Pricing and availability
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Price
Average Price: $424
High-end/Boutique
$100
$401+
Price Tier
Budget
Standard
High-end
Price History
Based on price data from 4 merchants for "Audio-Technica AT4033". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Unveiling the Audio-Technica AT4033, a side-address large diaphragm cardioid condenser microphone that embraces the power of low-noise, transformerless circuitry. This gem showcases an unparalleled transient response, making it an indispensable tool for home recording or studio sessions. Its standout feature, an in-built 80Hz high-pass filter, gives you the freedom to switch between a flat frequency response and a lower end rolloff, effectively eliminating any unwanted ambient noise.
Key Features:
- Side-address large diaphragm cardioid condenser microphone
- Low-noise, transformerless circuitry for superior sound quality
- High transient response for capturing detailed audio
- In-built 80Hz high-pass filter for flexible sound control
- Ability to switch between flat frequency response and lower end rolloff
- Ideal for home recording or studio sessions
Product specs
| Brand | Audio-Technica |
| Model | AT4033/CL Large Diaphragm Cardioid Condenser Microphone |
| Finish | Black |
| Year | 2010s |
| Made In | Japan |
| Categories | Microphones |
| Electronics | Analog, Solid State |
| Microphone Type | Large-Diaphragm Condenser |
| Polar Pattern | Cardioid |
| Wired/Wireless | Wired |
FAQs
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Does the Audio-Technica AT4033 require phantom power?
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Yes, the Audio-Technica AT4033 requires 48V phantom power to operate. This is standard for condenser microphones and ensures optimal performance.
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What is the polar pattern of the Audio-Technica AT4033 microphone?
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The Audio-Technica AT4033 features a cardioid polar pattern, which is ideal for isolating sound sources and minimizing background noise, making it perfect for studio recording applications.
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Is the Audio-Technica AT4033 suitable for recording vocals?
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Yes, the Audio-Technica AT4033 is highly regarded for vocal recording due to its clear, upfront sound and exceptional transient response, providing a professional studio-quality capture.
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What instruments can the Audio-Technica AT4033 microphone be used for?
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The AT4033 is versatile and can be used to record a wide range of instruments, including brass, acoustic guitars, string instruments, and loud electric guitar amps, thanks to its clean output and fast transient response.
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Does the Audio-Technica AT4033 come with any additional features?
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Yes, the AT4033 includes a hi-pass filter and a pad switch, allowing for greater control over sound capture and handling high sound pressure levels without distortion.
Videos
The Home Studio Doctor
Microphone Test - Audio Technica AT4033 vs Rode NT1 vs Aston Spirit
Microphone Test - Audio Technica AT4033 vs Rode NT1 vs Aston Spirit
The Home Studio Doctor
Audio-Technica AT-4033 Review
Sacalait Productions
Reviews
PROS
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Exceptional for stereo micing acoustic guitar
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Superior balance and clarity, ideal for instrumentals and vocals
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Solid, quality build and durable design
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Easy setup with a great stock shock mount
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Versatile across various instruments and sounds
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High-quality sound with a clean, present, and full tone
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No noticeable noise, even in untreated rooms
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Maintains consistent quality over years
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Handles extreme SPLs well, with a 10 dB pad and HPF
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Comparable frequency range to high-end mics
CONS
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Lacks switchable polar patterns
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Size and weight may require sturdy mic stand
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Shock mount essential for effective use, not always included
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Audio-Technica AT4033.
Setup and maintenance
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Ensure the microphone's logo side faces you; it's side-address, not end-address, so correct positioning is crucial for optimal sound capture.
Source
Use cases and applications
Features and functionality
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The AT4033a is sensitive to room acoustics; positioning the mic closer to the source can reduce unwanted room noise.
Source -
The AT4033 is identified as a medium-diaphragm condenser, contrary to its large diaphragm condenser appearance.
Source -
Owners highlight the AT4033’s larger capsule and transformerless design as key to its detailed sound quality, distinguishing it from other models in the AT40XX series.
Source
User experience
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An owner noted improvement by speaking more quietly into the microphone, adjusting gain in the DAW to minimize room reflections.
Source -
Owners frequently prefer the AT4033 over other models like the AT4040, citing its versatility and smoother sound profile as major advantages for recording various sources.
Source
Comparisons
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The AT4033 is described as brighter than the AT4040, with more frequent use for vocals, guitar, and as a room mic.
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The AT4040 has a flat response up to higher frequencies with more air on the top end, whereas the AT4033 has various peaks in the high mids.
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The AT4033 is transformerless and features a larger capsule, offering a more 3D and detailed sound than the AT3035, which has a cheaper transformer.
