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SATAN OSCILLATE MY METALLIC SONATAS!

Or SOMMS for short. For SOMMS, we looked back at our squarewave synths, Thumping Double Squaresnakes, Rot Yr Brain and thought, “Well, we could squash these together into a super synth of limitless evil.”

SOMMS features four oscillators, one low frequency rhythmic driver, one fine tunable audio drone, and finally a pair of squeeling singers controlled via joystick. These are all mixed via a network of volume knobs. To top it off, we added a feature often requested from players, an instrument input! Finally, you can have a Dwarfcraft synth on your pedal board, complete with in and out holes.

Like a fire in your belly.

The Dwarfcraft Eau Claire Thunder fuzz effect pedal rectifies a few issues with other fuzz boxes, notably the need for a mid scoop. The Eau Claire Thunder fuzz is a classically styled distortion and sustain pedal, with a few Dwarfcraft twists. It scoops the mids for some cool metal tones.

Stomping on the Eau Claire Thunder's bypass switch puts you in familiar fuzzbox territory. Volume, Tone, and Distortion controls are all active, as well as the Timewarp toggle, which flips between the traditional hi-fi sound and a more blunted stoner-rock-type sound. (Note: if your amp has a lot of treble rolled off, you may not hear much difference between the Timewarp positions.)

Toneblast bypasses the tone control, giving you more mids, and a bunch more volume. You can tap the Feedback stomper at any time to trigger a momentary integrated feedback loop for cool extra noisy flavor.

The Trim control rolls back your input signal-useful in case of muddiness caused by hotter pickups. The Eau Claire Thunder fuzz pedal has the most bass of any Dwarfcraft stompbox. It also sounds amazing on bass guitars. Order now and hear it yourself.

Like a fire in your belly.

The Dwarfcraft Eau Claire Thunder fuzz effect pedal rectifies a few issues with other fuzz boxes, notably the need for a mid scoop. The Eau Claire Thunder fuzz is a classically styled distortion and sustain pedal, with a few Dwarfcraft twists. It scoops the mids for some cool metal tones.

Stomping on the Eau Claire Thunder's bypass switch puts you in familiar fuzzbox territory. Volume, Tone, and Distortion controls are all active, as well as the Timewarp toggle, which flips between the traditional hi-fi sound and a more blunted stoner-rock-type sound. (Note: if your amp has a lot of treble rolled off, you may not hear much difference between the Timewarp positions.)

Toneblast bypasses the tone control, giving you more mids, and a bunch more volume. You can tap the Feedback stomper at any time to trigger a momentary integrated feedback loop for cool extra noisy flavor.

The Trim control rolls back your input signal-useful in case of muddiness caused by hotter pickups. The Eau Claire Thunder fuzz pedal has the most bass of any Dwarfcraft stompbox. It also sounds amazing on bass guitars. Order now and hear it yourself.

For too long, guitarists everywhere have labored against poor sustain and inconsistent dynamics. The time has come to unite against the oppressive forces of tone loss, and to reclaim the tone that is rightfully ours. The WORKERS' COMP is here to help. A fresh take on an old classic, it uses a unique configuration of the same chip found in the beloved Dynacomp and Ross Compressors to produce that familiar compressed sound, but with some much needed improvements. The WORKERS COMP offers more headroom with less noise, and additional controls to help fine tune your sound. It can go from adding just a hint of sustain and consistency to seriously squishy.

We've included level, compression, attack, and release controls, and upgraded to soft touch, true-bypass switching, so the only sound you'll hear will be the singing of your guitar.

Also included is a bright switch that helps to reclaim some of the high frequencies and sparkle that can be lost during compression.

Pure iron isn't found in nature; it has to be blasted from a heap of oxidized minerals and dirt in a 2500˚ furnace. The IRON DRIVE is our take on the tubescreamer circuit, and we refined it tirelessly until there was nothing left but pure, brilliant tone.

We've included three distinct clipping options, separate Bass and Treble controls, and upgraded to soft touch, true-bypass switching, so the only sound you'll hear will be the singing of your guitar.

