second album, Blue.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Morley Switchless Wah during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Cry Baby during the recording of "Good For You" from Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Rotovibe (on the Uni-Vibe setting) during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized an RV-3 during the recording of Third Eye Blind's self-titled debut album, especially on "The Background."

According to this interview (transcribed from the February 2000 issue of Guitar One magazine), Kevin utilized a Seek Wah during the recording of Third Eye Blind's second album, Blue, on songs like "Camouflage" and "1,000 Julys."

According to this interview (transcribed from the February 2000 issue of Guitar Player magazine), Kevin utilized a Micro Vibe during the recording of Third Eye Blind's second album, Blue.