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Antares Filter

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Page last updated Feb 06, 2026

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Description

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Unlock new dimensions in your music with the Antares Filter, a dynamic plugin designed to transform your tracks with breathtaking precision and creativity. At its heart lie four stereo multimode filters that deliver the warmth and character of classic analog gear, offering lowpass, highpass, bandpass, and notch modes. Whether you're crafting subtle nuances or explosive effects, the Antares Filter provides the tools to inject vibrant life into your soundscapes.

The plugin’s modulation capabilities are truly remarkable, giving you a playground of possibilities that rival even some synthesizers. Equipped with four multi-shape LFOs, four envelope generators, and a powerful modulation matrix, the Antares Filter lets you twist and turn your audio in imaginative ways. The addition of two rhythm generators allows for the creation of intricate, tempo-synced patterns, ideal for loop-based grooves or complex polyrhythms.

Designed for both creative freedom and intuitive use, every time-based parameter, from delay times to envelope rates, can be locked to the internal master tempo or synced with your host's MIDI clock. This ensures your tracks maintain rhythmic precision while flowing with rich, animated textures. With its clean and user-friendly interface, the Antares Filter stands as a must-have tool for producers looking to expand their sonic palette.

Key Features:

Four stereo multimode filters with analog warmth
Lowpass, highpass, bandpass, and notch modes
Variable slope from 12dB/oct to 48dB/oct
Four independent delay sections
Comprehensive filter routing options
Four envelope generators with customizable parameters
Four multi-shape LFOs for dynamic modulation
Two drum-machine style rhythm generators
Extensive MIDI control options
All time-based parameters can sync to internal or MIDI clock
Intuitive and engaging user interface

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Artist usage

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Harry Gregson-Williams

Composer, Music Producer

Kind Heaven Orchestra

Verified via Soundonsound

Harry Gregson-Williams's LA studio complex, Wavecrest Music, commenced operations in Venice Beach in August 2003, and comprises three floors of editing suites, mix rooms and a live room, as well as Harry's own studio on the top level. This houses the following gear:

Sequencing and digital audio

*Steinberg Cubase SX and Ableton Live running on dual 3.6GHz Xeon server with 4GB RAM, two RME HD*SP 9652 soundcards, 75GB mirrored SATA system drives and 400GB mirrored SATA audio/sample storage drives. MIDI is streamed over LAN to Gigastudio PCs, and an Emagic Unitor 8 and AMT8 are used for hardware synths. *Pro Tools HD Accel system running on dual 2GHz Apple G5, with one 192 Analog and seven 192 Digital interfaces.

Samplers

*14x Emu E4X. *24x Roland S760. *7x 3.0GHz Pentium 4 PCs with 80GB SATA system drives, RME HDSP 9652 soundcards and 250GB SATA sound drives with custom and commercial sound libraries, running Tascam Gigastudio 3.

Software synths and plug-ins

*Arturia ARP 2600, Minimoog V and CS80. *Antares Filter and Auto-Tune. *Applied Acoustics Lounge Lizard. *Gmedia Imposcar and Oddity. *GRM Tools. *Korg Legacy Collection. *Native Instruments Absynth 3, Battery 2, FM7, Kontakt 2, Pro 53, Reaktor 4. *Ohm Force Ohm Boyz. *Spectrasonics Stylus RMX, Atmosphere and Trilogy. *Steinberg D'Cota, X-Phraze, Virtual Guitarist, VG Electric Edition, Groove Agent and Halion.

Hardware synths

*Access Virus, Indigo 2 and Redback. *Clavia Nord Rack, Nord 3 KB and Nord Modular. *Korg Trinity Pro X, Wavestation A/D and M1R. *Novation Supernova II Pro. *Roland JP8080, JD990, JV1080 and MKS80. *Studio Electronics SE1, ATC1 and Omega 8. *Waldorf Q, Microwave II, Microwave XT and Pulse.

Recording, mixing & outboard

*Avalon 727 preamp. *Eventide DSP4000 effects. *Lexicon PCM80 and 90 reverbs. *Quested HQ108 speakers in 5.1 setup. *5x Yamaha 02R digital mixers.