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The Way Huge laboratory has resurrected the Saffron Squeeze™ Compressor, and it came back from the other side with a few new quirks!

The MkII has all of the love honey sustain and dripping compression of its predecessor, but now you can shape and mold it just the way you like it. In addition to the MkI’s Volume and Sustain controls, this revitalized rascal now has a Gain control to set the input gain level, a Tone control to cut post-compression high-end, and an Attack control to set the compressor’s reaction speed.

The Way Huge Saffron Squeeze MkII Compressor is TLC for your tone.

With Chord Intelligence, beat detection, and other sophisticated technology that was once reserved for full-size computers, Capo touch brings the power of our award-winning Capo 3 to musicians on the move.

The Landau Boost is the ultimate transparent clean boost and volume pedal in one. It is expertly crafted to provide total volume control over your signal with ZERO degradation (from 0 to +16dB over unity gain) via an EXP. Simply connect the Boost with any EXP pedal and control your volume as you would using a volume pedal (but without any tone-suck). Since your guitar signal is completely isolated from the EXP pedal, your tone remains open and full-range, and most importantly, it feels like you're plugged straight into your amp.

The Vertex Boost is expertly crafted to be a clean boost, buffer and volume pedal in one. The Boost is designed to leave your tone unchanged, while boosting the level of your signal. The Boost also features an ultra-linear buffer to condition your line with ZERO tonal coloration, even with dozens of pedals in your chain. Additionally, you have total volume control by connecting the Boost with any EXP or Volume Pedal and adjusting your volume as you would with a normal volume pedal. When the Boost is OFF, the EXP will function as a volume pedal (sweeping from silent to unity gain). When the Boost is ON, the EXP or Volume Pedal will control the boosted volume (sweeping from silent to wherever the Boost level knob is set). Since your guitar signal is isolated from the impedance of your chosen EXP or Volume Pedal, your tone remains open and full-range, and most importantly, it feels like you're plugged straight into your amp.

The Vintech Audio X73 is an all-discrete, Class-A microphone preamp with equalizer. Featuring the original circuit design, polystyrene capacitors, and transformers ensures that the X73 sounds exactly like the old Neve 1073.

The Tri-Mod Phaser is an evolutionary outgrowth of the original Hot Hand® Phaser/Flanger system in a compact and accessible format. There are 11 phaser effect variations that can all be further modified using either a Hot Hand motion controller, LFO (Low Frequency Oscillator) or Envelope Follower.

All Soundblox effects pedals are compatible with the Hot Hand Motion Controller — available separately in wireless or wired configurations — or an extensive range of on-board controls. Soundblox pedals provide a wide variety of original sounding effects in a sleekly designed, rugged package that is easy to use and highly flexible.

The Reflex Universal Expression Controller is the stand-alone command center for all of your expression pedal needs. It is a programmable expression pedal that connects to any effects pedal, synthesizer, or rack system with an expression or MIDI jack, and can also control DAW software via USB. Its outputs include three ¼” analog expression outs, MIDI 5-pin DIN in and out connectors, a USB port, and Source Audio’s proprietary 1/8” Sensor Out. Use the onboard control panel to program which outputs are active, the depth and direction of the expression or MIDI continuous controller signals, and the curve of the tapers. The Reflex can also send five different LFO wave shapes with expression control of the depth, modulation speed, or beat division. Save up to 128 expression configurations, recallable via the onboard controls or external MIDI program change messages.

• Three 1/4” Expression Outs (10k/10k/50k): Each expression out is paired with its own set of DIP switches, which are used to select the expression type — choose control voltage (CV) or the passive expression configuration that is compatible with your effects pedal, synthesizer or rack unit.
• Expression Control: For each preset, set which outputs are active, the depth and direction of the expression signals, and the curve of the tapers.
• 5 LFO Wave Shapes: Send an automated modulation signal to each expression output with any of the Reflex’s five LFO wave shapes. Set the expression pedal to control the LFO’s depth, modulation speed, or the beat divisions over a fixed BPM
• MIDI Continuous Controller Messages: Send up to three independently configurable MIDI CC messages via the MIDI out or the USB Port.
• 128 User Presets: Save up to 128 expression configurations, recallable via the onboard controls or MIDI program change messages.
• USB port: Send MIDI continuous controller messages directly to your DAW software or virtual instrument software.

