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edited Moog Moogerfooger MF-102 Ring Modulator

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Gives you unlimited new sounds.

The Moog MF-102 Ring Modulator is a direct descendant of the original Moog modular synthesizers. It contains three complete modular functions: a ring modulator, a voltage-controlled carrier oscillator, and voltage-controlled dual-waveform LFO. It can be used to process any instrument-level to line-level signal.

A ring modulator produces sum and difference frequencies between the audio input and a carrier oscillator. The ring modulator's LFO can be used to modulate the carrier frequency. The Moogerfooger Ring Modulator can create effects ranging from subtle tremolo to harmonically rich distortion, gong-like sounds, sweeps, swoops, and divebombs. It can be subtle, or outlandish in its use - you decide!

The Moogerfooger Ring Modulator's control parameters are signal mix, carrier frequency, LFO rate, and LFO amount. All of the ring modulator's parameters can be controlled by the great feeling knobs that beg to be tweaked as well as with expression pedals or external control voltages. Panel switches select LFO waveform and carrier frequency range. 1/4" jacks are provided for audio input and output, pedal/control inputs, carrier input and carrier output. The heavy-duty yet smooth acting bypass switch allows tabletop or floor use.

Imagine that the ring modulator's carrier oscillator is producing a 500 Hz sine wave, and your input signal is a 100 Hz sine wave. The ring modulator's output will be a complex waveform. You will hear two pitches: 400 Hz and 600 Hz. You will not hear your original input or the carrier oscillator.

Power supply is included for use with 110 VAC.

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Gives you unlimited new sounds.

The Moog MF-102 Ring Modulator is a direct descendant of the original Moog modular synthesizers. It contains three complete modular functions: a ring modulator, a voltage-controlled carrier oscillator, and voltage-controlled dual-waveform LFO. It can be used to process any instrument-level to line-level signal.

A ring modulator produces sum and difference frequencies between the audio input and a carrier oscillator. The ring modulator's LFO can be used to modulate the carrier frequency. The Moogerfooger Ring Modulator can create effects ranging from subtle tremolo to harmonically rich distortion, gong-like sounds, sweeps, swoops, and divebombs. It can be subtle, or outlandish in its use - you decide!

The Moogerfooger Ring Modulator's control parameters are signal mix, carrier frequency, LFO rate, and LFO amount. All of the ring modulator's parameters can be controlled by the great feeling knobs that beg to be tweaked as well as with expression pedals or external control voltages. Panel switches select LFO waveform and carrier frequency range. 1/4" jacks are provided for audio input and output, pedal/control inputs, carrier input and carrier output. The heavy-duty yet smooth acting bypass switch allows tabletop or floor use.

Imagine that the ring modulator's carrier oscillator is producing a 500 Hz sine wave, and your input signal is a 100 Hz sine wave. The ring modulator's output will be a complex waveform. You will hear two pitches: 400 Hz and 600 Hz. You will not hear your original input or the carrier oscillator.

Power supply is included for use with 110 VAC.

Sep 22, 2016

edited Roland EV-7 Expression Pedal

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Extended Range Expression Pedal for Use with Combo Organs

Sep 22, 2016

edited T-Rex Engineering Mudhoney

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With the boost disengaged, the T-Rex Mudhoney Distortion Pedal gives a mild to fierce boost, depending on gain setting that re-creates the guitar sounds of the psychedelic 60s. With the boost engaged, it is capable of unleashing the most in-your-face fuzz mania by adding a subharmonic beneath the selected fuzz setting. Great for alt rock. Unlike most distortions, Mudhoney is able to maintain a tight bottom end, even in the most extreme settings. The volume is unity gain in the 12 o'clock position and provides up to 3dB of boost. Handcrafted. 2-year unconditional warranty.

Sep 21, 2016

edited T-Rex Engineering Mudhoney

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T-Rex Mudhoney I
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T-Rex Engineering Mudhoney Distortion Pedal
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Guitar Pedals & Effects
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Overdrive Effects Pedals

Sep 21, 2016

edited MONO Creators M80 Pedalboard Case - Pro

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MONO Pedal Board Case
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MONO M80 Pedalboard Case - Pro
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For some of us it's a game. For others, a sickness. But the fact of the matter is that crafting our effects pedal rig has become an obsession. If you're like us you've put a lot of time and effort into getting your sound and your pedalboard just right. Now it's time to make this rig portable. Introducing the M80 Pedalboard series - a collection of military grade luggage designed for the war on tone. Rugged interior liners with plush top panels to protect knobs and switches. Plastic reinforced hybrid shells shave off pounds of weight. Protect your sound.

