jimmarchi1's Fender Amp Rig
more guitars and the one that got away, super clean 65 bandmaster with factory upgrade jensen c12ps speakers. I miss the gretsch and special sometimes too. But not usually, in these days of smart phone RFI, those huge alnico single coilpickups are giant antennas.
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Gear in this photo
This rig
~$7,757
Value by category
- Guitars 71.3%
- Other Gear 19.7%
- Amplifiers 9.0%
Price mix
Mix of high-end and standard
Fender Jimmie Vaughan Tex-Mex™ Stratocaster®
Avg price: $1,168.56
Bang for the buck.
The story goes that Jimmy Vaughan wanted a signature strat based on his 50s model that was cheaply made so he wouldn't be afraid to wreck them on tour with the Fabulous Thunderbirds. Enter Fender Mexico.
This stratomicastro-thingy has a 50s style soft V neck with a maple board and skunk stripe but a convenient headstock-adjusting truss rod. The 1 ply pickguard is period correct. the texmex pickups sound pretty good stock. The guitar sports an AVRI bridge and cold rolled steel sustain block. The pots are good quality CTS 250Ks and the tone cap is a good quality chicklet type. The wiring incorporates JV's own simple mod of putting the 2nd tone control on the bridge rather than the middle pickup. I much prefer this wiring scheme and since getting this guitar always make this switch on strats. These guitars are slathered in thick layers of polyester paint which probably masks some tone, but what do you want for the kinda scratch these go for?
Mine has been modded and hacked up so many times over the 10+ years since I bought her used for 250-odd bucks at Dadddy's Junky Music in New Britain CT. I also had a real tendency to throw this guitar off the stage if I broke a string and it survived admirably apart from 2 small heel cracks that were easy to manage. The finish has seen better days.
Currently mine is taken apart. I have a custom celluloid tort shell pickguard sitting around that's based on the GFS brian may pickguard kit. Mine has a straight bridge pickup. Its half-wired right now as I keep losing interest in doing the soldering required to put it all together.
When done it will have my own proprietary hum-cancelling system (I love inventing shit, go science!), 2 Angeltone prototype pickups (A2 stagger poles neck, A5 flat poles bridge) and 1 GFS Brighton Rock bridge pickup, a brass sustain block (just to try out, I may switch back), 3 on-off switches, 3 phase switches and 2 push-push pots to switch the mid and bridge pickups between series and parallel wiring. its a cool scheme, but I am a bum sometimes. Instead of working on the wiring I am typing this review and listening to records.
I did up a prototype of this wiring that was great but I also had left spots with alligator clips and stuff to work on fine tuning my noise cancelling design... so I have to rebuild the thing on the new pickguard to accommodate my finished hum-canceller circuit. I also have a pair of really awesome looking black bakelite knobs w/aluminum metal top inserts for the master volume and tone. Its going to be a very retro guitar with its peeling Olympic white finish and Queen-meets-JackWhite appointments.
This guitar is usually referred to as Strato-Castro. Just because it sounds funny... Cuba libre, bendejos!
Fender 'Black Panel' Bandmaster (1963-1967)
Avg price: $700.00
country crunch
I owned a mid 60s bandmaster with the matching small box 2x12 cab. This was without a doubt the best sounding piggyback fender I've owned for Americana type music. It had THAT SOUND from so many 60s recordings of every style... wonderful edge of breakup tones. You can bridge the channels on these because both channels are in-phase with the trem disengaged... the amp had what one friend called 'cowboy crunch' when bridged and pushed hard. I sadly was forced to sell this amp on short notice to sam ash because my wife needed a couple grand in emergency dental work :-( I got great money for it versus the $800 I paid for the whole rig, but I've enver seen one this clean that sounded this good since... even the beaters don't sound like mine. Last I checked it was still owned by sam ash, so if I ever have a couple grand burning a hole in my pocket I'll meet their asking price. A lot of people are down on this amp versus the bassman because the smaller output transformer gives it a weaker sound and less headroom (by their standards) but I found it to have just the right amount of grit to the tone and the tightest bass of any large fender I've played aside from the tremolux heads. No boominess at all. Very much a giant deluxe reverb without reverb... not all blackface bandmasters are created equal though. mine sounded really good.
Avg price: $1,615.38
Fender Classic Series 50's Esquire
Avg price: $849.00
Category needed
Avg price: $1,525.00
Avg price: $1,899.00
About this setup
This gear photo by jimmarchi1 features 6 pieces of gear, including Fender Jimmie Vaughan Tex-Mex™ Stratocaster®, Fender 'Black Panel' Bandmaster (1963-1967), and Gibson Les Paul Special. The setup spans Guitars, Other Gear, and Amplifiers, with a mix of high-end and standard pieces. Artists with this kind of gear are most often found in the Rock, Pop, and Alternative rock scenes. Notable artists with overlapping gear include Joe Satriani.
Man, that Tele/Esquire?Broadcaster is pretty damn hot...
I still have that, its an esquire RI with a custom lapsteel pickup by angeltone and its incredibly meaty. Does the Keef tone in 5 string open G through a twin and handles jeff beck tones from the yardbirds no problem :-)