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The Hammertone™ Reverb delivers three classic reverb effects – Hall, Room and Plate – in a compact stomp that will integrate seamlessly into your rig. Powerful damping control and tone switch offer supreme flexibility, while the Fender-designed on-board reverb tones are perfect for subtle to extreme ambience.

Warm, analog-style saturation and gorgeous ‘tape’ warble combine to make the Hammertone™ Space Delay a perfect companion for any ambience-inclined soundscapist. From subtle and natural repeats to awesomely oscillating waves of tone, the Space Delay delivers everything you need to create your next atmospheric masterpiece. Analog Dry-Through keeps your tone pure when the effect is on, while the pedal board-friendly top-mounted in & out jacks and true bypass footswitch mean it will integrate seamlessly into your rig.

Glassy, shimmering, and bubbly– the Hammertone™ Chorus is a simple and powerful modulation device designed to deliver pristine choral sweeps. Pedal board-friendly top-mounted in & out jacks and true bypass footswitch mean it will integrate seamlessly into your rig.

Toss the Fender Hammertone Delay pedal on your board, and you'll instantly add some dimension to your sound. From commanding lead guitar runs to layering intricate rhythmic elements over your loops, there’s so much to discover. Fender’s given the Hammertone Delay up to 950ms of the clearest delay you can dream up, with a handful of shaping controls on deck, including Modulation and Delay Type — that’s three delays in one! Add in your preferred dose of Time, Feedback, and Level to construct a delay that melds perfectly into a custom intensity for your genre and sound. Pedal fanatics here at Sweetwater especially appreciate the Analog Dry-Through technology and true bypass functionality that this delay pedal provides, affording you the peace of mind of tone preservation and effortless compatibility with your existing setup. And like all effects in Fender’s Hammertone Series, the budget-friendly appeal of this pedal ensures a phenomenal degree of fun for all players looking to expand their boards!

The Moon’s massive sound is achieved with a quad op amp delivering four stages of gain and fuzz. This circuit has its roots in our popular Dark Side pedal. In that design we tailored the tone and gain of the pedal to be a vintage sounding fuzz for lead work. We wanted to go 180 degrees in the other direction with the Moon’s tone. We set out to achieve infinite sounding dreamy deep fuzz. This is a punishingly heavy op amp fuzz designed to extend your guitar or bass frequencies as low as possible. This also means that your lead tones are as harmonically as rich as possible. So thick is the fuzz that your notes will rise and peak into brilliant feedback. Keeley’s most lunar sounding pedal: Moon Op Amp Fuzz.

Boutique styling and classic sound come together in the 59 Port Thinline. The mahogany body features a highly-figured spalted maple top, and accented by rich cream binding. The offset sound hole and side port create an open resonant tone, while still providing the rich sustain of a solid body instrument. The semi-hollow construction keeps the overall weight of the instrument low and the modern "C" neck profile makes it easy to play all day. Both the neck and fingerboard are made from eye-catching roasted flame maple. Equipped with two Rockfield P90 pickups, the 59 Port Thinline has a variety of sought-after tones for every player. These pickups sound great playing clean chords but also offer an aggressive bite when paired with overdrive. The electronics feature a three-way toggle switch to select the bridge pickup, neck pickup or both at the same time as well as a Volume and Tone knob.

The PRS SE A40E pairs Ovangkol back and sides with a solid spruce top for full, lush tone. When matched with PRS hybrid“X”/Classical bracing, which allows the top to freely vibrate, the SE A40E’s voice projects with breathtaking volume and delicate nuance. The Angelus Cutaway body shape delivers comfort and playability, well suited for picking and fingerstyle playing. Plugged in, the Fishman GT1 pick up system delivers dynamic, organic tone and allows players to easily take this guitar from rehearsal to the stage. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls. Additional high-quality features include a solid spruce top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. Ships with a high-quality hardshell case.

