Dallas Green

Dallas received this guitar from Schecter (I believe on their tour of ‘Watch Out’. He uses it in the video for ‘No Transitory’ and for a lot of live shows around the time of the release of ‘Watch Out’

In the CBC Music live concert video "City and Colour - A Pill for Loneliness," Dallas Green can be seen using a Vox AC10 amplifier, positioned in the back right of the stage.

The caption to this Instagram post, by Walrus Audio, reads, "Sending these toys off to @cityandcolour_official today."

Unfortunately you cannot hear the LR Baggs M1 Pickup perform in this video, but you can see it very well from every angle. I'm not 100% sure if Dallas uses the active one, but I would go as far as saying that he uses LR Baggs on every single of his acoustics. You can see it in his old Martin 00-17M in this video and also in his new custom 12-fret Martin dreadnought with the orangy honey burst finish.

In this picture from this post http://www.voodoolab.com/forum/viewtopic.php?f=5&t=4577 made by Nice Rack Canada who created this pedalboard, we can spot a MXR Carbon Copy Analog Delay.

Dallas Green used this amp on his 2015 US/Canada Tour

The new tones, meanwhile, were created with the aid of some choice gear including a boutique Clark Fenderstyle 1x15 combo, Strymon effects, and a 60s Fender Jazzmaster Dallas describes as, “the perfect blend – I can make it sound supergnarly when I need it to, and I can back it off and it can be as clean as the day is long. It’s become my main guitar.”

Official Instagram photo from his pedalboard

Official instagram photo from his pedalboard

"Here's another shot of Dallas' board.

From the top right to left: Boss NS2, EHX holy Grail, telenordia TA100, Keeley Katana, MXR Micro AMp. Bottom Row: Boss TU2, Boss RV5 Reverb, MXR Carbon Copy, line 6 DL4"

Dallas Green: “Glen Morris is a guy from Welland, Ontario in Canada and he’s a custom amp builder. He built me a 100-watt head that I used in Alexisonfire for years and years and that’s the best-sounding amp I’ve ever played. When I started doing City And Colour more and more, I wanted him to build me an amp because the 100-watt head would be too loud. The Rock Grinder is usually a two-channel 50-watt Bluesbreaker-type vibe but I didn’t need the two channels so what we did is we took out and disconnected some of the knobs. Now it’s just like a 30-watt single-channel amp, almost like an AC30, but with a bit more to it. This is the amp that’s been with me probably for the last six years and it’s the bulk of my live electric guitar sound. The settings are just pretty much almost in the middle and the grind, which is your gain, is just adjusted depending on what the stage sounds like.”

A folk-sized Gibson acoustic used mostly for the earliest City and Colour solo-acoustic peformances.

This smaller scale guitar is a fantastic example of an instrument made for swift balanced flat picking and fast clear chording, perfectly suited to Dallas' unique playing style.

Dallas pictured with his white center-block Falcon.

This Epiphone semi-hollow body was used in the Waiting video, and during the Bring Me Your Love tour.

Another ES-355, this time a modern Gibson Memphis gold 355 Dallas purchased just before his 2016 Lollapalooa set.

Dallas Green uses the Klon KTR overdrive pedal, as showcased in MusicRadar's feature on professional guitarists' pedalboards.

Dallas Green is shown using the Keeley Loomer on Twitter, as seen in a post from City and Colour during the recording of their sixth album.

This Instagram post, by Walrus Audio, is captioned, "Sending these toys off to @cityandcolour_official today."

In this picture from this post http://www.voodoolab.com/forum/viewtopic.php?f=5&t=4577 made by Nice Rack Canada who created this pedalboard, we can spot a Subdecay Super Spring Theory.

Dallas' Eventide Space pedal can be seen in the "After" photo on the top row, two from the left. The article from Nice Rack Canada states, "The switcher also has a HotSwitch & Tap Tempo for the Eventide Space that Nice Rack Canada suggested to eliminate the “high mileage” Holy Grail & Digital Reverbs."

The article says he uses the bad cat drive pedal

"Here's another shot of Dallas' board.

From the top right to left: Boss NS2, EHX holy Grail, telenordia TA100, Keeley Katana, MXR Micro AMp. Bottom Row: Boss TU2, Boss RV5 Reverb, MXR Carbon Copy, line 6 DL4"

Used throughout various full-band and solo-acoustic sets.

In the official Paste Magazine concert video from the Newport Folk Festival on July 28, 2012, Dallas Green frequently plays the Gibson Blue Ridge guitar during the Little Hell album cycle.

Dallas Green uses a unique 1968 Gibson ES-355 Electric Guitar, distinguished by its custom gold paint job commissioned by the original owner. This instrument is featured in a post titled "Post-Lolla Depression" on Chicago Music Exchange's blog.

The Chicago Music Exchange post has since been taken down, but the original reverb listing can still be viewed here: https://reverb.com/ca/item/677-gibson-es-355-gold-sparkle-1968

Dallas also tells the story of how he acquired this guitar in this video: https://www.youtube.com/watch?v=Lw2dQYP7_K4&t=2s

Dallas uses a Kyser capo for his custom Martin acoustic.

In a live performance at Lollapalooza 2016, Dallas Green of City and Colour used a Shure SM58 microphone, as seen in a video by ShaneAOF on YouTube.

Dallas played this 1966 Hofner Galaxie Deluxe at Harry Rosen Underground, in Yorkville, Toronto, on May 5 2011. He was promoting the single Fragile Bird at the time.

Dallas played the J 50 during the Little Hell tour.