Leaving the clipping switch in the middle position gives you a biting crunch that is just subtle enough to be dangerous. With the clipping switch set to the up or down positions, the Iron Drive is capable of supplying mountains of unrelenting tone, with grit as powerful as the iron smelters who inspired our design.

The MINESHAFT REVERB is the first of its kind. Boasting rich, spacial tones that can range from a subtle wash to a thick, ambient soundscape, this small reverb packs a serious punch: especially when you consider that dual knobs allow the user to select two different Reverb mixes, and Tone levels. Utilizing complete soft touch switching, pressing the left footswitch will toggle between the upper and lower knob settings (RED light for upper knobs, BLUE light for lower knobs). *That's TWO reverbs in ONE small box. * Holding the bypass switch will throw the reverb into a wild runaway oscillation based on where the reverb level is set. Finally, the Feedback level alters how long the reverb lingers.

The MAGIC CITY DELAY is a beautifully simple, warm, and lush analog voiced delay. Controls include Repeats, Mix, Time, and Filter. The unique filter control can be used to alter the tone of the repeats as well as filter in or out the tape-like artifacts produced at longer delay times. The 3-way Tap Division switch can be used to select between Quarter Notes, Dotted Eighths, or Eighth Notes.

Analog voicing, three tap divisions, soft touch switching, on-board tap tempo, and available external tap make this small, digital delay just as versatile as many other (much larger) delays, while saving valuable real estate on any pedal board (almost like magic).

Distinctive lush chorus, amazing vibrato, the Retro-Sonic Chorus Ensemble is the only true reproduction of the 1976 CE-1 using the original analog BBD. Its lush, focused tone is the standard by which all other chorus effects are measured. The Chorus Ensemble is capable of a wide range of sounds from analog chorusing to pulsating vibrato, having the unique Vibrato feature that was incorporated on the original which simulates a Leslie rotating speaker. The chorus and vibrato functions are selectable through a footswitch control, allowing desired presets to be maintained by separate control. The Mono an Stereo outputs allow for a two amp setup for an amazing chorus experience The unit features hi grade components, true bypass, and now powered by 9VDC, (thanks to a custom power chip) there’s no need for a special adapter, just plug into your existing rig and enjoy!

Based on customer demand, the improved Chorus pedal now has stereo outputs and operates from standard 9VDC power supplies. The additional stereo output provides users the option of a two-amp setup. This brings a heightened dimension to the existing thick sound of the Chorus effect pedal, which has already developed a loyal following throughout North America and Europe.

45-watt All-Tube 2-channel Guitar Head

Imagine your sound, drifting boundlessly through the galaxy. A celestial body warps its trajectory as planetary gravitational pulls steer it into momentary orbit. Millions of microscopic echoes converge into fluid dark matter, then gently evaporate into the black abyss.

This is SuperMoon.

Cavernous, vast and orbital.

The crushing decimation of thunder leveling everything, leaving a wake of silence so loud, it can't be ignored. A crisp flash of pure electric energy jets down from above delivering a flash so bright the pupil shrinks to a needle's point.

And you haven't even played a power chord into it. Welcome ThunderClaw. Welcome.

G&L Tribute Legacy Blueburst Maple Electric Guitar, Swamp Ash body, Vintage Tint Gloss Maple neck with Maple fingerboard, Medium C profile with 1 5/8" Nut width, 3 G&L CLF100 vintage Alnico V single-coil pickups with 5-way switching and PTB controls, 22 Medium Jumbo Frets, G&L Dual-Fulcrum™ vibrato, White Pearl pickguard.

Swamp Ash body, Vintage Tint Gloss Maple neck with Maple fingerboard, Medium C profile with 1 5/8" Nut width, 3 G&L CLF100 vintage Alnico V single-coil pickups with 5-way switching and PTB controls, 22 Medium Jumbo Frets, G&L Dual-Fulcrum™ vibrato.

G&L Tribute Legacy Blueburst Maple Electric Guitar, Swamp Ash body, Vintage Tint Gloss Maple neck with Maple fingerboard, Medium C profile with 1 5/8" Nut width, 3 G&L CLF100 vintage Alnico V single-coil pickups with 5-way switching and PTB controls, 22 Medium Jumbo Frets, G&L Dual-Fulcrum™ vibrato, White Pearl pickguard.

