David Gray

The “drawing board” consisted of Gray's electric and acoustic guitars (Martin, Lauden and Gibson), an Electro-Voice D257 microphone, a 4-track, an Akai S3000 sampler and a Roland Groovebox synth. (“About half the sounds on the album come from the Groovebox,” Gray explains.) Without a recording contract or a proper studio, Gray and his drummer and sometime bassist Clune began “messing around,” without any intention of making an album. “I was writing a lot of stuff, all kind of miserable, trying to get something going again, trying to find out what I was doing,” he says.

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David Gray - Babylon (Live)

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David Gray - Please Forgive Me (live in London Hammersmith)

David performing using an SM58

David perfoming live in-studio scenario using Sennheiser e935 mic

After some time, Gray bought an ADAT to replace the 4-track. As they needed some more technical help on the project, Gray also brought in Iestyn Polson as producer. Polson, in turn, upgraded the duo to a Mac with a Logic MIDI sequencer to sync up the Groovebox and purchased an Audio-Technica 4033, bringing the mic count to a whopping two.

David Gray
Models used O25c and an O35 “A new day at midnight” and “White Ladder”

David Gray Models used O25c and an O35 “A new day at midnight” “White Ladder”

Photographic evidence, but also chatter in his forum here.

http://www.davidgrayforum.com/threads/martin-000c-david-gray-custom-guitar.469/

For those who may be wondering the model is of David's Martin guitar with the Mother of Pearl inlay in the headstock; its a 1998 Martin D-42. David currently keeps and plays the guitar in Nashville Tuning. If you want a new D42, it'll cost you a cool $5,500.

In recent years, Martin has been David Gray’s guitar of choice for live performances. So, when C.F. Martin approached him regarding the possibility of a namesake guitar, Gray embraced the opportunity. The 000C David Gray Custom Edition is much like the man’s music: understated, sophisticated and impressively realized. The Martin 000C David Gray Custom Edition guitar is a true 14-fret 000, with the traditional 15 3/16-inch wide, 4-1/16” deep body and short 24.9” scale that make this size both comfortable to hold and easy to play. Also conceived with comfort in mind is the rounded Venetian cutaway, which simplifies “up the neck” chords and notes. A unique combination of superb tonewoods gives the 000C David Gray a truly signature sound. The top of select Italian alpine spruce, paired with 5/16” Hybrid scalloped bracing, produces full, complex tone. Back and sides of genuine mahogany contribute note-tonote clarity across the strings. The modified V-shape neck, a generous 1-3/4” at the nut, is carved from genuine mahogany.

The Guardian photo: David playing a Tacoma BM6C Thunderhawk Baritone

Here is chatter from his own Forum:

http://www.davidgrayforum.com/threads/martin-000c-david-gray-custom-guitar.469/

The exceptionally large guitar, which is baritone guitar, that David plays from time to time and is featured on We Could Fall In Love Again Tonight, is a Tacoma BMC6 Baritone Thunderhawk. The standard tuning of that guitar is actually BDGCEB. Its a fairly inexpensive guitar, as its about $1,100.

Also..

Other acoustic guitars that David owns and used to play regularly in the past is a Harmony which is seen in the Shine music video and in short video extra on the Live In Slow Motion DVD, a Larivee which can be seen in the Wisdom music video, a Takamine, a thin model Guild, and the more famous big body Lowden which was used to record the entire White Ladder album and is seen through 95% of the Live At The Point DVD (the Guild and Takamine are seen in the DVD too).

David Gray: A Biography - Google Books Result https://books.google.com/books?isbn=0857120522 Michael Heatley - 2009 - ?Music

Babylon's bass line, taken off a Roland MC303 groovebox, was also simplified in the verse, allowing a shift from rhythm to melody. “It becomes more light-hearted,” explained engineer Polson, adding “It's nice to have some musical relief after the chorus has been banging away.” If old-time David Gray fans were looking for a ..

Also:

https://www.mixonline.com/recording/david-gray-375552 The “drawing board” consisted of Gray's electric and acoustic guitars (Martin, Lauden and Gibson), an Electro-Voice D257 microphone, a 4-track, an Akai S3000 sampler and a Roland Groovebox synth. (“About half the sounds on the album come from the Groovebox,” Gray explains.) Without a recording contract or a proper studio, Gray and his drummer and sometime bassist Clune began “messing around,” without any intention of making an album. “I was writing a lot of stuff, all kind of miserable, trying to get something going again, trying to find out what I was doing,” he says.

After some time, Gray bought an ADAT to replace the 4-track. As they needed some more technical help on the project, Gray also brought in Iestyn Polson as producer. Polson, in turn, upgraded the duo to a Mac with a Logic MIDI sequencer to sync up the Groovebox and purchased an Audio-Technica 4033, bringing the mic count to a whopping two.

For the mixdown, Polson and mixer George Holt borrowed an older series Soundcraft board that had a “cheap but warm” sound he prefers to the comparable Mackie. The Soundcraft, however, was quickly nicknamed “The Grumbler” because of a buzzing noise it made every few minutes due to a problem with the power supply. During the mixing, Polson had to stop to brush the corrosion off the wires. So they ended up mixing the album in Gray's front room to a Tascam DA-20 between the buzzes. “That and the drilling,” Polson laughs.

The “drawing board” consisted of Gray's electric and acoustic guitars (Martin, Lauden and Gibson), an Electro-Voice D257 microphone, a 4-track, an Akai S3000 sampler and a Roland Groovebox synth. (“About half the sounds on the album come from the Groovebox,” Gray explains.) Without a recording contract or a proper studio, Gray and his drummer and sometime bassist Clune began “messing around,” without any intention of making an album. “I was writing a lot of stuff, all kind of miserable, trying to get something going again, trying to find out what I was doing,” he says.