Jimmy Douglass

Jimmy Douglass

engineer

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Jimmy Douglass' Gear

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In this video at 0:25 see Universal Audio 1176LN Limiting Amplifier

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In this video at 0:36 see Pultec Program Equalizer EQP-1A

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In this video at 2:41 see Eventide H3000 SE Ultra-Harmonizer

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In this video at 3:38 see UAD RealVerb Pro

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In this video at 3:41 see Mod Delay III

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How did you get turned onto Sonnox plug ins?

Well, when I came down here to The Hit Factory around 2000, they had an Oxford console That console was the one that made a lot of sense to me. From there, I got used to the sound of their EQ’s.

So which Oxfords do use?

The EQ and the Trans Mod.

You have a lot of different EQs, so why the Oxford?

Well, because it’s the first digital EQ that I got used to using, and really learned the curve on. It’s a great general EQ and when I want something smooth and transparent, that’s the one that I will turn to.

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So which Oxfords do use?

The EQ and the Trans Mod.

How do you use the Trans Mod?

It’s really great on drums and such. I use it to change the attacks of them, and it’s also good on percussion too. But besides the drums, I’ve also used it on different instruments, like bass and keyboards.

In general, I think of it as a tool that can change the attack and release of instruments and drums. It can make things fatter, thinner and so on. I kind of view it as a modern gate. It can expand, it can increase the slope of the attack, and you can actually tighten and even clip sounds with it too.

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    axel_f

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