creepingnet's Live Rig

creepingnet

creepingnet

Gear IQ 2937

Live Rig by creepingnet featuring Fender Jag-Stang Electric Guitar, Kramer KS-400, and Fender American Standard Stratocaster and 3 more pieces of gear

2001 - Live with Lithium at Pratt Park. First show outside of High School I ever played. We played to ONE guy at the park on his birthday.

Gear in this photo

This rig

~$2,173

Value by category

  • Guitars 87.4%
  • Amplifiers 10.1%
  • Effects Pedals 2.5%

Price mix

4

A wide range of price points

2 Budget
1 Standard
1 High-end

Solid Body Electric Guitars

Fender Jag-Stang Electric Guitar

Avg price: $1,100.00

My #1 goto Guitar of over 17 years........

The Fender Jag-Stang in it's stock form is a decent enough guitar, but I play one with EMG pickups in it that I got on my 17th birthday that has been my favorite "go-to" ever since, and she's got the scars to show for it.

In it's stock Format, the Jag-Stang is a quality instrument built from Fujigen Gakki (1995-1997) or Dyna Gakki (1997-2001, 2003-2006) in Japan for Fender Japan. Despite being a "unfinished" design as the second prototype was to go to designer and Nirvana frontman Kurt Cobain the day he died that fateful day in 1994, it's surprisingly great. It's only real shortcomings only being the bridge pickup which is a bit anemic at 7.4-8.2K ohms on the earlier models (which had a DiMarzio sourced H3 or H8 humbucker) - the later Alder bodied variants featured a Fender Santa Ana humbucker that addressed all these tonal issues. In my case, the previous owner replaced the original pickups with an EMG SA in the neck, and an EMG 81 in the bridge sometime about 1998 per date code on the pickups (my Jag-Stang is a 1995 1st run model with the 60th Anniversary and "Designed by Kurt Cobain" stickers on the back of the headstock, confirmed by body and neck build dates).

The early Jag-Stangs were made of basswood, which tends to absorb extreme highs and mids a bit, making it a much woolier guitar. Playing an alder model gave a more balanced response due to a thicker wood density. This also affects finish durability - my 95' is a literal relic, dents, dings, scratches everywhere, all of them from 17 years of hard gigging and studio work. It does not help that the paint on these, particularly the early ones, was just one giant thick glopping coat of sonic blue or Fiesta Red.

Now to one of my favorite features, the vibrato. The Fender Dynamic Vibrato is one of my favorite units of all time. It's smooth, like a Kahler, but I don't need to drag an entire pile of hex keys with me to tune, or make small adjustments. It's also more economically sound than a Floyd Rose because replacment parts are cheap, and I burn through things like pivot points and knife edges a LOT less as fast as I do on my Floyd Rose guitars. I can whammy all day on this thing and it never goes out of tune.

However, in 17 years, I have made some mods and improvements. The EMG Pickups in this thing sound amazing - TBH, I've only ever played one out of the hundreds of guitars I've played that matched the Jag-Stang with that particular set of pickups, and it was a Fender Prodigy. I added a Pi2 Phase inverter preamp to allow me to still get the out-of-phase sounds the Jag-Stang is somewhat known for having (but minus the volume loss), added tone recovery cap brought to an extreme, giving me more tonal versitiliy, no-load tone control. All of these turned the Jag-Stang from a great "grunge" guitar into a Pensa Suhr terrifying, Tom Anderson scaring tonal chameleon. It makes an EXCELLENT platform for hopped up circuitry once you figure out how those 3-way switches work. Also, my modification improved on the pickup selection on-the-fly because I designated one switch to pickup selection and the other to tonal edits.

17 years of everyday hour or more play on this thing and of course I had to replace some parts. I had to replace the tuners in 2006 because the originals wore plum out from all the tuning changes I do, CGDGBE, Drop-D, whole step down, 1/2 step down, and back again a lot. The Ping sourced Kluson copies are just not up to the task for a lifetime, I ultimately got a set of proper fitting Kluson Revolutions on there and had my split shaft sealed gear cake and eat it too.

Another thing is that Cobain bumped into the perfect combination of size and shape on this by accident (with help of Fender Custom Shop luthier Larry Brooks) - the result is a guitar that looks a little odd at first glance but is extremely comfortable despite not having contours, and the way the shape sits makes it not look stupid on hulky tall guys like me - like I've been told Mustangs tend to do to me.

Basically put, the Jag-Stang is a well balanced (especially the later stock models), fast playing, great sounding guitar with a few quirks that are easily ironed out. Sure some might want to ride the Nirvana legacy to death, but after picking up a pre-modded version, I felt like taking the Jag-Stang into it's own place, which it also can do just as well as any Strat or Telecaster.

Category needed

Combo Guitar Amplifiers

Peavey Special 130

Avg price: $220.00

Multi Effects Pedals

Boss ME-6 (early 1990's)

Avg price: $53.62

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About this setup

This gear photo by creepingnet features 6 pieces of gear, including Fender Jag-Stang Electric Guitar, Kramer KS-400, and Fender American Standard Stratocaster. The setup spans Guitars, Amplifiers, and Effects Pedals, with a wide range of price points. Artists with this kind of gear are most often found in the Rock, Pop, and Alternative rock scenes. Notable artists with overlapping gear include Frank Iero, Nomakills, and Nomakills official.

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