DMX Krew

At 2:05 in this video, DMX working with the track on MPC 1000.

At the 0:20 mark on this 2017 video, while DMX Krew speaks about a Digital Delay pedal, in the back it can be spotted what appears to be an Analogue Systems RS-165 Signal Mixer.

This is a four-channel (!) MIDI sequencer with one MIDI in and two MIDI outs. People laugh when they see it but it was the bees knees in 1986 (Go West had two and so did Michael Jackson) and I've been using it so long that I can really work fast on it. My fingers go all blurry when I am quantising etc. It works, the timing is really solid, better than a computer, the small screen is crap but I like it. I bought it out of Loot in the early 90s and went round the guy's house in New Cross to pick it up, we ended up making a piano-rave track together which I've still got somewhere on tape. You don't get that with eBay!

On this 2017 video from FACT Magazine, Edward Upton shows us his studio. The Chroma Polaris can be spotted on the 0:09 mark.

On this 2017 video, Edward Upton shows us his studio. A Roland SH-101 can be first spotted at the 0:12 mark. Edward programs it later on the video.

On this 2017 video, Edward Upton shows us his studio. A Yamaha TX81Z can be spotted at the 0:13 mark.

On this 2017 video from FACT Magazine, Edward Upton shows us his recording studio. The Kurzweil K2000R V3 can be spotted at the 0:10 mark.

On this 2017 video, we can spot a Roland MPG-80 at the 0:10 mark, among Edward Upton's other studio equipment.

At the 0:15 mark on this video, Edward Upton (aka DMX Krew) talks about this digital delay.

On this 2017 interview, at the 0:20 mark, while Edward Upton speaks briefly about a Digital Delay Echo pedal, an Analogue Systems RS-60 Envelope Generator can be spotted on the back (orange knobs).

DMX shows his Pro-One at 0:48 in this video.

This is the Sequential Pro-One which is the... just got dirty pops.

In this video from 2017, Ed talks us through the Opal Rhythm Computer and in the demo references the Roland Alpha Juno 1 as a source of his drum samples. Seen at 00:52.

At the 0:20 mark on this 2017 video, while Edward Upton talks about the Rainger FX ECHO-FX Digital Delay pedal, an Analogue Systems RS-180 VCA can be spotted on the back.

On this 2017 video, on the 0:27 mark, DMX Krew demonstrates an echo pedal. A Roland PG-300 can be spotted right next to it.

A Roland TR-808 can be first spotted on this video at the 0:31 mark, while DMX Krew demonstrates the Rangier FX ECHO-X Digital Delay pedal.

On this 2017 video, at the 0:33 mark, a Doepfer A-155 Analog/Trigger Sequencer can be spotted. It occupies a great amount of space out of the top part of his modular system, which can be spotted throughout the video.

On this 2017 video, at the 0:37 second mark, a Doepfer A-156 Dual Quantizer can be spotted on the top part of Edward Upton's modular system, among other modules.

At the 0:37 mark of this 2017 video, a Doepfer A-180-2 can be spotted on the top part of DMX Krew's modular system.

MS10 appears in this video at 1:03, right of the Sequential Circuits Pro-One.

Appears at 0:48 in this video, below the Sequential Circuits Pro-One synthesizer.

DMX shows 606 with Roland TB-303 and Roland TR-808 at 2:22 in this video.

DMX shows TB-303 with Roland TR-606 and Roland TR-808 at 2:22 in this video.

In the youtube video of DMX Krew's studio tour with FACT Magazine, a Doepfer A-150-1 module can be seen in the top row of his modular synth, at 0:37.

In the youtube video of DMX Krew's studio tour with FACT Magazine, a Doepfer A-183-2 module can be seen at 0:38 in the top row of his modular synth, to the right of the A156 QNT module.

In the youtube video of DMX Krew's studio tour with FACT Magazine, a Doepfer A-132-1 module can be seen in the top row of his modular synth, at 0:45.

In the youtube video of DMX Krew's studio tour with FACT Magazine, an Analogue Systems RS-35 module can be seen in the top right corner of his modular synth, at 0:45.

In this youtube video of DMX Krew's studio tour with FACT magazine, an Ensoniq ESQ-1 is shown at 2:57.

In this youtube video of DMX Krew's studio tour with FACT magazine, a Roland JX-3P is shown standing on end at 2:46.

In this recorded podcast uploaded to youtube, Ed Upton of DMX Krew talks through the process of making a track using his studio equipment. He starts to talk about the Roland MKS-80 at 25:16.

"This is a synth called a Roland MKS-80 Super Jupiter - which is a rack mount from their very famous Jupiter range of synths. It sounds a little bit like a Jupiter 8 and a little bit like a Jupiter 6, but not exactly like either of them. It's got quite an aggressive, almost digital sound for an analogue synth. And er, It's the only polyphonic analogue synth I own, which means it's the only one you can play chords on. I've got digital stuff you can play chords on, but this is the only old school analogue job. And I feel like making some kind of thin sawtooth sound to play some chords on, so let's have a little play. I've got a programmer attached to it, which is also made by Roland, which let's you programme it very simply using sliders."