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15-watt 2-channel All-tube 1x10" Guitar Combo Amplifier with Power Attenuation and Effects Loop

A True Channel-Switching Terror With its own voice and character the Brent Hinds Terror is its own beast. Designed in collaboration with Mastodon’s Brent Hinds, the amp features two channels and a new gain structure that makes it a completely unique Terror.

The single control on the natural channel has been redesigned with more bottom end but retains the finely balanced and highly playable character of the Rocker series. The dirty channel has a different 3-stage gain structure. It’s brighter at lower gain levels and fattens up the more you dial the gain in. The new gain structure also means that the gain comes in more quickly.

Power switching options of 0.5, 1, 7 or 15 Watts make it perfect for bedroom, studio, and stage. Using the beefy Terror transformers, theBrent Hinds Terror is able to take full advantage of the EL84 output section, giving players the ability to create warm valve compression and saturation at neighbor friendly volume.

From Bedroom to Headroom The Brent Hinds Terror switches between 15, 7, 1 and half a Watt. When in Bedroom mode, the circuit has been designed to retain the springiness and feel of tube amps, a sensation that often gets lost with some attenuator designs. This makes for great tones in the practice room or in the studio, with the option to step up a gear to full power 15 Watt mode for the stage.

Twin-Channel Design The Natural channel features just one control for volume and is voiced with more bottom end as per Brent’s specification. Cleaner settings produce clear, glistening tones whilst cranking the volume brings through the a darker but still very British crunch that loves to be kicked harder with boost and overdrive pedals. The Dirty channel is more familiar with Gain, Master Volume and a three-band EQ. The differently designed three-stage gain structure means that the dirty channel has a brightness at lower volume levels that fattens up and you dial in the gain. (Optional FS-1 footswitch sold separately)

Engineered to be Played For the best possible tone and durability, the Brent Hinds Terror uses the same proprietary transformers found in all of Orange's iconic Terror Series. Like the company's flagship valve amp heads, the Brent Hinds Terror does away with plastic connector blocks and ribbon cables in favor of hand-soldered flying leads. The chassis-mounted switchgear is secured to the classic Terror series enclosure. As for the amp’s effects loop, Orange opted to keep the signal path all-valve to preserve the amp’s tonal integrity.

Brint Hinds "Tattoo" Styling The Brent Hinds Terror not only carries Brent’s signature it also bears his facial tattoo. The tribal imagery adorns the front of the chassis and Orange continues that theme on the settings markers. This amp is carries Brent’s uniqueness stylistically as well as tonally.

The BOSS GT-1000 is a premium amp and effects processor for guitarists. Designed for superior tone and exceptional musical response, the GT-1000 is the first-ever guitar multi-effects processor with 32-bit AD/DA and 32-bit/96 kHz internal processing. Driven by BOSS’s latest custom DSP engine and filled with cutting-edge BOSS technologies, the GT-1000 delivers class-leading performance in a compact and lightweight floor-based unit.

The GT-1000 includes a wide range of expressive amplifier types, newly built with the comprehensive Tube Logic design approach behind the acclaimed Katana, Waza, and Blues Cube amplifiers. Also featured is the groundbreaking Augmented Impulse Response Dynamics (AIRD) technology, realized with BOSS’s extensive research into the complex component interactions in classic guitar amplifiers. AIRD provides new levels of performance when using the GT-1000’s preamps with guitar amps and power amps, and previously unattainable realism in direct recording and full-range monitoring applications.

Inside the GT-1000 is an impressive selection of world-class effects, with BOSS’s Multi-Dimensional Processing (MDP) on board along with advanced modulation, delay, and reverb algorithms from the popular 500-series pedals. Users can configure amps and effects with numerous routing options and enjoy mute-free patch switching and delay/reverb carryover thanks to the ultra-speedy DSP engine.

The GT-1000 offers intuitive editing and powerful control with a large display, 10 assignable footswitches, and an onboard expression pedal with toe switch. Via built-in Bluetooth, users can edit and organize GT-1000 sounds wirelessly using dedicated apps for iOS and Android devices.

