Kevin Cadogan

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized an RD extensively during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Rotovibe (on the Uni-Vibe setting) during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized an RV-3 during the recording of Third Eye Blind's self-titled debut album, especially on "The Background."

According to this interview (transcribed from the February 2000 issue of Guitar Player magazine), Kevin utilized a Phatman Zen during the recording of Third Eye Blind's second album, Blue.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Hot Rod DeVille 4x10" during the recording of "London" from Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Morley Switchless Wah during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 2000 issue of Guitar Player magazine), Kevin utilized a Micro Vibe during the recording of Third Eye Blind's second album, Blue.

According to this interview (transcribed from the February 2000 issue of Guitar Player magazine), Kevin utilized a Proctavia during the recording of Third Eye Blind's second album, Blue.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Sabre extensively during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a GX-700 for live work and touring to promote Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Casino during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Cry Baby during the recording of "Good For You" from Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 2000 issue of Guitar Player magazine), Kevin utilized a Fuzz Factory during the recording of Third Eye Blind's second album, Blue.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Heartbreaker combo for live work around the time of the release of Third Eye Blind's self-titled debut album.

Used in tandem with Cadogan’s Voodoo Lab Proctavia for the lead guitar sound on Blue, as reported by The Gear Page user jaredisburning in this October 7, 2010 forum post (erroneously stating it was used for Third Eye Blind, which predates the Creamy Dreamer) and as stated by Cadogan himself in this November 4, 2019 Twitter post.

The Gear Page, “I love my Creamy Dreamer” by jaredisburning (October 7, 2010)

I was actually introduced to this pedal in late 2004. My band was recording, and we were lucky enough to be produced by Kevin Cadogan (Third Eye Blind). He has been an avid CD user since the begining of the band. You can actually hear the pedal all over the first S/T 3EB record. Listening to him play his did more for my GAS than the whole Billy Corgan rumors ever did.

Here is some ear candy for you all so you can hear what I am talking about. This is the man himself teaching kids through youtube how to play "Walking with the wounded", He loops the chorus with a loop pedal, then clicks the Creamy Dreamer on around 3:22 for the solo.

[http://www.youtube.com/v/Vml4v3tuLmw?fs=1&hl=en_US] [[dead link; parallel here]]

Twitter, @KevinCadogan, November 4, 2019

[https://pbs.twimg.com/media/EIj72G8UEAAto7D?format=png&name=large]

Just rediscovered these two guys. My lead guitar sound on the #ThirdEyeBlind Blue album came from a combo of these two pedals. Used on tracks: #wounded #neverletyougo #tendayslate #camoflauge #darkness #thousandjulys #redsummersun #odetomaybe #anything

Kevin is depicted in this image playing one of his custom-made Mirages.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Marshall JCM-800 during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized two Vox AC-30s during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a '69 Marshall Plexi during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a '59 Bassman during the recording of Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a 5150 during the recording of "Losing a Whole Year" from Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Country Gentleman during the recording of "Semi-Charmed Life" from Third Eye Blind's self-titled debut album.

According to this interview (transcribed from the February 2000 issue of Guitar One magazine), Kevin utilized a Seek Wah during the recording of Third Eye Blind's second album, Blue, on songs like "Camouflage" and "1,000 Julys."

According to this interview (transcribed from the February 2000 issue of Guitar Player magazine), Kevin utilized a Starfire during the recording of Third Eye Blind's second album, Blue.

According to this interview (transcribed from the February 2000 issue of Guitar Player magazine), Kevin utilized an ES-335 during the recording of Third Eye Blind's second album, Blue.

According to this interview (transcribed from the February 2000 issue of Guitar Player magazine), Kevin utilized an ES-125 during the recording of Third Eye Blind's second album, Blue.

According to this interview (transcribed from the February 2000 issue of Guitar Player magazine), Kevin utilized a McCarty archtop during the recording of Third Eye Blind's second album, Blue.

According to this interview (transcribed from the February 2000 issue of Guitar Player magazine), Kevin utilized a '54 Goldtop during the recording of Third Eye Blind's second album, Blue.

According to this interview (transcribed from the February 2000 issue of Guitar Player magazine), Kevin utilized two Mavericks during the recording of Third Eye Blind's second album, Blue.

According to this interview (transcribed from the February 1998 issue of Guitar Player magazine), Kevin utilized a Duo Tone during the recording of Third Eye Blind's self-titled debut album.