The PRS SE T40E pairs ovangkol back and sides with a solid spruce top for full, lush tone. When matched with PRS hybrid“X”/Classical bracing, which allows the top to freely vibrate, the SE T40E’s voice projects with breathtaking volume and delicate nuance. The Tonare Grand body shape delivers a familiar feel and a thunderous tone, well suited for picking and fingerstyle playing. Plugged in, the Fishman GT1 pick up system delivers dynamic, organic tone and allows players to easily take this guitar from rehearsal to the stage. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy- to-access volume and tone controls. Additional high-quality features include a solid spruce top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. Ships with a high-quality hardshell case.

The Mesa Subway D-350 is the ultra-compact champ in MESA’s Subway Bass Series and, at only 3 pounds 2 ounces, represents the smallest, lightest bass amp in MESA history! While ultra-portable, it still packs a powerful punch with 350 watts of Class D power – All from a simple, intuitive feature set that provides all the tone-shaping tools you need and nothing you don’t to deliver the tone, feel, and response that has made the Subway Series our most popular to date.

The Wampler Metaverse multi delay pedal is a truly-do-it-all echo box, seamlessly merging the power and versatility of a workstation-type pedal with the simplicity of a traditional delay stompbox! Each of the Metaverse’s 11 modes was personally curated by Brian Wampler to replicate some of his all-time favorite delays, from pristine digital tones to flanged-out modulated echoes. Despite the Metaverse’s vast range of tones and settings, its knob-per-function controls and lack of menu diving provide an incredibly intuitive workflow. What’s more, full MIDI functionality offers enhanced control over your settings, and you can even control the Metaverse’s parameters with an outboard expression pedal for wild real-time improvisation. Finally, eight built-in presets allow you to save your favorite sounds, with 128 total presets available via MIDI for musicians with a serious penchant for sonic experimentation!

The new KX508 Multi Scale II features the highly regarded Fishman® Fluence Modern pickups to provide a variety of great sounds for the modern rock player. The acclaimed Fishman® Fluence pickups provide the best of both active and passive worlds in terms of sound and feel. Whether it's brutal modern metal distortion or sweet clean vintage-like tones, the Fluence Modern pickups offer versatility as well as superb guitar tones for days.

Star Eater is an all-analog, dual footswitch super-jumbo Fuzz with a footswitchable booster and variable filter stage, allowing players to easily sculpt a massive array of inspiring, unique fuzz tones. On the fuzz side, newly-available, precision-matched transistor pairs are utilized to ensure that each and every unit is perfectly dialed in to “the sweet spot” that can be so elusive to find in vintage pedals. A rocker switch provides your choice of Germanium or Silicon color. Downstream from the fuzz, a powerful booster stage drives the filter in the Star Eater. Scoop and Bump voicings for the filter can be selected via a rocker switch, drastically changing the frequency response of the Sweep control throughout its entire range. Built to last and designed to inspire, the Star Eater brings a unique approach and a new standard of performance to the world of boutique fuzz pedals. Runs on standard 9VDC.

There are many excellent, functional MIDI tools and devices (DAWs, controllers, sequencers, keyboards, drum pads, etc.) and as many fantastic Eurorack modules. Poly 2 seamlessly connects these worlds thanks to its multiple inputs and outputs and loads of configurable parameters. Connect your computer, smartphone to its USB port; your class compliant MIDI controllers via USB Host, and all the other device via the MIDI jack port. A whole array of analogue outputs give you the versatility to hook up loads of different types of modules. Easily adjust every setting you need thanks to the OLED screen with a straightforward menu system. Set, save and recall your the parameters with a click of an encoder.

LilʼWave is the little brother of our SOLD OUT “The Wave – True Analog Multichorus” rack effect.

It takes one of the three original delay lines with two settings of RATE, INTENSITY and MIX. L.W. is an 100% analog mono chorus, it is for sure the deepest and richest sounding chorus pedal available. Weʼre on zero compromise on it, no digital simulation, no DSP, a pure 100% vintage and lush tone that is quite unique.