The PRS MT 15 is a commanding two-channel amp with balanced aggression and articulation. Powered by 6L6 tubes, the MT 15 has a large, bold sound, so you can dig in heavy with rhythms but also get singing lead tones out of one amp. Whether recording, practicing, writing, or playing a small room, this amp has everything you need.

The MT 15’s design started with heavier players in mind, but in the end, it has a lot to offer players of all genres. Like the PRS Archon amplifier, the MT 15 features five gain stages before the Master for full, lush distortion. The gain channel gets big, chunky tone with massive, tight low end, never losing its articulate note definition or great lead tone. The clean channel is bright and chimey, good with chords and fingerstyle playing – whether with a pick or not. The clean channel also features a push/pull boost control that adds a little overdrive for old school crunch.

No matter what tone you dial in, the MT 15 stays balanced across the spectrum with a sweet, smooth tone that won’t bite your head off. Additional features include an effects loop and bias adjusters that are accessible from the back panel for ease of servicing.

Despite its 15 watts, the MT 15 sounds more like 50W, so a half-power switch that takes the MT to 7 watts is a welcome edition. Bottom line, the amount of features, the hugeness of the sound, and the raw horsepower of the circuit make the MT 15 an impressive lunchbox hero. The MT 15 is Mark Tremonti’s first signature amplifier.

Compressor Effects Pedal with Controls for Sustain, Attack, Blend, Volume, and Pad

The latest incarnation of one of the first phasers to ever hit the market.

One of the first phaser effect pedals ever made, the original DOD Phasor 201, blazed the trail for all phaser pedals after it. The new DOD Phasor 201 (2013) brings the classic analog phaser effect driven by 40+ years of tone-creating experience. The new 2013 DOD Phasor 201 is better than ever before, with true bypass, a crisp blue LED indicator, and modern 9V DC power supply input. Redesigned with a lighter aluminum chassis, sleek blue metallic flake and flat black matte bottom paint job, the 2013 DOD Phasor 201 pedal is a refined take on classic phasing effects, with an incredible new look.

The operation of the 2013 DOD Phasor 201 is pure simplicity. Like the original, the Speed knob controls the depth and speed of the phasing effect, with great tone at any range. True bypass allows your guitar tone to remain pristine even when the DOD Phasor 201 (2013) is off. This is a big difference from the original which would color your bypassed tone. The modern 9V DC power supply input make the pedal more pedal board friendly.

The latest incarnation of one of the first phasers to ever hit the market.

One of the first phaser effect pedals ever made, the original DOD Phasor 201, blazed the trail for all phaser pedals after it. The new DOD Phasor 201 (2013) brings the classic analog phaser effect driven by 40+ years of tone-creating experience. The new 2013 DOD Phasor 201 is better than ever before, with true bypass, a crisp blue LED indicator, and modern 9V DC power supply input. Redesigned with a lighter aluminum chassis, sleek blue metallic flake and flat black matte bottom paint job, the 2013 DOD Phasor 201 pedal is a refined take on classic phasing effects, with an incredible new look.

The operation of the 2013 DOD Phasor 201 is pure simplicity. Like the original, the Speed knob controls the depth and speed of the phasing effect, with great tone at any range. True bypass allows your guitar tone to remain pristine even when the DOD Phasor 201 (2013) is off. This is a big difference from the original which would color your bypassed tone. The modern 9V DC power supply input make the pedal more pedal board friendly.

Adds presence and bite to your sound.

The Electro-Harmonix Screaming Bird Treble Booster guitar pedal is based on the classic design from the '70s. Now the boost effect is back to help your sound take new flight. Whether it's overdriving an amp or just adding some serious bite to your sound, the Screaming Bird stompbox screams nothing but highs. Use the Electro-Harmonix Screaming Bird Treble Booster to make your guitar cut through any mix.

