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Average Price: $215
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$301+
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Description
Introducing the DigiTech Whammy WH-1, the genesis of whammy pedals that redefined guitar sounds with its innovative design. This classic piece of gear offers experimental musicians a unique way to manipulate their sound. From two octave up/down Whammy option to a detune section, the WH-1 delivers a range of distinctive effects. Its Harmony octave capability further expands the tonal palette, making it a highly versatile tool for all guitarists. With a responsive shifting power, this pedal lets you shape your sound with precision and ease. Iconic artists like Tom Morello, Jack White, and Joe Satriani have harnessed the power of the WH-1, earning it the status of a '90s holy grail pedal and a crown jewel in any collection.
Key Features:
- Two octave up/down Whammy option for powerful pitch shifting
- Detune section for subtle pitch modifications
- Harmony octave capability for expanded tonal range
- Responsive shifting power for precise sound manipulation
- Used by iconic musicians, testifying to its quality and versatility
- Produced from 1989 - 1993 (1997 Limited Japan Only)
Owner's manual
DigiTech Whammy WH-1 User ManualProduct specs
| Brand | DigiTech |
| Model | Whammy WH-1 |
| Finish | Red |
| Year | 1990s |
| Made In | United States |
| Categories | Octave and Pitch-Shifting Pedals |
FAQs
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What is the primary function of the DigiTech Whammy WH-1 pedal?
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The DigiTech Whammy WH-1 is a pitch-shifting pedal that allows guitarists to raise or lower the pitch of their instrument by up to two octaves, controlled via an expression pedal.
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How does the DigiTech Whammy WH-1 affect guitar tone?
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The Whammy WH-1 can dramatically alter your guitar's tone by shifting pitches for creative harmonies, solos, and effects, making it popular for experimental and expressive guitar playing.
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Is the DigiTech Whammy WH-1 suitable for live performances?
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Yes, the DigiTech Whammy WH-1 is widely used in live performances for its reliable pitch-shifting capabilities and expressive control, favored by many professional guitarists.
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Can the DigiTech Whammy WH-1 be powered with a standard 9V power supply?
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The DigiTech Whammy WH-1 requires a specific power supply due to its unique voltage requirements, so it's important to use the correct adapter to ensure proper operation.
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Does the DigiTech Whammy WH-1 work well with bass guitars?
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While primarily designed for electric guitars, the DigiTech Whammy WH-1 can be used with bass guitars to achieve unique pitch-shifting effects, although results may vary based on the instrument's frequency range.
Videos
shnobel
Vintage Boss Octave OC-2 vs Digitech Whammy WH1
Reviews
PROS
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Original version offers superior, more analog sound
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Clean output with no artifacts
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Offers unique detune effect with a chorus-like quality
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Compact and resilient design
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Can produce unique harmony glitches for creative use
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Versatile, used by iconic artists like Radiohead and Rage Against the Machine
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Essential for creating distinctive sounds, including pterodactyl noises
CONS
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Pricey compared to other effects pedals
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Does not track as well as newer versions, particularly on complex chords
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Limited artist use of the detune feature, suggesting niche appeal
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about DigiTech Whammy WH-1.
Use cases and applications
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Users have found the WH-1 effective for adding rhythmic effects, especially by applying a +1 octave on open strings for a percussive feel.
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It's noted that the WH-1 can be used effectively in a style similar to Tom Morello, focusing on rhythmic rather than melodic applications.
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The WH-1 can enhance single-string lines by adding harmonies like a 4th or 3rd interval, broadening its application for creative playing.
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When paired with a non-octave fuzz like the Big Muff, the WH-1's dynamic pitch-shifting enhances solos with instant sound transformation.
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Using the WH-1 for dive bombs in solos can add dramatic transitions between notes, especially effective with a lot of delay.
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The WH-1 can be used for a shallow detune effect to mimic a Univibe, or for octave-down settings to achieve a Boss OC-2 vibe.
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Value and pricing
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A WH-1 can be a valuable find, as some users report selling them for four times their original purchase price due to demand and collectibility.
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Build quality
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It's mentioned that the WH-1 is the smallest version available, making it a top choice for those needing to save pedalboard space.
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Comparisons
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Some users who have tried newer Whammy versions, such as the v5, find the WH-1's lo-fi glitchiness uniquely appealing despite better tracking in later models.
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The WH-1 is physically smaller than later iterations, which may appeal to those with limited pedalboard space.
