Alan Moulder

Alan Moulder

producer and engineer

Credits

Greasy off the Racing Line Tremor The Ghost of Her Smile

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Alan Moulder's Software Plugins and VSTs

John Paul Jones' bass parts were re-amped through Alan Moulder's custom Audio Kitchen bass amp, miked with a Neumann U47 FET. "The bass pedal was also DI'ed, and so I re-amped that through the Audio Kitchen, adding some RBass, RVox and also Sound Toys Filter Freak…"

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When it comes to effects plug-ins, Moulder fancies Waves. “I use the L1 a lot for getting things to cut through and sit in mixes,” he says. “The Renaissance EQ I like for digital equalizing and their De-esser works well. I use the McDSP stuff a lot for filtering and their new multi-band compressors and analog channels are good, too.

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"Trent Reznor: Alan Moulder shows up to work with me and immediately demands I check out the Quad Fromage (which somehow I was unaware of) and well, the rest is history. Really excellent tools that have been inspiring to work with."

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Image 5 of 14 ValhallaRoom was used on the drums

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When it comes to effects plug-ins, Moulder fancies Waves. “I use the L1 a lot for getting things to cut through and sit in mixes,” he says. “The Renaissance EQ I like for digital equalizing and their De-esser works well. I use the McDSP stuff a lot for filtering and their new multi-band compressors and analog channels are good, too.

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"Drums: NI Battery, Waves Renaissance Bass, Avid Reverb One, Valhalla Room, IK Classik Reverb, Elysia Mpressor, Empirical Labs Fatso and Distressor, Neve 33609, Dbx 160 and 120, Valley People Dynamite, Drawmer DS201."

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He got his first experience with computer sequencing while producing a solo album with his now wife, Toni Halliday, before she was in Curve. “We did the album together and I had to learn Steinberg’s Pro 24 program to do the demos,” says Moulder.

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Moulder runs ProTools, Logic, Reason and Reaktor on a Power Mac in the studio, and on a PowerBook for remote editing.

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When it comes to effects plug-ins, Moulder fancies Waves. “I use the L1 a lot for getting things to cut through and sit in mixes,” he says. “The Renaissance EQ I like for digital equalizing and their De-esser works well. I use the McDSP stuff a lot for filtering and their new multi-band compressors and analog channels are good, too.

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Album Credits

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