Treble Boost Pedal with up to 20dH High-frequency Gain, Variable Center Frequency, and Die-cast Chassis

Rigid EPS Polyfoam Lightweight Case for Electric Guitars

The Fathom is a feature-rich reverb with 4 different customized reverb algorithms to choose from. Easily go from tasteful, small room reverb to long, modulated trails dripping of ambient goodness. The toggle switch adds options for low, medium and high modulation. Use the dampen knob to fine tune the tone of the reverb's decay.

The Fathom features 4 different algorithms. Hall - Wide, open and vast with decay that ends with high-frequency rolloff. X knob adjusts pre-delay. Plate - Full Body reverb with a smooth decay. X knob adjusts pre-delay. Lo-fi - Filtered reverb with decay ranging from warm, to thin AM-sounding radio. X knob adjusts filter width. Sonar - Reverb fed with both a high and low octave with the ability to blend the octaves with the X knob.

Momentary Functions: When the pedal is in off position, press and hold the Bypass Switch to temporarily activate the effect to add a moment of reverb. Releasing the switch turns the effect off.

Press and hold the Sustain Switch while the pedal is on, to sustain the reverb decay for a dreamy ambient decrescendo.

Trails Mode: To turn trails mode on or off, unplug the pedal and press and hold down the Bypass Switch for two seconds while plugging the pedal back in.

The Monastery is a Dual Preset, Polyphonic Octave Generator that allows for simultaneous octave up and octave down with minimal latency and excellent tracking anywhere on the neck, even with multiple notes. The Monastery is inspired by the rich, multi-layered, timbre of vintage organs with its subtle Leslie warble.

The Monastery features **highly intuitive controls. **I deviated from the standard three knob "Dry,Up,Down" controls used in many octave pedals and went for a more intelligent crossfade/pan arrangement. The biggest advantage of this setup is that the volume remains at unity-gain no matter where you set the knobs. The left knobs are the "Dry/Wet" controls. They adjust the ratio of wet and dry and can go from 100% wet to 100% dry with an even split at twelve o'clock. The right knobs are the "+/-" knobs. They work in a similar matter, but control the ratio of octave up and octave down.

The most compelling aspect of The Monastery is the dual preset function. You can seamlessly cycle between two presets with the right footswitch. The top LED denotes which row of controls is active. If the LED is lit, the top row of knobs is active. If the LED is unlit, the bottom row is active.

The Monastery is a Dual Preset, Polyphonic Octave Generator that allows for simultaneous octave up and octave down with minimal latency and excellent tracking anywhere on the neck, even with multiple notes. The Monastery is inspired by the rich, multi-layered, timbre of vintage organs with its subtle Leslie warble.

The Monastery features highly intuitive controls. I deviated from the standard three knob "Dry,Up,Down" controls used in many octave pedals and went for a more intelligent crossfade/pan arrangement. The biggest advantage of this setup is that the volume remains at unity-gain no matter where you set the knobs. The left knobs are the "Dry/Wet" controls. They adjust the ratio of wet and dry and can go from 100% wet to 100% dry with an even split at twelve o'clock. The right knobs are the "+/-" knobs. They work in a similar matter, but control the ratio of octave up and octave down.

The most compelling aspect of The Monastery is the dual preset function. You can seamlessly cycle between two presets with the right footswitch. The top LED denotes which row of controls is active. If the LED is lit, the top row of knobs is active. If the LED is unlit, the bottom row is active.

The Monastery is a Dual Preset, Polyphonic Octave Generator that allows for simultaneous octave up and octave down with minimal latency and excellent tracking anywhere on the neck, even with multiple notes. The Monastery is inspired by the rich, multi-layered, timbre of vintage organs with its subtle Leslie warble.

The Monastery features **highly intuitive controls. **I deviated from the standard three knob "Dry,Up,Down" controls used in many octave pedals and went for a more intelligent crossfade/pan arrangement. The biggest advantage of this setup is that the volume remains at unity-gain no matter where you set the knobs. The left knobs are the "Dry/Wet" controls. They adjust the ratio of wet and dry and can go from 100% wet to 100% dry with an even split at twelve o'clock. The right knobs are the "+/-" knobs. They work in a similar matter, but control the ratio of octave up and octave down.