Your pedals take a beating on stage. In transit, they deserve a break. A super soft top panel ensures your pedal finishes stay protected, while the rugged vinyl liner resists abrasion from wood and steel boards, cables, power blocks and whatever else you've rigged up.

MONO Pedalboard Cases are designed to travel hard. Forget first class. Steel rivited handles, industrial rubber soles and dual zippers are built to last, while the removable memory foam shoulder strap lightens the load. All protected by a water resistent Sharkskin outer shell.

In addition to the main pedalboard compartment, each M80 Pedalboard Case includes a large exterior pocket for extra cables, effects, laptops and other gear. An interior mesh pocket provides a safe haven for those critical smaller items.

Sep 21, 2016

edited Fender/Kyser® 60th Anniversary Stratocaster Capo

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Fender/Kyser 60th Anniversary Strat Capo
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Fender®/Kyser® 60th Anniversary Strat Capo
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Fender® and Kyser® have teamed up to bring you a special-edition Quick-Change® capo to celebrate the 60th anniversary of the legendary Stratocaster® guitar. Featuring a distinct silver sparkle finish and a commemorative anniversary logo, the Fender Quick-Change capo meets the most demanding novice or professional guitar player’s requirements. The spring-action design clamps to any fret on an exposed fingerboard and won't interfere with any performance.

Sep 21, 2016

edited Squier Affinity Series Stratocaster

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The Squier Affinity Series Stratocaster Electric Guitar has a proud heritage and a sweet price. The contoured solid alder body is the same world-renowned style that fueled the fires of Hendrix, Clapton, SRV, and thousands more. Pure vintage tone comes pounding out of 3 biting single-coil pickups, taking on flavor from a classic rocking tremolo and 5-way switching. Genuine die-cast tuners provide unprecedented tuning stability in this price range. The headstock is the classic '70s "big" style. The maple neck plays fast and feels great. When you trade up, your Affinity Series Strat will be worth far more than any no-name copy.

Sep 21, 2016

edited Squier Affinity Series Stratocaster

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Squier Affinity Series Stratocaster
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Squier Affinity Series Stratocaster Electric Guitar

Sep 21, 2016

edited Darkglass Electronics Duality Dual Fuzz Engine

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Darkglass Duality Fuzz
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Darkglass Electronics Duality Dual Fuzz Engine
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Gives your guitar a generous range of fuzz in one small pedal.

The Duality - Dual Fuzz Engine is a unique fuzz pedal that contains two discrete fuzz circuits—a gated saw-tooth wave and a raunchy high-gain sound—which can be mixed together to yield a vast selection of distinct sonic textures.

Controls
Level: Sets the volume of the overdriven signal.
Filter: Controls the amount of high frequency content in the fuzz signal.
Blend: Mixes the clean input signal with the overdriven signal. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio.
Duality: Mixes two discrete fuzz circuits. Set it at minimum for a pure gated saw-tooth wave, or crank it up for a tighter high gain fuzz.

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Gives your guitar a generous range of fuzz in one small pedal.

The Duality - Dual Fuzz Engine is a unique fuzz pedal that contains two discrete fuzz circuits—a gated saw-tooth wave and a raunchy high-gain sound—which can be mixed together to yield a vast selection of distinct sonic textures.

Controls
Level: Sets the volume of the overdriven signal.
Filter: Controls the amount of high frequency content in the fuzz signal.
Blend: Mixes the clean input signal with the overdriven signal. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio.
Duality: Mixes two discrete fuzz circuits. Set it at minimum for a pure gated saw-tooth wave, or crank it up for a tighter high gain fuzz.

Sep 20, 2016

edited Darkglass Electronics Microtubes B7K Analog Bass PreAmp

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Darkglass Electronics – Microtubes B7K
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Darkglass Electronics Microtubes B7K Analog Bass Preamp Pedal
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Top-notch analog bass preamp with a 4-band EQ.

The Microtubes B7K takes the powerful dynamic saturation circuit of the B3K and adds a four-band equalizer and a balanced line driver for even greater versatility. Designed for both studio and live use, it will take your direct sound to a whole new level.

