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Average Price: $1,999
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Description
Step back into the golden age of electronic music with the Roland CompuRhythm CR-78, a drum machine that has left an indelible mark on music history. Not just any drum machine, the CR-78 was one of the first to offer programmable rhythms, allowing musicians to move beyond preset patterns and craft their own beats. This classic piece of gear merges vintage charm with modern creativity, offering a nostalgic, warm analog sound that resonates with both seasoned professionals and inspired newcomers.
The CR-78's allure lies in its ability to blend timeless analog tones with innovative features. It includes a rich variety of preset rhythms and the capacity to store user-created patterns, setting it apart from its predecessors. With features like Fill-In, Voice Cancel, and 11 Variation effects, every beat can be personalized to fit your unique style. While its design might evoke a retro feel, the sound it produces is endlessly versatile, having shaped iconic tracks like Blondie's "Heart of Glass" and Phil Collins' "In The Air Tonight."
For DJs and producers seeking to inject authentic analog vibes into their modern productions, the CR-78 remains a cherished tool, bridging the gap between past and present with ease.
Key Features:
- Iconic analog drum sounds reminiscent of the '70s
- Programmable patterns with user-storable slots
- Fill-In and Voice Cancel functions for dynamic performances
- 11 Variation effects for personalized rhythm creation
- Historic influence on tracks by Blondie and Phil Collins
- Classic design with modern functionality for DJs and producers alike
Product specs
| Brand | Roland |
| Model | CR-78 CompuRhythm |
| Finish | Black |
| Year | 1970s |
| Made In | Japan |
| Categories | Drum Machines |
| Analog / Digital | Analog |
| Polyphony | 4 Voices |
FAQs
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What makes the Roland CompuRhythm CR-78 unique compared to other drum machines?
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The Roland CR-78 was one of the first drum machines to allow users to program and store their own drum patterns, making it a pioneering piece of equipment in the late 1970s.
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Is the Roland CR-78 suitable for live performances?
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The Roland CR-78 is primarily designed for studio use, but its programmable patterns and distinct analog sounds have made it a favorite for live performances seeking a vintage vibe.
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What type of sounds can I expect from the Roland CR-78?
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The CR-78 offers classic analog drum sounds, including bass drum, snare, hi-hat, and percussion, which are ideal for retro and electronic music styles.
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How does the Roland CR-78 integrate with modern music production setups?
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While the CR-78 is an analog drum machine from the 1970s, it can be integrated into modern setups using MIDI converters or synced with other equipment through its trigger inputs.
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Can the Roland CR-78 be used for creating custom drum patterns?
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Yes, the Roland CR-78 allows users to program and store custom drum patterns, a feature that was groundbreaking at the time of its release.
Videos
Doctor Mix
Roland CR-78 Vintage Drum Machine In Action
Reviews
PROS
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Deliciously analog and perfectly unique sound
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Recognizable, iconic tones that stand out
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Programmable, despite its age
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Trigger outs for syncing with other gear
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Front panel filled with performance features, like fills and muting
CONS
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Programming is significantly more difficult than modern units
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Roland CompuRhythm CR-78.
Features and functionality
Comparisons
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The Arturia Drumbrute offers a similar sound to the CR-78, designed with classic analog drum machines in mind, providing a modern alternative.
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Cyclone Analogic's Beat Bot TT-78, priced around $400, offers individual outs and MIDI control, resembling the CR-78 with enhanced programming capabilities.
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The TR-68 has identical sound but lacks programmability; the TR-77 offers similar sounds but differs in percussive elements and feel compared to the CR-78.
Source
Use cases and applications
Setup and maintenance
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The CR-78 features high and low impedance outputs; use low impedance for mixers or powered speakers, and high impedance for bass amps or XLR inputs.
Source
5.0 out of 5
Based on 3 Reviews and 12 Ratings
1312
Limited controll with exceptional sounds
This is an old drum machine. But the sound from this box is deliciously analog and perfectly unique. The ability to program this box is significantly more difficult than modern drum machines but it can still be achieved. Simply insert a "non-latch" pedal like the DP-2 sustain pedal plugged into TS-1 jack - select the instrument.
https://www.youtube.com/watch?v=dns3Pbfhbfs
182
The last of a generation.
Perhaps the best 70's analog drum machine. It is programmable and has trigger outs for syncing other gear with the CR-78. Roland's dedication to performance features can be seen on the 78, with abilities to do fills, muting, etc right on the front panel. Loads of analog tones that drum machines seemed to stray away from once the 80's happened (unfortunately).