The most compelling aspect of The Monastery is the dual preset function. You can seamlessly cycle between two presets with the right footswitch. The top LED denotes which row of controls is active. If the LED is lit, the top row of knobs is active. If the LED is unlit, the bottom row is active.

The Tensor, from Red Panda, specializes in reverse and tape stop effects, time warping, pitch shifting, and other audio smearing proclivities. Users can affect the speed and playback of an incoming signal via Tensor's intuitive front panel interface. Beyond that, the pedal also lets users loop, overdub, and slice their phrases for a length of up to 4.8 seconds.

TENSOR FEATURES

• Tape speed from reverse to stop to forward
• Realtime time stretch up to 4:1
• Loop time compression and stretch from 1:4 to 4:1
• Pitch shift from -2 to +2 octaves
• Intelligent randomization
• Overdub, replace, and dual buffer (next) loop modes
• Forward/alternate/reverse loop direction
• Momentary or latching foot switches
• Assignable expression pedal, CV-friendly (0-3.3V)

A Maniacal Little Machine, inspired by vintage gaming consoles.

THE PREMIUM GOLD FLAT PATCH CABLE IS THE MOST LUXURIOUS SERIES OF EBS FAMOUS FLAT PATCH CABLES.

Fender's California Series Cables are designed specifically for high performance. The braided shield is optimally stranded with OFC copper for superior sound quality and frequency balance. Backed by a lifetime guarantee, it's an excellent choice for all of your instrument cable needs. 15ft or 20ft lengths.

SPACE-SAVING, MULTIFUNCTIONAL DUAL FOOTSWITCH FS-7 is a compact dual footswitch for remote control of effect pedals or amp channel switching. Two footswitches are arranged in tandem, which saves space on effects pedal boards. Two selectable modes for latch or momentary allow for control of a wide range of equipment.

Dual Footswitch with Switchable Polarity and Switchable Momentary/Latching Operation

SPACE-SAVING, MULTIFUNCTIONAL DUAL FOOTSWITCH FS-7 is a compact dual footswitch for remote control of effect pedals or amp channel switching. Two footswitches are arranged in tandem, which saves space on effects pedal boards. Two selectable modes for latch or momentary allow for control of a wide range of equipment.

Tube-style saturated tone in the styles of your favorite high gain modern and classic amp heads.

Introducing the next generation of the Legend Amp series of pedals, the Legend II line. Guaranteed to be the most versatile distortion pedals on the market, offering huge tube-style saturated tone in the styles of all of your favorite high gain modern and classic amp heads. The Legend II pedals will accompany the original series, as an enhanced upgraded "PRO" version.

* R2 of the Legend Amp Series II represents the response, characteristics, gain, and tonal nuances similar to that of Mesa Triple Rectifier Amplifiers.

The II Series adds a handful of great new features to the standard version I Series.

AMT has added a third output jack for the ultimate in routing flexibility. The Legend II Series includes a speaker simulated cab output (for recording), a preamp output (for routing to a power amp), and a drive output (for using in front of a combo amp or head). All three of these outputs can be used simultaneously. Use the different outputs for recording direct and micing at the same time, run different effects through different outputs, or record three DAW tracks all at once. The routing and recording options are endless. The Legend II Series of pedals are a studios engineers dream come true.

Another feature added to the II Series, is the clean level gain knob, and clean volume boost switch (used only when pedal is in bypass mode). This feature can be used in either of two different ways. 1) As a bypass buffer to maintain proper signal strength through long pedal chains, or 2) As a 2-channel style preamp.

When used as a bypass buffer/booster with other pedals in the signal chain, the user is able to dial in the amount of buffer gain that is added to the output signal. The higher the level of the clean level knob, the stronger the buffered output. This is helpful with long cable runs where signal may be lost/degraded, or even useful for adding that extra kick of boost to your amp. Keeping the knob at 1 o'clock keeps the signal at normal unbuffered level. The second example is using the Legend II pedal as a 2-channel preamp, where the bypass signal will be the clean tone and the overdrive channel will be the engaged tone. By adjusting the clean level knob and by engaging the boost button, the clean signal will be comparable in dB level to the overdrive channel; thus turning the single pedal into a switchable 2-channel preamp.

