Harry Connick, Jr.

Used for vocals on Connick's 2004 tour, as mentioned by sound engineer Gregg Rubin in this July 1, 2004 Mix Online article.

The D5 also offers space savings over a comparable analog board and the preamp racks are onstage. All of the effects processing — expect for Tube-Tech CL-1B compressors (vocals) and XTA DP-226s (crossovers, house EQ and delays) — takes place in the console.

Used for vocals on Connick's 2004 tour, as mentioned by sound engineer Gregg Rubin in this July 1, 2004 Mix Online article.

Mics include Neumann KK105 wireless (with Sennheiser SKM5000 N RF system) and Neumann KMS105 wired units for vocals; Shure KSM32s and Schertler pickups for piano; Neumann KM185s and Electro-Voice RE-20s for bass; Neumann KM184s and Shure Beta 52s, Beta 98s and SM57s for drums; Neumann TLM193s for saxes; Neumann TLM127s for trombones; Royer R-122s for trumpets; and Sennheiser MKE-4, Audio Technica ATM-35s and Shure Beta 98HC for instrument RFs.

Used for the piano on Connick's 2004 tour, as mentioned by sound engineer Gregg Rubin in this July 1, 2004 Mix Online article.

Mics include Neumann KK105 wireless (with Sennheiser SKM5000 N RF system) and Neumann KMS105 wired units for vocals; Shure KSM32s and Schertler pickups for piano; Neumann KM185s and Electro-Voice RE-20s for bass; Neumann KM184s and Shure Beta 52s, Beta 98s and SM57s for drums; Neumann TLM193s for saxes; Neumann TLM127s for trombones; Royer R-122s for trumpets; and Sennheiser MKE-4, Audio Technica ATM-35s and Shure Beta 98HC for instrument RFs.

Used for vocals on Connick's 2004 tour, as mentioned by sound engineer Gregg Rubin in this July 1, 2004 Mix Online article.

Mics include Neumann KK105 wireless (with Sennheiser SKM5000 N RF system) and Neumann KMS105 wired units for vocals; Shure KSM32s and Schertler pickups for piano; Neumann KM185s and Electro-Voice RE-20s for bass; Neumann KM184s and Shure Beta 52s, Beta 98s and SM57s for drums; Neumann TLM193s for saxes; Neumann TLM127s for trombones; Royer R-122s for trumpets; and Sennheiser MKE-4, Audio Technica ATM-35s and Shure Beta 98HC for instrument RFs.

Used for vocals on Connick's 2004 tour, as mentioned by sound engineer Gregg Rubin in this July 1, 2004 Mix Online article.

Mics include Neumann KK105 wireless (with Sennheiser SKM5000 N RF system) and Neumann KMS105 wired units for vocals; Shure KSM32s and Schertler pickups for piano; Neumann KM185s and Electro-Voice RE-20s for bass; Neumann KM184s and Shure Beta 52s, Beta 98s and SM57s for drums; Neumann TLM193s for saxes; Neumann TLM127s for trombones; Royer R-122s for trumpets; and Sennheiser MKE-4, Audio Technica ATM-35s and Shure Beta 98HC for instrument RFs.

Used on That Would Be Me, as featured in this article by Advanced Audio.

[Producer] Butch [Walker] has used it on main vocals for the last few albums he has produced, including Harry Connick Jr's "That Would Be Me" and Gaslight Anthem's Brian Fallon's first solo album,"Painkillers."

Mentioned in this FAQ page by Connick's label, Marsalis Music.

What piano do you play?

Steinway Model D - 9’ Concert Grand Piano Late 1990’s model

Used on Occasion: Connick on Piano, Vol. 2, as observed in this Gearslutz forum by user sedohr.

Well, on this album called Occasion they have photos inside the sleeve from the location they recorded the music. Both dressed very informally, focusing on the music. Harry in a sweater, jeans and white socks, his dirty tired sneakers lying beside the grand piano, Branford in some sport clothing, both very casual. They sit around the piano, we see some U87s and more mics...and on a chair nearby is Harrys headphone amp: A BERHRINGER POWERPLAY!!!

One of the instructors, as specified on the Music Instructors page.