the Yamaha TX802 is listed in this blog

In 90s Keyboard interview: "We sat and messed around with a Yamaha TX802, four tracks of Pro Tools running Studio Vision, a couple of keyboards, and a DAT machine, and it became a challenge of, "How can we arrange this music with these limitations?" It was one mic in a room, and if there were background vocals it was me yelling from the other side of the room, and mixing everything destructively"

From Mat Zo's Instagram stories, he shows his Yamaha TX802 and says:

I got a DX7 in a rack

According to this article, Moby used the Yamaha TX802 during the recording of 'Play'.

In a video by Sound On Sound magazine titled "AR Rahman & Firdaus Studios: A Scoring Stage For The 21st Century," A.R. Rahman mentions at 8:54 that he carried a Yamaha TX81Z sound module in a rack case during his writing sessions abroad. This statement, captured in the video, confirms his use of the Yamaha TX802 as part of his musical gear.

In the YouTube video "Tom Holkenborg (aka Junkie XL) - Warren Huart: Produce Like A Pro," Junkie XL's Yamaha TX802 is visible at the bottom of his equipment rack.

When I joined, the keyboards consisted of 3 Farfisa Mini-Compact organs. That was it.

Over the years of my involvement, the Ensemble went through a series of migrations to new hardware. The first was the replacement of one of the Farfisas by a Yamaha YC45-D dual manual electric organ, a wonderful machine with touch sensitivity and adjustable percussive attack. After that, we added an Arp Explorer synthesizer. Next came a Sequential Circuits Prophet 5, then an Oberheim OBXa, then a Yamaha Dx7 (one of the first in the US, hand-carried back from a tour in Japan), then an Emulator I sampler (serial #002), then a Roland Juno-106 and a Roland JX3P, and an Emulator II sampler, and then, as we adopted MIDI controllers and rack modules, a Roland Super Jupiter, a Yamaha TX-816 rack and a Yamaha TX802, several Oberheim Matrix-6R. and a number of Akai S-900 samplers, later replaced with Digidesign Samplecell I cards running on Mac IIs.

In this YouTube video at 3:08, the Yamaha TX802 is in the rack between the Roland S-760 and the Eventide Orville.

Although boasting a lush sound, the album was recorded largely at Paul's Rhythm Ranch studio on a single tascam 16-track with a Studiomaster desk. Synths used include: Roland D-50, Akai S1000 and S3000, Kork M1R, Waldorf Microwave, Roland Super Jupiter module, Oberheim Matrix 1000, Yamaha TX802, Minimoog, MIDIMoog, Oberheim Two-Voice, Roland Jupiter 8 and SH-101.

"???????????????802??????????????????????????????????(?)" Rough translation: "Long time no see, ancient history! The 802 is very goood! It's awesoome! I also have it, but it's not easy to turn on (LOL)"

Mike Lindup mentioned using the Yamaha TX802 in a YouTube comment two months ago, as shown in the user-uploaded photo on Polynominal.

Moving on, a rack of modules provides a fair range of sounds to back up the Synclavier. One of the newest additions is an Emu Procussion, below which are a Roland MKS70, MIDIMoog ("it still goes out of tune; I was told it wouldn't"), Oberheim Matrix 6R, Korg DVP1, a slot for a Yamaha G10 guitar controller unit ("great with the TX802"), Roland D110, Roland P330, Yamaha TX81Z ("great for little clavs and so on"), and a Roland Planet P ("actually, I don't think I even turn that on any more").