Controls
Level: Sets the volume of the overdriven signal.
Drive: Sets the amount of saturation in the overdriven signal.
Blend: Mixes the clean input signal with the overdriven signal. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio.
Grunt Switch: Sets the amount of low frequency content to saturate by selecting between three different bass boost levels before the clipping stage.
Attack Switch: Sets the amount of treble content to saturate: The œBoost setting emphasizes the treble content extra clarity and presence. The œFlat position leaves this register untouched while the œCut position will reduce the amount of high frequencies being saturated. This addition helps to keep the treble portion of the signal under control, specially useful when playing with new strings and/or cabinets with tweeters. (Low: +-12dB @ 100Hz / Low Mid: +-12dB @ 1kHz, Hi Mid: +-12dB @ 2.8kHz / Treble: +-12dB @ 5kHz)

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Top-notch analog bass preamp with a 4-band EQ.

The Microtubes B7K takes the powerful dynamic saturation circuit of the B3K and adds a four-band equalizer and a balanced line driver for even greater versatility. Designed for both studio and live use, it will take your direct sound to a whole new level.

Controls
Level: Sets the volume of the overdriven signal.
Drive: Sets the amount of saturation in the overdriven signal.
Blend: Mixes the clean input signal with the overdriven signal. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio.
Grunt Switch: Sets the amount of low frequency content to saturate by selecting between three different bass boost levels before the clipping stage.
Attack Switch: Sets the amount of treble content to saturate: The œBoost setting emphasizes the treble content extra clarity and presence. The œFlat position leaves this register untouched while the œCut position will reduce the amount of high frequencies being saturated. This addition helps to keep the treble portion of the signal under control, specially useful when playing with new strings and/or cabinets with tweeters. (Low: +-12dB @ 100Hz / Low Mid: +-12dB @ 1kHz, Hi Mid: +-12dB @ 2.8kHz / Treble: +-12dB @ 5kHz)

Sep 20, 2016

edited Darkglass Microtubes 900 Bass Head

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The Microtubes 900™ is a 900W amplifier equipped with an all analog preamplifier and a Class D Power Module. The first thing you will notice from the Microtubes 900 is its unusual control layout: On the right side you’ll find the clean section which is the foundation of your tone. It features Gain and Master controls an active 4 band EQ. Along with Low and Treble controls you will find Low Mids and Hi Mids control, each knob with their own 3-way frequency switch. On the left side you will find the Microtubes® Engine which acts as an extra channel that can bring your clean tone to the next level by helping you cut through the mix while adding anything from subtle tube break up, harmonics and natural compression to obliterating distortion.

Sep 20, 2016

edited DigiTech Nautila Chorus / Flanger

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Beyond lush chorus and flanger effects, the DigiTech Nautila pedal has a cool trick you won’t find on many modulation pedals. The Drift knob blends between three different modulation waveform types, creating asymmetrical modulations that create evocative, animated soundscapes. Step on the momentary footswitch to increase the modulation speed to highlight a passage – it sounds especially awesome if you’ve got a delay pedal following the Nautila.

Sep 20, 2016

edited Hotone Soul Press Micro Volume/Expression/Wah

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Hotone Soul Press Wah/Vol/Exp Pedal
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Hotone Soul Press Micro Volume/Expression/Wah
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Volume/Expression/Wah Pedal for Guitar, Bass and Keyboards with Adjustable Control Range, Active Volume Mode, Passive Expression Mode, and True Bypass
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Guitar Pedals & Effects
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Multi Effects Pedals

Sep 20, 2016

edited Modtone MT-HT Harmonic Tremor Pedal

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Guitar Pedals & Effects
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Tremolo Effects Pedals

Sep 20, 2016

edited Modtone Aqua Chorus II

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Guitar Pedals & Effects
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Chorus Effects Pedals

Sep 20, 2016

edited Fender American Special Jazzmaster Electric Guitar

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Fender American Special Jazzmaster
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Fender American Special Jazzmaster Electric Guitar
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The first-ever American Special series Jazzmaster model is a stripped-down, full-voiced marvel in sound and style. Dual Jazzmaster Special humbucking pickups deliver monster tone, with a lean-and-mean control layout consisting of a single three-way toggle pickup switch and two aged-white control knobs (master volume and tone). Further, the Adjusto-Matic bridge and anchored tail piece provide rock-solid intonation and tuning stability.

Other features include a maple neck with modern C profile and satin finish, rosewood fingerboard with 9.5" radius and 21 jumbo frets, four-ply tortoiseshell pickguard, and nickel/chrome hardware.

Sep 20, 2016

edited Korg ToneWorks AX1500G

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Guitar Pedals & Effects
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Multi Effects Pedals

Sep 18, 2016

edited Mooer The Juicer

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Compact drive pedal with quality components.

