Chris Carter

In this picture of Chris' studio, a JP-8080 can be seen in the background.

A Korg MS20 was used on Chris Carter's The Space Between, according to the liner notes.

Chris Carter has an Eventide Space Reverb in this image of his live setup.

Chris has Monotron near the bottom of the screen in this image.

(Centre - top down): Self-built digital delay, Accesit Noise Gate & Compressor, Roland System 100M (M-191J): incl. Gristleizer, BBD Module, VCO, VCF, ADSR etc., Roland System 100M (M-191J) rack containing self-built modules: incl. VCO, VCF, ADSR etc.. Boss KM-4 mixer, Self-built effects unit (Gristelizer), Boss CE-2 Chorus, Boss BF-2 Flanger, Roland 100M M-181 Keyboard.

This was the first track I 'officially' recorded as part of my CCCL project (aka: Chris Carter's Chemistry Lessons). It was made in 2007 with a Gameboy ASP running a couple of Nanoloop sequences: into a Boss PQ-4 parametric EQ, mono out: into a Boss PN-2 Panner (square-wave pan setting), stereo out: into a Boss RV-5 reverb (Gate setting), stereo out > into a Boss DD-6 digital delay (modified), stereo out: into a Mac G5 recording (via MOTU 828 mkII audio interface) into Apple Soundtrack Pro. All realtime tweakery (mostly the PQ-4 + DD-6) and no post-pro no editing.

This was the first track I 'officially' recorded as part of my CCCL project (aka: Chris Carter's Chemistry Lessons). It was made in 2007 with a Gameboy ASP running a couple of Nanoloop sequences: into a Boss PQ-4 parametric EQ, mono out: into a Boss PN-2 Panner (square-wave pan setting), stereo out: into a Boss RV-5 reverb (Gate setting), stereo out > into a Boss DD-6 digital delay (modified), stereo out: into a Mac G5 recording (via MOTU 828 mkII audio interface) into Apple Soundtrack Pro. All realtime tweakery (mostly the PQ-4 + DD-6) and no post-pro no editing.

Background: 2x 'Faderfox LV1' MIDI controller fader units Foreground Left: Korg Monotron synthesiser Foreground Right: 'Korg mini-KP' Kaoss Pad effect unit (custom modified) As used by: Chris Carter

A Roland D-50 was used on the album Small Moon, according to the liner notes.

An EDP Wasp was used on the album Small Moon, according to the liner notes.

A Korg Wavestation A/D was used on the album Small Moon, according to the liner notes.

A Roland TB-303 was used on the album Small Moon, according to the liner notes.

An EMS VCS 3 was used on Chris Carter's* The Space Between*, according to the liner notes.

A CR-78, among other gear, can be seen in this picture of Chris Carter's studio.

In this picture Chris Carter took of his gear, a Korg ER-1, a KP3 and a Kaossilator can be seen.

In this picture Chris Carter took of his gear, a Korg ER-1, a KP3 and a Kaossilator can be seen.

In this picture Chris Carter took of his gear, a Korg ER-1, a KP3 and a Kaossilator can be seen.

A TR-808 and a CSQ-600 can be spotted among the gear in this image of Chris Carter's studio at Industrial Records.

Chris' V-Synth XT can be seen at 0:31.

Chris' keyboards in this image consist of an SH-5 and an SH-7.

Chris' keyboards in this image consist of an SH-5 and an SH-7.

In a 1980 image featured on Boing Boing, industrial music pioneer Chris Carter is seen with his gear, including a Boss PH-1 Phaser pedal.

The gear is... (Left side - top down): Boss PH-1 phaser pedal, Simmons ClapTrap, Roland SRE-555 Chorus Echo, Roland SH-7 Synth, Boss DR-55 Dr.Rhythm, Roland CSQ 100 sequencer, Roland CR-78 CompuRhythm.

(Centre - top down): Self-built digital delay, Accesit Noise Gate & Compressor, Roland System 100M (M-191J): incl. Gristleizer, BBD Module, VCO, VCF, ADSR etc., Roland System 100M (M-191J) rack containing self-built modules: incl. VCO, VCF, ADSR etc.. Boss KM-4 mixer, Self-built effects unit (Gristelizer), Boss CE-2 Chorus, Boss BF-2 Flanger, Roland 100M M-181 Keyboard.

(Right side - top down): Auratone 5C speakers, JVC amplifier, TEAC cassette deck, Seck 6-2 audio mixer, Casio M10 keyboard.

This was the first track I 'officially' recorded as part of my CCCL project (aka: Chris Carter's Chemistry Lessons). It was made in 2007 with a Gameboy ASP running a couple of Nanoloop sequences: into a Boss PQ-4 parametric EQ, mono out: into a Boss PN-2 Panner (square-wave pan setting), stereo out: into a Boss RV-5 reverb (Gate setting), stereo out > into a Boss DD-6 digital delay (modified), stereo out: into a Mac G5 recording (via MOTU 828 mkII audio interface) into Apple Soundtrack Pro. All realtime tweakery (mostly the PQ-4 + DD-6) and no post-pro no editing.

The gear is... (Left side - top down): Boss PH-1 phaser pedal, Simmons ClapTrap, Roland SRE-555 Chorus Echo, Roland SH-7 Synth, Boss DR-55 Dr.Rhythm, Roland CSQ 100 sequencer, Roland CR-78 CompuRhythm.

Chris Carter uses the Korg Electribe ER-1 Rhythm Synthesizer, as highlighted in an article by The Quietus. The article mentions this gear in the foreground, with a MOTU UltraLite Mk3 Hybrid audio interface in the background.

Foreground: Korg ER1 Electribe Rhythm Synthesiser Background: MOTU 'UltraLite Mk3 Hybrid' laptop audio interface As used by: Chris Carter

A Roland SH-101 was used on the album Small Moon, according to the liner notes.