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The AT4033 provides a smoother, less harsh sound compared to the AT4040, which is described as bright and presence-forward.
Source
Critic Reviews
4.5 out of 5
Based on 2 Reviews and 10 Ratings
Great mic!
Definitely needs the shock mount, I received it without one and it's nearly impossible to set it up, but the quality of tone and range is awesome! Though after many years of use mine finally gave out on me, I went ahead and bought the AKG C214 directly after for recording my acoustic guitars rather.
231
unmatched warmth
picks up range of frequencies comparable to the sound profile of a neumann. almost indistinguishable
40997
it picks them up differently though, trust me.... want closer to a neumannor AKG in the lows try the silver on, the 4047, with the transformer in it. Has the bass response... although I find the AT40s to have a more open and modern upper mid then any german mic and that's a good thing.
Artist usage
Add artist
Used for vocals on Champion Sound and Madvillainy, according to the following sources:
Remix September 1, 2003 (linked)
“I think Madlib pretty much just invents his own rules,” Peanut Butter Wolf muses. Studio engineer Dave Cooley claims that holds true even when a different setup is needed. For “React,” Jay Dee's beat and 'lib's turntable cuts were flown into Digidesign Pro Tools from separate stereo and 4-track masters. Madlib then tracked his vocals on an Audio-Technica 4033A and a Shure SM7, from there going into a Neve 1099 preamp, a GML 8200 EQ, a Universal Audio 1176LN limiting amplifier and finally a dbx 902 De-Esser. “We usually de-ess maybe 4 dB off of the vocals and then compress with a ratio of 8 to 1, which is pretty high,” Cooley explains. “But Madlib likes his shit loud, and it's mixed loud to begin with. He has a really cool ‘angular’ mixing style: Something is always sticking out.”
Dave Cooley, yeloocproducer on Gearslutz, November 12, 2006 (discussing MF Doom's Madvillainy vocal chain)
AT 4033 I believe. We did some stuff on SM7 on the unreleased (internet circulated) madvillain, but Doom decided to go for a more laid back, lo-energy feel (in his delivery) for the final Madvillain.
Agno on Gearslutz, January 7, 2007
He's right... it's an AT4033.
Dave Cooley, yelooproducer on Gearslutz, August 3, 2008
Madlib... SM57, SM7, or AT4033 if I remember correctly.... pre's would be mackie or VS880 straight in for the most part.
Doom... AT4033, don't know what kind of pre.
This is just what I remember....not positive though.
Used for Madvillainy, as stated by mixing and mastering engineer Dave Cooley (yeloocproducer) in this November 12, 2006 Gearslutz forum post. This was confirmed in the same thread by Agno in this January 7, 2007 reply.
yelooproducer, November 12, 2006
AT 4033 I believe. We did some stuff on SM7 on the unreleased (internet circulated) madvillain, but Doom decided to go for a more laid back, lo-energy feel (in his delivery) for the final Madvillain.
Agno, January 7, 2007
He's right... it's an AT4033.
yelooproducer restated the use in this August 3, 2008 Gearslutz post.
Madlib... SM57, SM7, or AT4033 if I remember correctly.... pre's would be mackie or VS880 straight in for the most part.
Doom... AT4033, don't know what kind of pre.
This is just what I remember....not positive though.
The provided image clearly shows Daniel Kessler, guitarist known for his work across various rock and alternative genres, utilizing an Audio-Technica AT4033 condenser microphone placed on his Fender Princeton amplifier. This visual evidence confirms Kessler's choice of gear for capturing the sound of his amplifier.
After some time, Gray bought an ADAT to replace the 4-track. As they needed some more technical help on the project, Gray also brought in Iestyn Polson as producer. Polson, in turn, upgraded the duo to a Mac with a Logic MIDI sequencer to sync up the Groovebox and purchased an Audio-Technica 4033, bringing the mic count to a whopping two.
"Vocals were straight forward. I used an Audio Technica AT-4033 condensor microphone into the SSL preamp."
In this studio video of 2017, we see Bugo singing with this microphone (starting from minute 0:33).
Rezo uses the Audio-Technica AT4033 microphone to record his vocals, as shown in a video reuploaded by Pvnkclouds on YouTube titled "Rezo - Spontan Nachts Um 3...".
Bertrand Poncet has an Audio-Technica AT4033 microphone in his studio, as noted on the Alias Studio website.
Marc Korn lists the Audio-Technica AT4033 among the studio equipment he uses for music production, as detailed on his archived website.
Album Usage
The Audio-Technica AT4033 has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Audio-Technica AT4033, it is most commonly used with the following gear.
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