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Users find the WH-1's artifacts warmer and more familiar compared to newer models, retaining a stripped-down mojo.
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The WH-1 has a broader setting range than the Whammy 2 and is favored for its warmer artifacts not found in later versions.
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User experience
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Owners note that despite its age, a well-maintained WH-1 can still function effectively, even surpassing newer, more expensive models in terms of sound preference.
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Unlike a wah pedal, users do not instinctively mimic the WH-1's sounds with mouth movements, indicating a unique interaction during play.
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Setup and maintenance
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The WH-1 is often found requiring minor repairs, like fixing electronics, which can be done affordably with minimal parts and time investment.
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Features and functionality
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The WH-1's octave up setting has unique tracking quirks that create delightful, glitchy artifacts, especially noticeable on higher notes.
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The original power adapter is crucial for optimal performance of the WH-1, as noted by several users, suggesting it may not function well with generic adapters.
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4.5 out of 5
Based on 3 Reviews and 15 Ratings
659
Everything you've heard from RATM and more
The detune feature on these pedals is what really makes it magic for me, but I couldn't name you many (if any) artists who use it widly; the shallow detune is effectively a chorus-y modulation that sounds pretty fantastic, on top of everything else you already know the WH-1 is famous for. Nothing to complain about really; these things are pricey, but if you dig the effect there's nowhere better to turn!
1963
Classic Whammy
The classic whammy as used by Radiohead and Rage against the machine. Really cool to use on other things than guitars.
Artist usage
Add artist
David Gilmour has used the pitch shift Digitech Whammy since early 90s recording the Grammy-winning song Marooned from the Division Bell album. In his solo album On An Island and in the recently Pink Floyd last album Endless River, he stills uses the same pedal. Of course, he always gets the best from every effect he uses and the Whammy isn't the exception.
In this clip from "It Might Get Loud", you can just make out the Whammy 1 behind Jimmy at :23s. Woodytone tries to decipher exactly what gear he uses in this move from this accompanying article, where they also mention the Whammy 1.
This pedal can be seen on one of the pictures from the source link, confirming Hetfield used it at some point.
3:34 into this video shows some of Tom Morello's pedals in his home studio. The pedals shown seem to be consistent with the pedals he has relied on throughout his career. The DigiTech WH-1 Whammy pedal (the original whammy) is part of Morello's setup.
This detailed gear diagram of Dimebag Darrell's Pantera stage setup includes two Digitech Whammy WH-1s.
"Steve’s pedalboard for the ‘Sex & Religion’ tour. It included a much smaller version of his Bradshaw switching unit, this one made by Custom Audio Electronics. The pedals included a Digitech Whammy pedal which could be controlled from the rack, a BOSS DS-1 Distortion, a BOSS CH-1 chorus pedal, a Crybaby wah pedal and a Roland FV-100 volume pedal."
The Edge's main onstage pedalboard:
Skrydstrup SC1 + SC1 Extensions + Extension Plus Controller + Dunlop Crybaby Rack Wah Controller, Digitech WH1 Whammy Pedal, Peterson V-SAM Tuner
In the YouTube video titled "Smashing Pumpkins - Rhinoceros - London 1991 PRO TV Master," at approximately 3:23, Billy Corgan can be seen using a DigiTech Whammy WH-1 during the solo section of the live performance.
Album Usage
The DigiTech Whammy WH-1 has been featured on the following albums:
Nostalgiaa
Anssi Kela (2015)
The Endless River
Pink Floyd (2014)
MUSIC LIFE
GLAY (2014)
Lead...On
Deventter (2009)
On An Island
David Gilmour (2006)
Revelations
Audioslave (2006)
Out of Exile
Audioslave (2005)
Audioslave
Audioslave (2002)
Renegades
Rage Against the Machine (2000)
The Battle Of Los Angeles
Rage Against the Machine (1999)
Carnival Of Souls: The Final Sessions
Kiss (1997)
Evil Empire
Rage Against the Machine (1996)
Joe Satriani
Joe Satriani (1995)
The Division Bell
Pink Floyd (1994)
Sex & Religion
Steve Vai (1993)
Rage Against The Machine
Rage Against the Machine (1992)
Rage Against The Machine - XX (20th Anniversary Special Edition)
Rage Against the Machine (1992)
Revenge
Kiss (1992)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use DigiTech Whammy WH-1, it is most commonly used with the following gear.
Community setups
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