Source Audio Soundblox 2 OFD Bass MicroMod, Distortion pedal for electric bass guitar, 12 popular overdrive, fuzz and distortion sounds, cast aluminum housing,, 2 storable user presets, Dry/Wet mix control, True or Buffered Bypass, Lo-Retain algorithm for powerful bass frequencies,, 3-band tone control, 3-level noise gate, Multifunction-In for Source Audio expression pedal, Hot Hand and MIDI-control,, 56-bit Source Audio DSP with 24-bit converters, incl. 9V DC power supply

The OFD Bass microModeler packs a comprehensive, low-end enhanced collection of new and vintage overdrive, fuzz, and distortion tones into a single stage-ready stompbox perfect for bassists of all genres. Each effect has been meticulously crafted to provide precise and naturally responsive tones, from warm and thumping tube overdrive to bass-in-your-face fuzz. The OFD also features Lo-RETAIN, our special low-end preserving algorithm. Plus each effect can be blended with the original dry signal to maintain the thumping essence of your bass tone.

The Bass OFD features incredibly natural modeling of twelve bass specific versions of tones inspired by classic gear including Marshall Amplifiers®, Mesa Boogie Amplifiers®, Tone Bender®, Fuzz Face®, and Octavia®. The box also includes a super saturated tone called METAL for an especially growling distortion, an extremely nasty, spitting fuzz called the GATED FUZZ (inspired by the Z-Vex Woolly Mammoth®), and Source Audio’s own CRUNCH TUBE, which delivers an extra aggressive tube overdrive.

The Bass OFD is housed in a compact and extremely durable cast-aluminum casing. Its sturdy exterior and relay based buffered or true bypass switches are built to withstand endless gigging and rehearsal and the compact 4.5 x 4.5 inch footprint easily finds a place on any sized pedalboard. It also offers a multitude of forward thinking and useful design functions like clean and dirty MIX control, Lo-RETAIN, preset morphing, easy-to-adjust internal noise gates, and external Hot Hand, Expression Pedal, or MIDI control.

Source Audio Soundblox 2 OFD Bass MicroMod, Distortion pedal for electric bass guitar, 12 popular overdrive, fuzz and distortion sounds, cast aluminum housing,, 2 storable user presets, Dry/Wet mix control, True or Buffered Bypass, Lo-Retain algorithm for powerful bass frequencies,, 3-band tone control, 3-level noise gate, Multifunction-In for Source Audio expression pedal, Hot Hand and MIDI-control,, 56-bit Source Audio DSP with 24-bit converters, incl. 9V DC power supply

The OFD Guitar microModeler packs a comprehensive collection of new and vintage overdrive, fuzz, and distortion tones into a single stage-ready stompbox perfect for guitarists of all genres. Each effect has been meticulously crafted to provide precise and naturally responsive tones, from warm and chunky tube overdrive to over-the-top fuzz.

The Guitar OFD features incredibly natural modeling of twelve classic tones including, Marshall Amplifiers®, Mesa Boogie Amplifiers®, Ibanez Tube Screamer®, EHX Big Muff Pi®, Pro Co Rat®, Tone Bender®, Fuzz Face®, and Octavia®. The box also includes a super saturated METAL tone for the head-bangers, an extremely nasty, spitting fuzz called the GATED FUZZ, and Source Audio’s own CRUNCH TUBE, which delivers an extra aggressive tube overdrive.

The OFD is housed in a compact and extremely durable cast-aluminum casing. Its sturdy exterior and relay based buffered or true bypass switches are built to withstand endless gigging and rehearsal and the compact 4.5 x 4.5 inch footprint easily finds a place on any sized pedalboard. It also offers a multitude of forward thinking and useful design functions like preset morphing, easy-to-adjust internal noise gates, and external Hot Hand, Expression Pedal, or MIDI control — step up to an entirely new stompbox experience.

The Stingray Multi-Filter bravely forges a distinct new path in filter modulation. With its 12 filter effects, on-board overdrive, four modes of filter modulation, and full MIDI functionality (via the Soundblox Hub) the Stingray goes way beyond the common and tired approach of the other filter effects pedals. Dial in an amazing new world of guitar tones, from swirling LFO psychedelia or super-funky envelope filter quack, to massive, synthesizer-inspired fuzz. But beware the STING!

The Stingray includes 12 diverse flavors of low pass, high pass, phaser, single peak, and multi-peak filter effects, and each can be controlled via any of the pedal’s four modulation modes: envelope follower, LFO, expression pedal, or Hot Hand. The Stingray’s four LFO waveforms include sine, square, random sample and hold, and saw tooth, and it’s easy to synch LFO modulation to a drummer or backing track with the Stingray’s pin-point-accurate Tap Tempo function. For a more hands-on approach, plug in the Source Audio Dual Expression Pedal or our amazing Hot Hand wireless motion sensing ring and take manual control of filter modulation or any of the Stingray’s nine knob parameters.

If you really sting an unwary audience, dive into the Stingray’s hardline DRIVE function. Dial in a subtle overdrive for a warm and natural dirt or propel your tone to wild extremes with a blast of brash and unapologetic fuzz.