– Side 1 is where your vibrato sound is. Faster and deeper LFO than Side 2, with an unique approch. This side is also perfect with lower MIX setting for distorted sound. – Side 2 is the classic evergreen “ʼ80s L.A. sound”. In “CLASSIC” mode the sound is fat, rich, and deep. “TSC” mode is where the magic happens. Instant ‘80s ballad presetted tone here, screeming of Mike, Dann and of course Luke. A truly unique journey between the Los Angeles golden era of session players.

Thereʼs no pedal in the market right now capable of this enormous sound quality and richness without any muddy or “over modulated” sound.

Octobans are one of TAMA's first original instruments and have been used by a diverse group of progressive players including Billy Cobham, Simon Phillips, Stewart Copeland, Bill Bruford, Mike Portnoy, and Tim Alexander. Instead of relying on changing drum diameters, the pitch of each Octoban differs according the length of the drum's shell. The 6" diameter shells can be tuned melodically and are available in low-and high-pitch sets.

Don't think for a moment that the Mini Rectifier® is a trendy down-line toy or marketing-derived imitation of our mighty Recto®. This is the real deal… in every way a high-end, hand made all-tube amplifier. "Laugh. Love. Live. Learn." Devin Townsend's backstage Mini Rec/Mini Recto cab rig. Lurking within this expensive metal chassis, lies one of our most expressive and nuance-enhancing circuits to date and it creates an exciting, adrenaline-producing Tone machine… one of the most fun to play in the entire MESA® collection. Like its original two channel forefathers, this Recto® keeps things straight ahead and easy to navigate. This generation features two footswitchable Channels that each contain two Modes and while it looks basic and drives easy, a world of stylistic versatility lives within these two simple rows of controls.

RackBrute 3U is a comprehensive Eurorack housing, transport, and protection solution. Featuring configurable positions, dependable power supply, and maximum practicality, you can be assured your precious modules will be well guarded. Modular gear is a precious commodity, and you need a versatile housing and security system to accommodate them. A first glance, you’ll see that this is a perfectly fitted 3U, 88 HP case made of a light but strong aluminum chassis, fitted with wood side panels. Deceptively simple, RackBrute is far more than a simple box. It includes many smart additions, such as the included +12V / -12V / +5V power supply that ensures that keeps everything up and running, and the multi-position handle system that not only lets you carry your collection with ease, but also lets you deploy an optimal operating angle, whatever your preference. In addition to keeping your modules safe and secure, RackBrute 3U gives you total control of the situation, no matter the context. The first of its secret weapons is the Link fastening system. Paired with the included handle, it will let you choose one of several configurations and orientations for your modular arsenal. Whether you want your gear stealthy and prone, or standing to attention, RackBrute is at your command. The second trick up its sleeve is the stalwart, ever-reliable, power supply module. Including two independent circuits to supply common modular voltages, it will more than cover your need for +12V, -12V and +5V, providing up to 1600mA in total. Thirdly, its robust power rail includes a sophisticated noise-filtering technology, and provides 20 standard slots to leave plenty of space for your collection.

Getzen 300/400 Series Instruments are well known for their quality and durability and the 451 Trombone is no exception. It is built to offer the quality the player wants and the durability the player needs. It features chrome-plated, nickel silver inside slide tubes that have been barrel shaped to provide the fastest possible action. 451 Trombones also offer heavy nickel silver outside slide tubes. This gives the instruments the extra level of durability often needed in a classroom setting. The 451 Trombone comes standard with a hand spun, gold brass bell and gold brass tuning slide crook.

Synesthesia is an advanced, yet user friendly dual-channel multi-modulation engines, capable of running two modulation algorithms simultaneously. Packed with 38 classic and modern algorithms and 3 different DSP routing schemes Synesthesia offers limitless sonic possibilities.

