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Description
Transform your recording space with the Acoustic Sciences Corporation's Quick Sound Field, better known as Studio Traps. These innovative acoustical treatments are designed to refine sound quality in any studio environment, bridging the gap between professional acoustics and practical setup. Whether you're a seasoned producer or a budding musician, Studio Traps offer an adaptive solution for superior audio clarity and control.
Each Studio Trap combines absorption, diffusion, and bass trapping capabilities. This trifecta ensures that your recordings are free from unwanted reflections and acoustic anomalies. The cylindrical design provides a unique advantage, with the ability to modulate between a live or a more absorptive sound simply by rotating the trap. This versatility allows you to customize your sound environment effortlessly, tailoring it to your specific recording needs.
Studio Traps are known for their portability, enabling easy repositioning for dynamic studio setups. They are perfect for both temporary and permanent installations, making them a favorite among professionals and hobbyists alike. Their ability to enhance low-frequency response while maintaining mid and high-frequency clarity is what sets them apart from traditional acoustic panels.
Key Features:
- Combines absorption, diffusion, and bass trapping
- Rotatable design for adjustable acoustic properties
- Enhances low-frequency response and maintains clarity
- Portable and easy to reposition
- Suitable for both temporary and permanent studio setups
Videos
ASC TubeTrap
Brian Vibberts uses ASC Studio Traps to Record Grammy Winning Music -- Part One
Reviews
Critic Reviews
5.0 out of 5
Based on 1 Review and 1 Rating
1822
The Best Studio Acoustic Soundfield Available
Nothing better! Has to be HEARD to be Believed
Artist usage
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Michael Jackson utilized the Acoustic Sciences Corporation's Quick Sound Field (Studio Traps) to enhance his studio acoustics, as detailed by Art Noxon of Acoustic Sciences Corporation.
When Jennifer Lopez decided to move on from Dancing (Janet Jackson) & Acting to become a World Famous SINGER she demanded the most sought after Engineer in the Business to Deliver her Sound: Maestro Bruce Swedien (Quincy Jones, Michael Jackson, Paul McCartney, Barbra Streisand, Nat King Cole, Count Bassie, Duke Ellington)
This is the Main ACOUSTIC SYSTEM used on all of Bruce Swedien's work with Jennifer Lopez
Bruce Swedien was Head Engineer on several of her Landmark Albums including: "This Is Me...Then" (Jenny from The Block etc) "Rebirth" "Como Ama una Mujer" her Spanish Language Album "Brave" (Bruce Swedien Mixing only)
The majority of This Is Me... Then was recorded over two weeks.[15] Lopez was drawn to the "contagious" melodies of Michael Jackson's album Off the Wall (1979), which led her to summon the record's mixer and engineer, Bruce Swedien, to work on This Is Me... Then. Lopez felt that Jackson's "clear and spacious" records made her feel a "certain way". She said, "It has such a beautiful quality on it, and every time I looked at a record [I liked], it would be engineered and mixed by Bruce Swedien. I was like, 'Who is this guy? I want this guy.' So I tracked him down and he was like, 'I want to do something with her. I know exactly what she needs. I'm coming in.' And it made a huge difference." - https://en.wikipedia.org/wiki/This_Is_Me..._Then
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Acoustic Sciences Corporation - Quick Sound Field (Studio Traps), it is most commonly used with the following gear.
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wanya7Gear IQ 1822
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