The Spacerocket is a discrete silicon transistor fuzz. It has a simple layout with three controls: Tone and Level, plus a 3-way toggle switch to control Fuzz gain. On top sits a reverse-engraved, hand painted vinyl faceplate with backlit indicator. Instrument attack is reflected by an indicator located in the rocket's "flame."

The Spacerocket emits otherworldly fuzz tones. The hottest Fuzz setting is a blistering compressed fuzz bomb, with layers of fuzz ringing through. With other Fuzz settings, metallic intermodulated robot fuzz is possible.

This fuzz shines when used for single string lead lines - Saturated multi-dimensional fuzz that blooms in between notes. With chords and multi-string playing, you can achieve much different effects - with cancelled out frequencies, metallic and noisy fuzz.

Handmade in Portland Oregon, the Spacerocket features an all discrete (no IC's!) tone path, military-spec wiring and the very highest quality components. Everything is neatly held in a super-duty USA-cast aluminum enclosure, topped with a durable vinyl faceplate. The True Bypass switching is provided care-of the heaviest-duty mechanical footswitch available, for a long trouble-free life.

There are two editions available, Blue powdercoat and unfinished Silver. Blue is limited to 20 pieces with blue indicator. Silver has a white indicator and is limited to 50 pieces.

Each pedal is numbered on the nameplate, boasting it's limited availability, and in addition each one is signed and numbered on the inside. The Spacerocket also comes with a transferable three year warranty, plus a lifetime discount repair plan.

The Carl Martin TremO´vibe is an analog "two in one" effect pedal consisting of a tremolo and a real vibrato, both with independent sets of speed and depth controls.

The tremolo effect works like a change in volume. The vibrato, which works as a change in tone (pitch modulation), is carefully designed to imitate the sound of a real tube vibrato.

Featuring two switches, The "on" switch allows you to engage or bypass the unit. The "select" switch allows you to switch between Tremolo and Vibrato.

The Carl Martin TremO´vibe is an excellent choice for Guitar, Bass, Keyboard, or any other electronic instrument, that requires the highest sonic clarity, maximum dynamic range and noise free performance.

The unit has a built in regulated power supply which enables us to design circuitry of the highest quality with maximum headroom.

Create the buttery, seductive tones of vintage tube amp tremolo, but with a wider range of control!

Voodoo Lab's Tremolo pedal delivers authentic vintage tube amp tremolo sounds from gentle and warm, to machine gun-style insanity all in a single pedal. By using the same lamp and photocell assembly found in many classic tube amps, Voodoo Lab's Tremolo gives you real analog tone right from a compact 9V stomp box!

By using the inventive Slope control, you can change the shape of the tremolo waveform from traditional to full on stuttering madness and all points in-between. Speed and intensity controls provide a wide range that includes very slow and deep sounds, and the Volume control lets you cut or boost the overall output to your amp.

Create the buttery, seductive tones of vintage tube amp tremolo, but with a wider range of control!

Voodoo Lab's Tremolo pedal delivers authentic vintage tube amp tremolo sounds from gentle and warm, to machine gun-style insanity all in a single pedal. By using the same lamp and photocell assembly found in many classic tube amps, Voodoo Lab's Tremolo gives you real analog tone right from a compact 9V stomp box!

By using the inventive Slope control, you can change the shape of the tremolo waveform from traditional to full on stuttering madness and all points in-between. Speed and intensity controls provide a wide range that includes very slow and deep sounds, and the Volume control lets you cut or boost the overall output to your amp.

DJ Techtools Midi Fighter 3D, move sensitive USB DJ-Controller, 16 RGB arcade buttons, 6 side thomann buttons, 4 banks of controls, Full 3D motion tracking of five degrees of movement (Patent Pending), Gyroscope, Accelerometer and Compass, USB-Connection, USB Bus-powered

3-piece neck. Light ash body. ATK triple-coil pickup.

