Billy Gould

Billy used this amp amongst other Peavey amps for years in Faith No More. From the early days from We Care A Lot to the present.

“My live amp is an Aguilar Tone Hammer 500 — or a pair of them, I should say — into two [Ampeg] SVT cabinets. But, for the recording, I used a Fender Bassman Pro 300, which has great tone but is very unreliable, travel-wise. I’ve done recordings where I’ve done a single pass but then when it’s been time to do overdubs or fixes five minutes later the tone has already changed dramatically!"

“My live amp is an Aguilar Tone Hammer 500 — or a pair of them, I should say — into two [Ampeg] SVT cabinets. But, for the recording, I used a Fender Bassman Pro 300, which has great tone but is very unreliable, travel-wise. I’ve done recordings where I’ve done a single pass but then when it’s been time to do overdubs or fixes five minutes later the tone has already changed dramatically!"

«This thing is a winner on many levels; it has a great tone that can cut through the loudest cymbals and guitars; a ridiculous amount of punch that just feels good to play, with power for days. And I can fly with it as a carry on!» Words by Billy about Microtubes 900.

“My live amp is an Aguilar Tone Hammer 500 — or a pair of them, I should say — into two [Ampeg] SVT cabinets. But, for the recording, I used a Fender Bassman Pro 300, which has great tone but is very unreliable, travel-wise. I’ve done recordings where I’ve done a single pass but then when it’s been time to do overdubs or fixes five minutes later the tone has already changed dramatically!"

As seen in Kemper's YouTube video, Billy explaining his use for the Kemper Profiler PowerHead.