This Neil Zaza signature overdrive pedal features a transparent and singing low gain overdrive; use it for added gain on a crunch sound amp or for light overdrive on a clean amp. It features a full metal shell, a very small and compact design, a true bypass switch and a DC 9V adapter power supply.

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Compact drive pedal with quality components.

This Neil Zaza signature overdrive pedal features a transparent and singing low gain overdrive; use it for added gain on a crunch sound amp or for light overdrive on a clean amp. It features a full metal shell, a very small and compact design, a true bypass switch and a DC 9V adapter power supply.

Sep 18, 2016

edited Laney VC15110 Guitar Combo Amplifier

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Laney VC-15 110
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LANEY VC15-110-W Guitar Combo Class "A/B"
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New for 2005, and the only amp on the market to employ 'The Dark Art'. The VC15-110 is the new baby of the VC range. Built on the distinguished heritage of the VC30, the VC15 delivers great tone. 15 watts of amazingly warm or classic bluesy lead tone powered by matched EL84's and cranked out through its internal 10" speaker. If 10" ain't enough for you, there are two dedicated extension cabinets - the GS112VE and the GS210VE.

Sep 18, 2016

edited Laney VC30-112

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Laney VC30 112
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Laney VC30-112
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A British classic, the VC30-112 delivers 30 watts RMS of pure CLASS A guitar tone into its custom HH driver.

Sep 18, 2016

edited Laney VC30-212

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Laney VC-30 212
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Laney VC30-212
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The VC30-212 is a very dynamic amp and can be easily controlled by the pressure of your pick on the strings and many tones can be found between one and ten on your guitar's volume knob. From a chiming bright clean sound to the vintage caress of the creamy overdrive, whether it is single coils or hum buckers, the VC30 delivers. The VC?s clean channel is immediately impressive and lives up to its name remaining clean almost all the way to the maximum volume, when it begins to break up in the perfect pleasant way you only get from pushing an EL84 hard. Drive-wise the VC range has its roots in the bluesy side of things, but push the front end of the amp a little harder with a pedal and the gain really sings. * Class A Tube Amplification * 2 x 12 inch HH Drivers * Classic tone * 2 Channel

Sep 18, 2016

edited Laney VC-30

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Guitar Amplifiers
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Combo Guitar Amplifiers

Sep 17, 2016

edited Electro-Harmonix Bass Clone

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The Bass Clone chorus pedal’s core circuitry is nearly identical to the legendary Small Clone chorus, but with added features especially for bass. Chorus is a combination of modulated and dry signals. The Bass Clone’s Crossover switch cuts low end from the modulated signal so the pedal delivers a more accurately articulated bottom end with excellent note definition. The Treble control affects the whole signal while the Bass control only affects the dry half. Together with the Crossover switch they provide precise sound shaping that lets you achieve a tight, focused bass guitar sound with a well-defined low end and shimmering chorus on top.

Sep 17, 2016

edited Chicago Iron Works Parachute Wah

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Parachute Wah Chicago Iron
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Chicago Iron Parachute Wah

Sep 16, 2016

edited Chicago Iron Works Parachute Wah

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Perfect reproduction of the 1970s Tycobrahe Parapedal
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Wah Pedals

Sep 16, 2016

edited Chicago Iron Works Parachute Wah

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Uncategorized
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Sep 16, 2016

edited Fridgebuzzz Land Of The Rising Fuzz

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based on the rare shin-ei companion fuzz from the 1960's, the LAND OF THE RISING FUZZZ offers thick fuzz tones guitar, bass, and synthesizers. The LOTRF goes beyond the shin-ei design by adding a tone control and mode switch that offers a much wider variety of sound. mode 1 retains the "bite" of the original while mode 2 features a more restrained version of fuzz.

Sep 16, 2016

edited a deleted item

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MXR Distortion +
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MXR Distortion+ M104
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Germanium-powered, soft-clipped distortion Go from warm, tubey overdrive to gnarly fuzz Classic early ’80s hard rock tone

Sep 16, 2016

edited Boss PH-2 Super Phaser

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Guitar Pedals & Effects
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Chorus Effects Pedals

Sep 16, 2016

edited Marshall VT-1 Vibratrem

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Combines both vibrato and tremolo effects. Just select the mode, depth, rate, and shape. It also features stereo output for a more enveloping sound.
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Guitar Pedals & Effects
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Tremolo Effects Pedals

Sep 16, 2016