And of course the Stingray is compatible with the Soundblox Hub v1. Connect the Stingray to the Hub (with up to five Soundblox 2 pedals) and tap into its full range of MIDI capabilities. The Hub allows you to save up to 128 presets, easily recalled via MIDI program change and continuous controller messages. Be one of the adventurous ones and embrace this breakthrough in pedalboard technology.

The Kingmaker offers a dangerously aggressive trio of Fuzz. The Kingmaker’s Heavy mode pumps out a highly saturated fuzz for violin-like lead tones with unending sustain as well as thick and pummeling rhythm tones. Normal mode provides a responsive fuzz that cleans up nicely with reduced input signal but intensifies dramatically as the input increases. The Octave circuit unleashes a screaming, octave fuzz in the style of vintage Octavio pedals.

Out of the box, the Kingmaker Fuzz offers tremendous tonal range, but dig a little deeper and discover its hidden powerful and flexibility. Every pedal in the One Series line is compatible with the Neuro Mobile App (a free download for iOS or Android). Link the Kingmaker to the Neuro App and access its extended equalization capabilities as well as Source Audio’s library of bonus overdrive, fuzz, and distortion algorithms — each algorithm can be downloaded directly to the pedal. Plus, every One Series pedal is fully MIDI compatible when coupled with the Nuero Hub (formerly Soundblox Hub), delivering the power to save up to 128 different presets.

Float away with the liquid, swaying effects of this state-of-the-art stereo chorus pedal. The Gemini Chorus offers three types of deep, hypnotic chorus. Classic mode creates a single voiced effect that conjures subtle and creamy tones from the first wave of 1970s chorus pedals. The thick and rich Dual Chorus provides a smooth, yet animated double voiced effect. The lush and spacious Quad chorus recaptures that ‘80s vibe with its less than subtle rack system sound. Once you’ve found your chorus, dial in the sweet spot with the onboard Mix and Tone controls.

Leave vapor trails in the sky with this powerful stereo flanger pedal. The Mercury Flanger has three intense effect types. Classic mode offers a deep and dramatic effect in the style of the earliest flanger pedals. The Mercury’s Thru-Zero (a.k.a. “Tape Flange”) dramatically delivers the distinguishable twisting effect that occurs when the dry and modulating signals reach their intersection point. Finally the Shadow flanger offers a highly resonant yet silky smooth tone, with the jet engine “whoosh” all flange fanatics crave. The Mercury also includes an on-board Delay control to explore that beautiful cosmic space between chorus and flanger.

Source Audio L.A. Lady Overdrive, One Series, overdrive effect pedal, 3 different overdrive types selectable via toggle switch: classic - “marshall in a box” tone / smooth - full-bodied and highly saturated drive reminiscent of mesa boogie’s finest / crunch - warm and chunky tone with drive levels well above most pre-amps, stereo ins and outs: for stereo effects or alternate signal routing., usb port: connect the l. a. lady overdrive to mac or windows systems for simple firmware updates, MIDI capable: connect the l. a. lady overdrive to the neuro hub and enable its MIDI functionality. save up to 128 user presets / accessible via midi, program change messages. assign hot hand and expression control to modulation or any knob parameter. control modulation speed with MIDI clock., more parameters and algorithms editable via neuro mobile app (ios & android) and on pc and mac, connects to smartphone via headphone jack, controls for drive / bass / treble and level, expression control, — connect the hot hand 3 wireless effects controller / the source audio dual expression pedal / or the reflex universal expression controller via the 3.5 mm control input port for external control of modulation or knob parameters., universal bypass: select between analog buffered or relais-based true bypass, brushed aluminum housing / anodized, incl. 9V dc power supply, dimensions (l x b x h): 114 mm x 70 mm x 51 mm

This cabinet is LEGENDARY! The original Rectifier® 2x12 Horizontal Cabinet was designed by matching the dimensions of the bottom two speakers in a Standard Oversized Rectifier 4x12. While simple in it’s design concept, the resulting sealed enclosure delivers HUGE punch, projection and authority from it’s relatively small size. In addition to world-class low end response, it’s midrange punch and bite, coupled with the classic warmth and cut of Celestion Vintage 30s, makes this cabinet an excellent choice for all styles despite it’s reputation in high gain rock, alternative and metal styles. Anytime you want to bring a 4x12 but can’t, the 2x12 Recto® sounds big enough to make you wonder if you DO have a 4x12 behind you! You simply won’t find a better cabinet. ALL MESA® ENCLOSURES are made using the finest Void-free, Marine Grade Baltic Birch. Super strong rabbet corners are glued and nailed. Speaker baffles are fitted with superior dado joint construction and braced. Grilles are wrapped around a separate grille board, not the baffle board. Grille material is made of strong twisted jute dipped in a special coating that filters top end for a sweeter response.