From eBay's listing Fernandes introduced the Retrorocket Star Wars Storm Trooper in 2002. Based on the Fernandes Retrorocket model, these guitars have Storm Trooper graphics created by computer controlled painting process with vibrant images on the body and the neck culminating with the STAR WARS logo on the fretboard. The Star Wars Retrorockets alder body Strat style bodies, bolt on maple necks and fretboards with HSS Fernandes Vintage Elite pickups and synchronized tremolo. As it was part of the Fernandes Star Wars Collector's Series production was limited to 250 for North America and each one was individually serial numbered and came with a certificate of authenticity. They also came with a "Star Wars" molded case and a "Star Wars, Fernandes" logo plate.

Made to replicate the Alice in Chains guitarist's iconic Les Paul™ Custom, this guitar has many personal touches, including a Murphy Lab aged "Wino" Wine Red finish over a plain maple top and 9-hole weight-relieved mahogany body, aged gold hardware, Grover® Kidney tuners, and 490R and 498T pickups with a gold cover on the neck pickup and exposed coils on the bridge pickup. It also features a Fishman Powerbridge piezo pickup-equipped bridge for acoustic-like tonal options. There are two volume controls (one for each magnetic pickup), and a third volume (where the bridge tone control would normally be) for the Powerbridge piezo pickup. A master tone and a three-way toggle pickup selector round out the controls, while a stereo output jack allows for discrete electric and acoustic signal routing. A Jerry Cantrell Custom Case is also included. Only 100 guitars will be hand-made by the expert luthiers and craftspeople of the Gibson Custom Shop as part of this very special limited run, and each will be personally hand-signed on the back of the headstock by Jerry Cantrell.

100% analogue, nasty, wild, octave fuzz. Its lineage lies with the 70s Japanese fuzz pedals from Shin-ei and Ibanez. The Blackbird has been tuned to push the mids, but with plenty of low end to mesh with bass as well as guitar. Loud and aggressive, it’s perfect for glitchy leads, scuzzy blues riffs, through to psychedelic space jams and fuzzy freak-outs.

Harnessing more than 20 years of reverb modeling expertise, UAFX Golden Reverberator puts a trio of iconic reverbs right at your feet. The tube-driven spring reverb of classic ’60s guitar amps. The dense and haunting sound of ’50s studio plate reverbs. The endless algorithmic wonder of early digital reverb hardware. Built upon powerful UAFX dual‑engine processing and unprecedented levels of sonic authenticity, Golden Reverberator is a flagship, no‑compromise reverb unit, built to inspire you for decades.

Jim James is the vocalist, guitarist, producer, and primary songwriter for My Morning Jacket. He's also found success with various solo projects. His new Gibson ES-335 is as versatile and boundless as he is, with the features he prefers, including two Calibrated T-Type pickups paired with dual volume and tone controls that are hand-wired with CTS® potentiometers, a mahogany SlimTaper™ neck with an Indian rosewood fretboard, Graph Tech® nut, 22 medium jumbo frets, and Kluson® Waffleback tuners, paired with a lightweight aluminum ABR-1 bridge and Stop Bar tailpiece, anchored by steel thumb-wheels and tailpiece studs to keep everything solidly in tune. The Jim James ES-335 also has a Walnut nitrocellulose lacquer finish, Jim James logo on the truss rod cover, an owl emblem on the back of the headstock, and comes with a custom Jim James owl emblem hardshell case.

From Reverb: The Atomic Cock and Double Atomic Cock from Daredevil is an instant gateway to the tone of a cocked wah pedal as employed by so many players dating back to the '60s. By adjusting the the sweep knob, you can replicate the degree an engaged wah pedal to find that extended mid-range bite and add some vintage flavor to your tone. The updated Double Atomic Cock adds a second selectable sweep setting, and both versions pair sensationally well with any number of other effects to accentuate the meat a fuzz, overdrive or delay section.