CONTROLS:
- OD LEVEL adjusts the overall loudness of the pedal output
- OD GAIN adjusts the amount of distortion and drive
- HIGH controls the amount of high frequency in the signal
- MIDDLE controls the amount of mid frequency in the signal
- BASS controls the amount of bass frequency in the signal
- CL LEVEL adjusts the buffer output of the bypassed signal, 1 o'clock positioning represents standard -10dB level
- CL BOOST SWITCH engages a boost of clean signal up to +8dB when the pedal is bypassed, making the pedal a 2-channel preamp

Tube-style saturated tone in the styles of your favorite high gain modern and classic amp heads.

Introducing the next generation of the Legend Amp series of pedals, the Legend II line. Guaranteed to be the most versatile distortion pedals on the market, offering huge tube-style saturated tone in the styles of all of your favorite high gain modern and classic amp heads. The Legend II pedals will accompany the original series, as an enhanced upgraded "PRO" version.

* R2 of the Legend Amp Series II represents the response, characteristics, gain, and tonal nuances similar to that of Mesa Triple Rectifier Amplifiers.

The II Series adds a handful of great new features to the standard version I Series.

AMT has added a third output jack for the ultimate in routing flexibility. The Legend II Series includes a speaker simulated cab output (for recording), a preamp output (for routing to a power amp), and a drive output (for using in front of a combo amp or head). All three of these outputs can be used simultaneously. Use the different outputs for recording direct and micing at the same time, run different effects through different outputs, or record three DAW tracks all at once. The routing and recording options are endless. The Legend II Series of pedals are a studios engineers dream come true.

Another feature added to the II Series, is the clean level gain knob, and clean volume boost switch (used only when pedal is in bypass mode). This feature can be used in either of two different ways. 1) As a bypass buffer to maintain proper signal strength through long pedal chains, or 2) As a 2-channel style preamp.

When used as a bypass buffer/booster with other pedals in the signal chain, the user is able to dial in the amount of buffer gain that is added to the output signal. The higher the level of the clean level knob, the stronger the buffered output. This is helpful with long cable runs where signal may be lost/degraded, or even useful for adding that extra kick of boost to your amp. Keeping the knob at 1 o'clock keeps the signal at normal unbuffered level. The second example is using the Legend II pedal as a 2-channel preamp, where the bypass signal will be the clean tone and the overdrive channel will be the engaged tone. By adjusting the clean level knob and by engaging the boost button, the clean signal will be comparable in dB level to the overdrive channel; thus turning the single pedal into a switchable 2-channel preamp.

CONTROLS:
- OD LEVEL adjusts the overall loudness of the pedal output
- OD GAIN adjusts the amount of distortion and drive
- HIGH controls the amount of high frequency in the signal
- MIDDLE controls the amount of mid frequency in the signal
- BASS controls the amount of bass frequency in the signal
- CL LEVEL adjusts the buffer output of the bypassed signal, 1 o'clock positioning represents standard -10dB level
- CL BOOST SWITCH engages a boost of clean signal up to +8dB when the pedal is bypassed, making the pedal a 2-channel preamp

AMT Electronics SY-1 has all the features of a delay pedal that modern guitarists are looking for, all in a small compact enclosure that will fit easily on any pedalboard. Most delays include the standard time, feedback, and level controls. AMT recognized the need for a few extra options that would greatly improve the versitility and flexibility of the pedal. The Stutterfly delay also includes an added TONE control, MIX feature, and MOD adjustment; usually only found on more expensive/larger sized units. Sounds great with both clean AND overdriven distorted guitar signals.

Infinitely Organic

Multi-effects Modulation Pedal with 12 Modulation Types, 200 Presets, 3 Footswitches, and MIDI