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At 12:08 in the Sound On Sound magazine video titled "AR Rahman & Firdaus Studios: A Scoring Stage For The 21st Century," an Apple Magic Keyboard with Numeric Keypad (Space Grey) can be seen on A.R. Rahman’s mixing desk at Firdaus Studio.

In the video titled "AR Rahman & Firdaus Studios: A Scoring Stage For The 21st Century" by Sound On Sound magazine, a Digital Audio Denmark (DAD) MOM Monitor Operating Module is visible at the center of the mixing desk in A.R. Rahman's Firdaus Studio at the 12:08 mark.

In the video titled "AR Rahman & Firdaus Studios: A Scoring Stage For The 21st Century" by Sound On Sound magazine, at timestamp 12:07, a pair of Genelec 8020D two-way active powered nearfield studio monitors can be seen placed on stands behind the mixing desk in A.R. Rahman's Firdaus Studio.

At 12:07 in the video titled "AR Rahman & Firdaus Studios: A Scoring Stage For The 21st Century," produced by Sound On Sound magazine, A.R. Rahman is shown using a pair of Auratone 5C Super Sound Cubes, which are visibly placed on stands behind the mixing desk in his Firdaus Studio.

In the video titled "AR Rahman & Firdaus Studios: A Scoring Stage For The 21st Century," produced by Sound On Sound magazine, a Zildjian 34" Traditional Gong can be seen at 9:26 near the drum kit in the hall room of A.R. Rahman’s Firdaus Studio, confirming its use by the artist.

At 16:01 of the video titled "AR Rahman & Firdaus Studios: A Scoring Stage For The 21st Century" by Sound On Sound magazine, Firdaus Studios' head Aditya Modi states that the Avid S6 is integrated alongside the Rupert Neve Designs 5088 into the mixing desk and also digitally controls the Rupert Neve Designs 5088, confirming A.R. Rahman's use of the Avid S6.

In the Sound On Sound magazine's video, "AR Rahman & Firdaus Studios: A Scoring Stage For The 21st Century," we can see a couple of Genelec S360 SAM™ Studio Monitors in the studio behind AR Rahman's mixing desk. At 2:05, three of these monitors are visible mounted on stands behind the mixing desk. Additionally, at 15:11, Firdaus Studios' head, Aditya Modi, describes how the Dolby Atmos 7.1.4 system utilizes these Genelec studio monitors throughout the studio's control room.

At 12:14 in the Sound On Sound magazine video titled "AR Rahman & Firdaus Studios: A Scoring Stage For The 21st Century," a Rupert Neve Designs 5088 analog mixing console is clearly visible as part of the mixing desk at A.R. Rahman's Firdaus Studio.

In a video by Sound On Sound magazine titled "AR Rahman & Firdaus Studios: A Scoring Stage For The 21st Century," A.R. Rahman mentions at 8:54 that he carried a Yamaha TX81Z sound module in a rack case during his writing sessions abroad. This statement, captured in the video, confirms his use of the Yamaha TX802 as part of his musical gear.

At 8:50 of the video titled "AR Rahman & Firdaus Studios: A Scoring Stage For The 21st Century," A.R. Rahman states that he used a Yamaha TX81Z sound module, which he carried in a rack case for his writing sessions abroad. This information is provided by Sound On Sound magazine on YouTube.

In a video interview by Sound On Sound magazine titled "AR Rahman & Firdaus Studios: A Scoring Stage For The 21st Century," A.R. Rahman states at 7:46 that he purchased a Korg MicroKORG Synthesizer/Vocoder during the early phase of his career, predominantly in the mid-1980s.

At 7:39 in the video titled "AR Rahman & Firdaus Studios: A Scoring Stage For The 21st Century," A.R. Rahman mentions that he purchased a Roland MC-500 Micro Composer during the early years of his professional career, as documented by Sound On Sound magazine.

In a video by Sound On Sound magazine, at 7:39, A.R. Rahman states that he purchased a Roland S-50 sampler during the early years of his professional career.

In the video titled "AR Rahman & Firdaus Studios: A Scoring Stage For The 21st Century," published by Sound On Sound magazine, A.R. Rahman discusses the Yamaha C1 Music Computer at 6:44, describing it as a life-changing purchase he made in 1985.

In the video titled "AR Rahman & Firdaus Studios: A Scoring Stage For The 21st Century," produced by Sound On Sound magazine, A.R. Rahman confirms at 6:20 that he uses Avid Pro Tools as his DAW for music production.

In the video titled "AR Rahman & Firdaus Studios: A Scoring Stage For The 21st Century," produced by Sound On Sound magazine, A.R. Rahman mentions at 4:41 that he used a Tascam 244 Portastudio 4-track cassette recorder in his home studio before acquiring a Fostex E16 multitrack recorder.

In the video "AR Rahman & Firdaus Studios: A Scoring Stage for the 21st Century," produced by Sound On Sound magazine, A.R. Rahman mentions at 4:36 that he possesses a Fostex E-16 multitrack recorder in his home studio.

In the video by Sound On Sound magazine titled "Oak Felder - Recording Demi Lovato's 'Sorry Not Sorry'," Oak Felder is observed using Antares Auto-Tune Pro at the 28:59 mark, as he demonstrates its application in his track.

In the video "Oak Felder - Recording Demi Lovato's 'Sorry Not Sorry'" by Sound On Sound magazine, at the 0:22 mark, a Moog Minimoog Voyager monophonic synthesizer can be seen positioned behind music producer Oak Felder, situated below the Moog Grandmother.

Erika Kirk is confirmed to be using the Electro-Voice RE20 microphone, as seen in the YouTube video titled "A Message From Erika Kirk," on the Charlie Kirk YouTube channel.