1963
Great Drummachines
Still sounds amazing and is a lot of fun to use as everybody recognizes it.
Artist usage
Add artist
Johnny in this version of "The Numbers" plays into a Vox AC30 Combo amplifier. Seated above the amplifier, a vintage CR78 is being used as the drum track for this performance. The machine is also reference in the title of the Youtube video.
Johnny and Thom played with a CR-78 for two acoustic videos directed by Paul Thomas Anderson in 2016. https://www.youtube.com/watch?v=6hgVihWjK2c https://www.youtube.com/watch?v=Ti6qhk3tX2s Seen on top of Johnny's amp in the second video.
Another photo dating from the 1979 “McCartney II” recording sessions. Roland CR-78 at the top right.
DeMarco wrote some demos for This Old Dog on an acoustic guitar, an unusual yet eye-opening method for him. He also attributes some of the delay to his exploration of new gear he’d purchased, specifically a CR-78 drum machine, which he used while writing and can be heard on his album tracks for the first time ever. “That thing helped a ton, especially for demoing,” he says. “It’s on the album a lot, maybe four or five songs. I usually demo on a drum machine and then record real drums, but I liked that machine so much I kept it on the album. The majority of this album is acoustic guitar, synthesizer, some drum machine, and one song is electric guitar." In this interview, Mac describes using the CR-78 on several tracks off of his new album.
This article on the making of Marr's 2018 Call the Comet album by MixOnline.com touches on some of the gear used during the recording process. "'[Marr] adjusts setting along with the music, essentially playing the effects to the beat, building the rhythm track dynamically as the song develops,' explains James Doviak, Marr’s co-producer on Call the Comet, as well as his longtime engineer, Pro Tools expert and touring guitarist. 'On "New Dominions," the rhythm track is a Roland CompuRhythm CR-78 through guitar distortion and delay pedals and a flange, with the Ring Stinger making a great odd, nasty sound on the second verse.'"
In an image from Musicradar, Boys Noize is shown with his Roland CompuRhythm CR-78 drum machine, highlighting his preference for integrating classic hardware into his music production setup.
In this article it states : So my very last question is about any other Roland gear you’ve used over the years?
I bought this Roland thing in Japan in January, like a little rhythm box, the thing with the wooden…
CR-78?
Yeah. I’ve been using that a lot, I really like that and the Space Echo has been like a staple of mine. That was the first bit of analogue equipment I ever bought.
In the YouTube video "Jean Michel Jarre - Equinoxe 4 - Place de la Concorde, Paris 1979," Jean Michel Jarre uses the Roland CompuRhythm CR-78 drum machine.
"The classic CR-78, we've used it on our Eagles Cover and 'J'ai Claque La Porte.' What we did for the French song on the album is that we actually separated all the sounds and reprogrammed it ourselves. So we have the sounds from that machine, but we're not using a pre-existing pattern in it."
This website has transcriptions of various posts by Guthrie submitted to Cocteau Twins forums in the early 00's. In the "Drum Machines" section, he explains, "Victorialand: Just a Roland CR78 on one song;"
This photo from Underworld's Instagram account shows the band's CR-78, and indicates that it previously belonged to synthpop legends Ultravox.
Album Usage
The Roland CompuRhythm CR-78 has been featured on the following albums:
I Can't Go for That (No Can Do) [Nicolaas Remix]
Hall & Oates (2021)
Other Here Comes The Cowboy Demos
Mac DeMarco & Mac DeMarco (2020)
The Synth And Electronic Recording Exchanges
Martin Hannett (2019)
Call The Comet
Johnny Marr (2018)
A Moon Shaped Pool
Radiohead (2016)
Music for Insomniacs
Matt Berry (2014)
Music for Insomniacs Part IV
Matt Berry (2014)
Ragysh
Todd Terje (2011)
Fantasma (Remastered)
Cornelius (1998)
Time Fate Love (Remastered 2019)
Luca Prodan (1996)
Victorialand
Cocteau Twins (1986)
Peter Gabriel 4: Security (Remastered Version)
Peter Gabriel (1982)
Movement
New Order (1981)
Face Value (Deluxe Editon)
Phil Collins (1981)
1984 (Deluxe Edition)
Anthony Phillips (1981)
McCartney II
Paul McCartney (1980)
Monster
Herbie Hancock (1980)
Closer
Joy Division (1980)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Roland CompuRhythm CR-78, it is most commonly used with the following gear.
Community setups
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