The Lightspeed Organic Overdrive is a very natural sounding overdrive. Why "organic"? Well, simply put, it's the clearest, most natural feeling, and best overdrive we've heard for the player looking for a natural drive tone. Blending with the tone of the guitar and amplifier, this pedal has rich harmonics and complex but smooth clipping. The Lightspeed Overdrive is sensitive to pick attack and has a different "feel" than other overdrives. The Lightspeed can be set to be "transparent," but can also drive your signal to the edge.

Dual-channel Fuzz Pedal with Germanium and Silicon Transistors, Built-in Gate, and Bias Control

The BIG CHEESE™ is a loving homage to the nasty, buzzy yet gorgeous and harmonically rich early fuzz. While having many of the classic characteristics that every fuzz fan will relate to it goes beyond to create an absolutely distinct character of its own. Its innovative and interactive controls can take it from almost "gated" break-up to overkill of shred proportions. Far from being just a guitar pedal however the Big Cheese™ is eminently useful for seeing to any sound with the temerity to be naff or boring (with particularly amusing consequences in the lower regions). To lovers of that extraordinary spectacle known to some as "furrrzze bass!" it offers terminally thunderous, ripping yet glitch-free and buttock-clenching mayhem that can only be described as Larry Graham on steroids (as demonstrated to devastating effect by the man himself!).

The Big Cheese™ works exceptionally well in the fx loop of the Meatball™ creating some of the squelchiest curdled sounds ever - particularly true of the "cheese" setting which gives the signal huge dynamics thus cutting through a mix like the fattest, raspiest analogue synth. Coupled in this way with an octaver it can perform an uncanny impersonation of a guitar synth with no delay or tracking worries.

The MXR Wylde Phase guitar pedal lets you kick in rocket boosters, adding lustrous soaring texture to your blistering leads and vertigo-inducing swoosh to your chords. Not just confined to guitar, the Wylde Phase fares equally well on bass, keyboards, and vocals. A single Rate knob dials in the magic –from a lazy swirl to a throbbing pulse. Zakk Wylde has tweaked this pedal to his exacting specifications, so if you're fan of his guitar pyrotechnics –or just want a great phaser– the MXR Wylde Phase pedal has the goods to launch your sound into the Wylde zone.

MXR Wylde Phase pedal Features at a Glance: * Add soaring texture to your leads and vertigo-inducing swoosh to your chords * Works well on bass, keyboards - and even vocals * As heard on Zakk Wylde's blistering leads * 2011 Limited Edition

Add shimmery velocity to lead licks, or add swoosh to chords. Works well with bass, keyboards and even vocals. Heard on Zakks legendary blazing leads and solos. Limited 2011 run. Specifications Zakk Wylde uses the Wylde Phase to add dimension and dynamics to his legendary blazing solos and razor sharp leads. Use the single Rate knob to adjust the Speed of the warm analog phasing, from a slow grind to a jack hammering pulse; or use it as Zakk does, at the 9 o'clock position for a slow burning sweep. Best heard on songs like "Overlord" and "Parade of the Dead."

Zakk Wylde uses the Wylde Phase to add dimension and dynamics to his legendary blazing solos and razor sharp leads. Use the single Rate knob to adjust the Speed of the warm analog phasing, from a slow grind to a jack hammering pulse; or use it as Zakk does, at the 9 o'clock position for a slow burning sweep. Best heard on songs like "Overlord" and "Parade of the Dead."

The MXR Wylde Phase guitar pedal lets you kick in rocket boosters, adding lustrous soaring texture to your blistering leads and vertigo-inducing swoosh to your chords. Not just confined to guitar, the Wylde Phase fares equally well on bass, keyboards, and vocals. A single Rate knob dials in the magic –from a lazy swirl to a throbbing pulse. Zakk Wylde has tweaked this pedal to his exacting specifications, so if you're fan of his guitar pyrotechnics –or just want a great phaser– the MXR Wylde Phase pedal has the goods to launch your sound into the Wylde zone.

MXR Wylde Phase pedal Features at a Glance: * Add soaring texture to your leads and vertigo-inducing swoosh to your chords * Works well on bass, keyboards - and even vocals * As heard on Zakk Wylde's blistering leads * 2011 Limited Edition

Floor Chromatic Tuner with Cent and Stream Modes, LED Display, and Alternate Tuning, Open Tuning, and Dropped Tuning Support